How to Run a Theatre

How to Run a Theatre

Author: Jim Volz

Publisher: A&C Black

Published: 2013-06-06

Total Pages: 248

ISBN-13: 1408155060

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"All of us in the arts field are hungry to improve our skills in arts management. The grim tenor of the times makes this witty and fun guide even more valuable to us all!" Ben Cameron, Former Executive Director, Theater Communications Group "Dr. Jim Volz knows how to organize, how to manage, how to motivate, how to assign priorities. In short, he knows how to get the job done." Abe J. Bassett, Former Dean, Indiana University/Purdue University Jim Volz is one of America's leading theatre consultants with over three decades of work with theatre, dance, music, museum and arts center management. Now, Jim Volz brings his expertise to anyone who works in arts management, from novices to middle managers to executive directors. How to Run a Theater is a unique, dynamic, and savvy guide to building an arts institution that works. Drawing on more than 30 years of experience, here is practical advice on a variety of management skills: Financial Management; Personnel Management; Fundraising Development; Board of Trustees Communications; and Marketing & Audience Development. This new edition is thoroughly updated and revised and now includes a Board of Trustee Contract, new budget exercise with ticket income formulae and the use of social networking for marketing and fundraising.


Play Director's Survival Kit

Play Director's Survival Kit

Author: James W. Rodgers

Publisher: John Wiley & Sons

Published: 1997-11-06

Total Pages: 310

ISBN-13: 9780876285657

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This expansive guide covers the where, when, and how for every step of school play production, including play selection and adaptation, auditions, casting and dealing with disappointed students, budgeting, coaching actors, setting up a production team, rehearsals, publicity, and promotion.


How to Start Your Own Theater Company

How to Start Your Own Theater Company

Author: Reginald Nelson

Publisher: Chicago Review Press

Published: 2010

Total Pages: 205

ISBN-13: 1556528132

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With advice and instruction from an experienced actor and theater director, this pragmatic, authoritative guide imparts backstage know-how for wouldbe playhouse practitioners on everything from fundraising and finding a space to selecting plays and navigating legal issues. Chronicling three seasons at Chicago's award-winning Congo Square Theatre, this journey behind the curtain reveals the nitty-gritty details--such as managing rent, parking, and safety issues; determining tax status and calculating budgets; and finding flexible day jobs--that are often overlooked amid the zeal of artistic pursuit. Inspired by Congo Square's own unique inception, the valuable how-to also speaks directly to the many underserved audiences who want to create their own companies, including African American, Asian American, Latino, physically challenged, and GLBT communities. With lists of Equity offices, legal advisers, and important organizations, this complete resource is sure to help ambitious theater lovers establish and maintain their own successful companies.


Working Actor

Working Actor

Author: David Dean Bottrell

Publisher: Ten Speed Press

Published: 2019-02-19

Total Pages: 240

ISBN-13: 039958191X

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Veteran character actor David Dean Bottrell draws on his 35+ tumultuous years of work in the entertainment industry to offer a guide to breaking in, making a living, and making a life in the fabulous trenches of show business. Covers every facet of the business, including: - Capturing the perfect headshot - Starting (and maintaining) your network - Picking an agent - Audition do’s and don’ts - Joining the union(s): SAG-AFTRA and Actors Equity Association (AEA) - On stage vs on screen - Paying the bills - Self-promotion - Late bloomers - When to get out David Dean Bottrell has worn many different hats during his decades in showbiz: television actor with appearances on Boston Legal, Modern Family, The Blacklist, Mad Men, True Blood, NCIS, and Days of Our Lives; screenwriter for Paramount and Disney; respected acting teacher at UCLA and AADA; and regular expert columnist for esteemed acting site Backstage. In Working Actor, Bottrell offers a how-to manual jammed with practical information and insider advice, essential reading for any artist (aspiring or established) in need of insight or inspiration. Mixing prescriptive advice ("Getting Started," "Learning Your Craft," "Finding an Agent") with wisdom drawn from Bottrell's own professional highs and lows and those of his acting compatriots, this book's humorous, tell-it-like-it-is tone is a must-have guide for anyone hoping to successfully navigate show business.


The Subversive Copy Editor

The Subversive Copy Editor

Author: Carol Fisher Saller

Publisher: University of Chicago Press

Published: 2009-08-01

Total Pages: 151

ISBN-13: 0226734102

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Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.


How to Run a Small Box Office

How to Run a Small Box Office

Author: Kirsten Beck

Publisher:

Published: 1980

Total Pages: 100

ISBN-13:

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This is the first in an OOBA monograph series providing practical assistance for Off Off Broadway (008) theatres. This booklet gives basic procedures for operating an Off Off Broadway box office serving a general admission theatre with 100 seats or less. Small music, dance, multi-media performance groups and community arts organizations will also find the information given here helpful. Topics covered include: tickets, physical set-up, reservations, sales and box office closing. While the main purpose of any box office is to distribute tickets, it must also serve as a control-to make possible an accurate accounting system for tickets purchased and money received. In addition, the box office is a potent public relations tool for any theatre; it is often the only place where the audience meets a personal representative of the theatre. If your box office is well run, you can quickly answer these questions: 1. Why is there so little cash to deposit when the reservation book indicated the house was nearly sold out last night? 2. How much money did we take in last night? Last week? During the last production? Last season? 3. What percentage of this season's ticket sales was full price? How does that compare to last season's figures? 4. What percentage of the audience buys tickets with Theatre Development Fund (TDF) Vouchers (see footnote p. 38)? Does that have mailing list implications? 5. Are we fulfilling City and State regulations? 6. Do we have accurate records, for an auditor, funding source, or legal authority that demonstrate the existence of adequate procedures and controls?


Theatre Management and Production in America

Theatre Management and Production in America

Author: Stephen Langley

Publisher: Drama Publishers/Quite Specific Media

Published: 1990

Total Pages: 720

ISBN-13:

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In this second revised edition of his book first published in 1974, Langley analyzes theater management principles and practice with updated examples. He has added major new chapters on non-profit professional theater, presenting organizations, and budget planning; and he has expanded existing material on marketing, computerized ticketing, advertising, fundraising, U.S. labor law and collective bargaining, audience psychology, and managing the artisic temperament. The appendices include a sample National Endowment for the Arts application form and an annotated guide to national and regional arts service organizations. ISBN 0-89676-115-0: $37.50.


Lend Me a Tenor

Lend Me a Tenor

Author: Ken Ludwig

Publisher: Samuel French, Inc.

Published: 1989

Total Pages: 148

ISBN-13: 9780573691218

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Set in 1930, a world-renowned Italian tenor arrives to perform Othello but is too indisposed to go on.


Drama Menu

Drama Menu

Author: Glyn Trefor-Jones

Publisher:

Published: 2015

Total Pages: 0

ISBN-13: 9781848422858

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Packed full of drama games, ideas and suggestions, Drama Menu is a unique new resource for drama teachers.