Retainers of Anarchy' is a solo exhibition featuring new work from Howie Tsui that considers wuxia as a narrative tool for dissidence and resistance. Wuxia, a traditional form of martial arts literature that expanded into 20th century popular film and television, was created out of narratives and characters often from lower social classes that uphold chivalric ideals against oppressive forces during unstable times. The people?s republic of china placed wuxia under heavy censorship for fear of arousing anti-government sentiment. However practitioners advanced the form in Hong Kong making it one of the most popular genres of Chinese fiction. The title work, Retainers of Anarchy, is a 25-metre scroll-like video installation that references life during the song dynasty (960?1279 CE), but undermines its idealized portraiture of social cohesion by setting the narrative in Kowloon?s notorious walled city?an ungoverned tenement of disenfranchised refugees in Hong Kong which was demolished in 1994.00Exhibition: Vancouver Art Gallery, Canada (04.03.-28.05.2017).
A stunning tribute to our eternal fascination with the human body - and the latest in the bestselling 'Explorer' Collection Anatomy: Exploring the Human Body is a visually compelling survey of more than 5,000 years of image-making. Through 300 remarkable works, selected and curated by an international panel of anatomists, curators, academics, and specialists, the book chronicles the intriguing visual history of human anatomy, showcasing its amazing complexity and our ongoing fascination with the systems and functions of our bodies. Exploring individual parts of the human body from head to toe, and revealing the intricate functions of body systems, such as the nerves, muscles, organs, digestive system, brain, and senses, this authoritative book presents iconic examples alongside rarely seen, breathtaking works. The 300 entries are arranged with juxtapositions of contrasting and complementary illustrations to allow for thought-provoking, lively, and stimulating reading.
The Canada Council for the Arts is the country’s largest provider of grants for artists and arts organizations, benefiting not only writers, visual artists, performers, and musicians but Canadian culture as a whole. In The Roots of Culture, the Power of Art Monica Gattinger outlines the history of the Canada Council, the impetus for its foundation, and the ongoing debate about its goals and impact. Tracing the Council’s gradual shift from focusing on artistic supply and building the roots of Canadian arts and culture in its early years to its expanded focus on the power of the arts in society over time, Gattinger describes how leaders have navigated core tensions inherent in the Council’s activities. She examines the arguments for and against “art for art’s sake” and pursuing broader social and economic aims through the arts, as well as the inherent political conflicts between serving the needs of the artistic community and the needs of Canadian society, between leadership and followership, between autonomy and collaboration, and between emerging and established artistic practices. Combining lively storytelling with insightful analysis, and beautifully produced with dozens of photos of the art, people, and events that have shaped the organization through the years, The Roots of Culture, the Power of Art is essential reading for those with an interest in Canadian arts and culture and cultural policy.
This aim of this open access book is to launch an international, cross-disciplinary conversation on fatherhood engagement. By integrating perspective from three sectors -- Health, Social Policy, and Work in Organizations -- the book offers a novel perspective on the benefits of engaged fatherhood for men, for families, and for gender equality. The chapters are crafted to engaged broad audiences, including policy makers and organizational leaders, healthcare practitioners and fellow scholars, as well as families and their loved ones.
