There is one sure-fire way of improving your novel "fast." . . You may know the fundamentals of how to write fiction. You may be more than competent in plot, structure and characters. But if your dialogue is dull it will drag the whole story down. On the other hand, if your dialogue is crisp and full of tension it "immediately" grabs the reader. And if that reader is an agent or editor, sharp dialogue will give them instant assurance that you know what you're doing as a writer. Writing a bestseller or hot screenplay is no easy task, but dazzling dialogue is an absolute essential if you want to get there. The best part is, the skills of the dialogue craft are easy to understand and put into practice. #1 bestselling writing coach James Scott Bell has put together and expanded upon the dialogue lectures from his popular writing seminars. In "How to Write Dazzling Dialogue" you'll learn: What fictional dialogue is ... and isn't The 11 secrets of crafting memorable dialogue The 5 essential tasks of dialogue 5 ways to improve your dialogue ear 4 can't-miss methods to increase conflict and tension in any dialogue exchange The top 10 dialogue issues, and how to resolve them You'll also see dazzling dialogue in action with examples from hit novels and screenplays. Don't sabotage your chances of selling your work to readers or publishers because the dialogue is unexceptional. Dazzle them with what the characters say. "How to Write Dazzling Dialogue" will give you the tools to do it.
Whether you're writing an argument, a love scene, a powwow among sixth graders or scientists in a lab, this book demonstrates how to write dialogue that sounds authentic and original. &break;&break;You'll learn ways to find ideas for literary discussions by tuning in to what you hear every day. You'll learn to use gestures instead of speech, to insert silences that are as effective as outbursts, to add shifts in tone, and other strategies for making conversations more compelling. Nuts and bolts are covered, too - formatting, punctuation, dialogue tags - everything you need to get your characters talking.
Write authentic dialogue that invigorates your story! Exceptional dialogue isn't just important when writing fiction--it's essential. In order to impress an agent or editor and keep readers turning pages, you need to deliver truly standout dialogue in every scene. Crafting Dynamic Dialogue will give you the techniques and examples you need to impress your readers. This book is a comprehensive guide to writing compelling dialogue that rings true. Each section is packed with advice and instruction from best-selling authors and instructors like Nancy Kress, Elizabeth Sims, Steven James, Deborah Halverson, James Scott Bell, Donald Maass, Cheryl St. John, and many others. They'll show you how to: • Bend the rules to create a specific effect • Understand the role of dialogue in reader engagement • Use dialect and jargon effectively • Give every character a believable, unique voice • Set the pace and tone • Reveal specific character background details • Generate tension and suspense • Utilize internal dialogue Whether you're writing flash fiction, a short story, or a novel-length manuscript, Crafting Dynamic Dialogue will help you develop, write, and refine dialogue to keep your readers hooked.
