The dragons of Berk are coming to Dark Horse! Hiccup, Toothless, and all their dragon-riding friends from DreamWorks Animation's acclaimed How to Train Your Dragon films are starting new adventures in comics! Created with the help of the film's writer, director, and producer Dean DeBlois, these graphic novellas will bridge the gap between the second film and the upcoming third film. More adventures, more dragon lore, and more fun! You won't have to wait years for more dragons; they are coming to you--in comics!
This second standalone graphic novel based on the film series is a new adventure that takes place shortly after the events in How to Train Your Dragon 2, during the period in which Hiccup is desperately trying to fill his father's role as the chief of Berk. Created with the help of the film's writer, director, and producer, Dean DeBlois, it bridges the gap between the second and third films. Hiccup, Toothless, and the rest of the dragon riders encounter two deadly yet mysteriously linked threats: One is an island consumed by Dragonvine, an uncontrollable force of nature that's poisonous to humans and deadly to dragons. The other is an all-new, all-terrifying dragon species--the web-spitting Silkspanners!
All-new comic strip adventures starring Hiccup, Toothless and Friends (and Enemies)! A Witch named Skuld the Sorceress threatens Berk with destruction, having already destroyed several other villages. She starts displaying her powers by making the skies turn black... But is all as it seems...?
Hiccup is a teenage Viking from the Isle of Berk, where fighting dragons is a way of life. His progressive views and dry sense of humor make him a misfit, despite the fact that his father is chief of the tribe. Tossed into dragon-fighting school, he endeavors to prove himself a true Viking, but when he befriends an injured dragon he names Toothless, he has the chance to plot a new course for his people—and dragonkind. Fans will love the graphic novel style retelling of this epic adventure from the hit DreamWorks Animation movie, How to Train Your Dragon.
New York Times Bestseller * Indiebound Bestseller * An Amazon Best Book of 2019 * B&N's YA Book Club Pick "A brilliant debut, full of everything I love: a sparkling and fully realized heroine, an intricate and deadly system of magic, and a searing romance that kept me reading long into the night. Serpent & Dove is an absolute gem of a book." —Sarah J. Maas, #1 New York Times bestselling author of A Court of Thorns and Roses series Bound as one, to love, honor, or burn. Book one of a stunning fantasy trilogy, this tale of witchcraft and forbidden love is perfect for fans of Kendare Blake and Sara Holland. Two years ago, Louise le Blanc fled her coven and took shelter in the city of Cesarine, forsaking all magic and living off whatever she could steal. There, witches like Lou are hunted. They are feared. And they are burned. As a huntsman of the Church, Reid Diggory has lived his life by one principle: Thou shalt not suffer a witch to live. But when Lou pulls a wicked stunt, the two are forced into an impossible situation—marriage. Lou, unable to ignore her growing feelings, yet powerless to change what she is, must make a choice. And love makes fools of us all. Don't miss Gods & Monsters, the spellbinding conclusion of this epic trilogy!
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