International Arbitration: Law and Practice (Third Edition) provides comprehensive and authoritative coverage of the basic principles and legal doctrines, and the practice, of international arbitration. The book contains a systematic, but concise, treatment of all aspects of the arbitral process, including international arbitration agreements, international arbitral proceedings and international arbitral awards. The Third Edition guides both students and practitioners through the entire arbitral process, beginning with drafting, enforcing and interpreting international arbitration agreements, to selecting arbitrators and conducting arbitral proceedings, to recognizing, enforcing and seeking to annul arbitral awards. The book is written in clear, accessible language, suited for both law students and non-specialist practitioners, as well as more experienced readers. This highly regarded work addresses both international commercial arbitration and the related fields of investment and state-to-state arbitration and is essential reading for any student of international arbitration and any practitioner seeking a complete introduction to the field. The Third Edition has been comprehensively updated to include recent legislative amendments, judicial decisions and arbitral awards. Among other things, the book provides detailed treatment of the New York Convention, the UNCITRAL Model Law on International Commercial Arbitration, all leading institutional arbitration rules (including ICC, SIAC, LCIA, AAA and others), the ICSID Convention and ICSID Arbitration Rules, and judicial decisions from leading jurisdictions. The Third Edition is integrated with the author’s classic International Commercial Arbitration and with the online Born International Arbitration Lectures, enabling students, teachers and practitioners to explore particular topics in more detail. About the Author: Gary B. Born is the world’s leading authority on international arbitration and litigation. He has practiced extensively in both fields in Europe, the United States, Asia and elsewhere. He is the author of International Commercial Arbitration (Kluwer Law International 3rd ed. 2021), International Arbitration and Forum Selection Agreements: Drafting and Enforcing (Kluwer Law International 6th ed. 2021), International Commercial Arbitration: Cases and Materials (Aspen 3rd ed. 2021) and International Civil Litigation in United States Courts (Aspen 6th ed. 2018).
A riveting account of the state of Arizona, seen through the lens of the Tucson shootings On January 8, 2011, twenty-two-year-old Jared Lee Loughner opened fire at a Tucson meet-and-greet held by U.S. Representative Gabrielle Giffords. The incident left six people dead and eighteen injured, including Giffords, whom he shot in the head. Award-winning author and fifth generation Arizonan Tom Zoellner, a longtime friend of Giffords's and a field organizer on her Congressional campaign, uses the tragedy as a jumping-off point to expose the fault lines in Arizona's political and socioeconomic landscape that allowed this to happen: the harmful political rhetoric, the inept state government, the lingering effects of the housing market's boom and bust, the proliferation and accessibility of guns, the lack of established communities, and the hysteria surrounding issues of race and immigration. Zoellner's account includes interviews with those directly involved and effected, including Arizona's controversial Sheriff Joe Arpaio. Zoellner offers a revealing portrait of the Southwestern state at a critical moment in history- and as a symbol of the nation's discontents and uncertainties. Ultimately, it is his rallying cry for a saner, more civil way of life
"Published on the occasion of the exhibition International Pop, organized by Darsie Alexander with Bartholomew Ryan for the Walker Art Center, Minneapolis."
Two of Canada’s most famous visual artists take on the book medium in their own hilarious way Library is a collection of paintings by two of Canada’s most influential contemporary artists, Michael Dumontier and Neil Farber. From the simple premise of the book title comes a series of images that are laugh-out-loud funny. A collection of book covers adorned with titles painted in simple handwritten fonts are displayed on brightly colored hardboard. Each book forms part of an ongoing series Dumontier and Farber started in 2009. In Dumontier and Farber’s Library, titles like I Lost the Human Race, Change Your Relationship to Your Unchangeable Past, and I Have a Medical Condition That Makes It So I Don’t Have to Talk to You offer surprising and astute observations, all in the duo’s characteristic deadpan style. The simplicity of the shapes and text evokes an immediate but lasting profundity, with each piece causing one to wonder about the thoughts that roam their consciousness, and the books that take up residence on their—and our—shelves. Dumontier and Farber are founding members of the influential art collective the Royal Art Lodge, and have been collaborating on art projects for more than fifteen years, exhibiting internationally. Library is playful and insightful as it pokes and prods at the human condition.
Everything is Relevant: Writings on Art and Life, 1991-2018 brings together texts by Canadian artist Ken Lum. They include diary entries, articles, catalogue essays, curatorial statements, a letter to an editor, and more. Along the way, the reader learns about late modern, postmodern, and contemporary art practices, as well as debates around issues such as race, class, and monumentality. Penetrating, insightful, and often moving, Lum's writings are essential for understanding his varied practice, which has often been prescient of developments within contemporary art.