Rejection e-mails from agents and editors clogging your inbox? Getting the same rejection slips over and over again? It could be pacing, plot, narrative engine . . . or maybe what your characters say just isn't getting the job done. Outstanding dialogue is often the difference between a good book and a great book. How does yours stack up? With nine books published with imprints of Random House, Abrams, and Simon & Schuster, and more than twenty years of experience as an actor and director, author, writing teacher, and Bram Stoker Award Finalist Tom Leveen guides you through everything you need to improve your writing, make your dialogue shine, and get your book noticed and talked about by readers, agents, and editors alike! Learn how to start with a great plot and conflict to form the foundation of awesome dialogue Discover actors’ techniques to give your characters strength and purpose Improve on setting scenes and building relationships between characters and more! What people are saying about Tom Leveen’s dialogue, voice, and character: Party “I must say that I’m absolutely in awe of Leveen’s ability to build such distinct and totally believable voice for eleven characters [protagonists] in one novel.” ~ fortheloveofya.com Zero “Well written, with a distinct and fantastically done voice, Zero is an unflinching must read.” ~ agoodaddiction.blogspot.com “[H]is voice is fresh and strong and consistent.” ~ scratchingcat.wordpress.com “Part of what makes the book, and the voice, believable is Leveen’s ability to channel a teenage girl and make her real. It’s all there—the insecurity, the bravado, the conflicting feelings about sex, the sense that your whole life is in front of you, which is both exhilarating and paralyzing.” ~ The Phoenix New Times manicpixiedreamgirl “[I]t’s the relationships between the novel’s teenage characters that are the real standouts. Tyler’s crass banter with his buddies, his snarky but supportive relationship with his sister, and his botched dealings with both Becky and Sydney are entirely realistic.” ~ Publisher’s Weekly “Tom Leveen has a unique voice and writes interesting male characters, so I was intrigued to check out his latest book manicpixiedreamgirl. Leveen’s characters are usually creative types and not the typical leading men you see in YA. . . . I thought the male voice in manicpixiedreamgirl was very strong and unique.” ~ thereadingdate.com Random “Author Tom Leveen presents a powerful story with a plot so real, readers will be gripped from the very first page.” ~ readingjunky.blogspot.com Sick “[Leveen] really nails the ‘guy’ dialogue as well—it is gross, colorful, and at times, downright funny.” ~ VOYA (Voice of Youth Advocates) “In an exciting take on the zombie novel, Leveen … shifts to horror while maintaining his trademark complex relationships and character-driven storytelling.” ~ Publisher’s Weekly “Tom Leveen’s voice is truly one of the best elements…” ~ blog.homoeoteleuton.com Shackled “The prose is tight and the dialogue lends emotion to the character’s mental state, properly complementing this plot-driven setup.” ~ School Library Journal “…impeccably written with true-to-life dialogue and characters I can relate to…” ~ literologie.com
A powerful secret and a fresh approach to writing bestselling fiction! What's the best way to write a "next level" novel? Some writers start at the beginning and let the story unfold without a plan. They are called "pantsers," because they write by the "seat of the pants." Other writers plan and outline and know the ending before they start. These are the "plotters." The two sides never seem to agree with each other on the best approach. But what if it's not the beginning or the end that is the key to a successful book? What if, amazing as it may seem, the place to begin writing your novel is in the very middle of the story? According to #1 bestselling writing teacher James Scott Bell, that's exactly where you'll find your story's heart and heat. Bell's "Mirror Moment" is the secret, and its power is available to any writer, at any stage of the writing process. Bringing together years of craft study and personal discovery, Bell presents a truly unique approach to writing a novel, one that will stand the test of time and serve you all your writing life. "I need three things before I tackle a new novel: Diet Coke, a laptop, and my dog-eared copies of James Scott Bell's books on writing craft!"- Kami Garcia, #1 NYT Times & International Bestselling author
Strategies and Tactics for the Master Novelist Successfully starting and finishing a publishable novel is often like fighting a series of battles. You not only have to work hard to shape memorable characters, develop gripping plots, and craft dazzling dialogue, but you also have to fight against self-doubts and fears. And then there's the challenge of learning to navigate the ever-changing publishing industry. That's why best-selling novelist James Scott Bell, author of the Write Great Fiction staples Plot & Structure and Revision & Self-Editing, came up with the ultimate novel-writing battle plan: The Art of War for Writers. You'll find tactics and strategies for idea generation and development, character building, plotting, drafting, querying and submitting, dealing with rejection, coping with unrealistic expectations, and much more. With timeless, innovative, and concise writing reflections and techniques, The Art of War for Writers is your roadmap to victory.
When you Read Like a Writer (RLW) you work to identify some of the choices the author made so that you can better understand how such choices might arise in your own writing. The idea is to carefully examine the things you read, looking at the writerly techniques in the text in order to decide if you might want to adopt similar (or the same) techniques in your writing. You are reading to learn about writing. Instead of reading for content or to better understand the ideas in the writing (which you will automatically do to some degree anyway), you are trying to understand how the piece of writing was put together by the author and what you can learn about writing by reading a particular text. As you read in this way, you think about how the choices the author made and the techniques that he/she used are influencing your own responses as a reader. What is it about the way this text is written that makes you feel and respond the way you do?
