How to Organize and Conduct Community Film Workshops
Author: Louis S. Goodman
Publisher:
Published: 1948
Total Pages: 24
ISBN-13:
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Author: Louis S. Goodman
Publisher:
Published: 1948
Total Pages: 24
ISBN-13:
DOWNLOAD EBOOKAuthor: Robert H. Schacht
Publisher:
Published: 1950
Total Pages: 20
ISBN-13:
DOWNLOAD EBOOKAuthor: Virginia Beard
Publisher:
Published: 1949
Total Pages: 24
ISBN-13:
DOWNLOAD EBOOKAuthor: Rex M. Johnson
Publisher:
Published: 1948
Total Pages: 28
ISBN-13:
DOWNLOAD EBOOKAuthor: Cecile Starr
Publisher:
Published: 1948
Total Pages: 28
ISBN-13:
DOWNLOAD EBOOKAuthor: Robertson Sillars
Publisher:
Published: 1949
Total Pages: 24
ISBN-13:
DOWNLOAD EBOOKAuthor: Lee Grieveson
Publisher: Duke University Press
Published: 2008-11-24
Total Pages: 481
ISBN-13: 0822388677
DOWNLOAD EBOOKInventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. Inventing Film Studies shows how the study of cinema has developed in relation to a constellation of institutions, technologies, practices, individuals, films, books, government agencies, pedagogies, and theories. Contributors illuminate the connections between early cinema and the social sciences, between film programs and nation-building efforts, and between universities and U.S. avant-garde filmmakers. They analyze the evolution of film studies in relation to the Museum of Modern Art, the American Film Council movement of the 1940s and 1950s, the British Film Institute, influential journals, cinephilia, and technological innovations past and present. Taken together, the essays in this collection reveal the rich history and contemporary vitality of film studies. Contributors: Charles R. Acland, Mark Lynn Anderson, Mark Betz, Zoë Druick, Lee Grieveson, Stephen Groening, Haden Guest, Amelie Hastie, Lynne Joyrich, Laura Mulvey, Dana Polan, D. N. Rodowick, Philip Rosen, Alison Trope, Haidee Wasson, Patricia White, Sharon Willis, Peter Wollen, Michael Zryd
Author:
Publisher:
Published: 1957
Total Pages: 962
ISBN-13:
DOWNLOAD EBOOKAuthor: Jeremy Stoddard
Publisher: Routledge
Published: 2017-06-26
Total Pages: 295
ISBN-13: 1317278313
DOWNLOAD EBOOKTeaching Difficult History through Film explores the potential of film to engage young people in controversial or contested histories and how they are represented, ranging from gender and sexuality, to colonialism and slavery. Adding to the education literature of how to teach and learn difficult histories, contributors apply their theoretical and pedagogical expertise and experiences to a variety of historical topics to show the ways that film can create opportunities for challenging conversations in the classroom and attempts to recognize the perspectives of historically marginalized groups. Chapters focus on translating research into practice by applying theoretical frameworks such as critical race theory, auto-ethnography or cultural studies, as well as more practical pedagogical models with film. Each chapter also includes applicable pedagogical considerations, such as how to help students approach difficult topics, model questions or strategies for engaging students, and examples from the authors’ own experiences in teaching with film or in leading students to develop counter-narratives through filmmaking. These discussions of the real considerations facing classroom teachers and professors are sure to appeal to experienced secondary teachers, pre-service teacher education programs, graduate students, and academic audiences within education, history, and film studies. Part and chapter discussion guides, full references of the films included in the book, and resources for teachers are available on the book’s companion website www.teachingdifficulthistory.com.
Author: Ellen Eliceiri
Publisher: Bloomsbury Publishing USA
Published: 1997-06-30
Total Pages: 247
ISBN-13: 1567509363
DOWNLOAD EBOOKThe ^IDictionary of Media Literacy^R is a reference work that contains key concepts, terms, organizations, issues, and individuals of note related to the field of media literacy. Media literacy is an international movement, with many countries developing media literacy programs. This work significantly contributes to the study and understanding of this new and evolving field. In that we all live in a world in which we are inundated by information conveyed through the channels of mass commmunication, this dictionary will be a resource for scholars, students, and individuals seeking to understand information delivered in this context.