Story loves structure...and so do readers! Super Structure represents over two decades of research on what makes a novel or screenplay entertaining, commercial, original, and irresistible. Contrary to what some may think, structure is not a nasty inhibitor of creativity. Quite the opposite. Properly understood and utilized, structure is what translates story into a form readers are wired to receive it. And it is only when readers truly connect with your story that they turn from casual readers into fans. The material in this book greatly expands upon the chapter on structure in Write Your Novel From the Middle. Super Structure can be considered a companion to that book, but it also stands alone in its treatment of the elements of a solid and pleasing plot. Here's more good news: Super Structure will work for any type of writer--those who like to outline, those who just fly by "the seat of the pants," and those who do a little of both. That's because Super Structure stresses the concept of "signpost scenes." There are fourteen signpost scenes, or beats, that can be used to create an entire plot, the skeleton of an idea, or a map to help you figure out what to write next. Every signpost is given its own chapter and explanation, along with a section called "Helpful Hints for Plotters and Pantsers," showing you how to apply what you've learned and adapt it to your own style of writing. Never write a weak novel or screenplay again. Super Structure is a proven foundation that never fails. It frees you to add your original voice and vision, all of which adds up to bestselling fiction and hit screenplays. "I need three things before I tackle a new novel: Diet Coke, a laptop, and my dog-eared copies of James Scott Bell's books on writing craft!"- Kami Garcia, #1 NY Times & International Bestselling author
Type Hard. Type Fast. Make Dough. That was the formula of old-school pulp fiction-plot-driven, popular and gobbled up by a reading public hungry for more. And it produced many writers who hammered out a living selling "cash-and-carry" stories and novels. Some of these writers were among the best America has ever produced. Writers like Raymond Chandler, Dashiell Hammett and John D. MacDonald. Others are numbered among the bestselling authors of all time, including Erle Stanley Gardner, Lester Dent, and Frederick Faust (better known by his pen name, Max Brand). What were the secrets of these successful pulp writers? And how can any writer, of any genre, use them to produce fiction that sells? How to Write Pulp Fiction will teach you: - how to be more prolific - the secrets of pulp plotting - how to elevate your pulp prose - the fiction "formulas" of some of the best pulp writers of all time - the bestselling genres - how to harness the power of the series character - the most effective publishing strategies - how to market your pulp fiction Added bonus! The Start-A-Plot Machine, a brainstorming partner that will help you instantly generate a story or novel idea. You'll never again wonder what to write next. There has never been a better time to be a writer. By tapping into the vibe of the pulp writers of old, and making use of the tools of publication available now, any hard-working writer has a serious shot at realizing steady income from their fiction. "James Scott Bell is my go-to writing guru!" - Terri Blackstock, New York Times bestselling writer
What will take your fiction from good to great? From decent to dazzling? From lackluster to blockbuster? Characters who "jump off the page." Of course plot matters. So does conflict, and scenes, and every other aspect of the fiction craft. But without unforgettable characters, your books will always be less than they could be. Don't let that happen. In WRITING UNFORGETTABLE CHARACTERS you'll learn: -How to lay the foundation for a memorable character -How to bond the reader with the main character from the start -The super power of unpredictability -The secrets of grit, wit, and moxie -How to bring your character to life on the page-How and when to reveal backstory -All about arcs and what they truly mean -The key to unforgettable villains-How to make minor characters memorable, too -How to create a great series character And more, PLUS the powerful exercises James Scott Bell has taught in his sold-out writing workshops. No more flat stories! Give your readers what will turn them into career-long fans-characters who jump off the page.
