Anyone can make a short film, right? Just grab some friends and your handheld and you can do it in a weekend or two before being accepted to a slew of film festivals, right? Wrong. Roberta Munroe screened short film submissions at Sundance for five years, and is an award-winning short filmmaker in her own right. So she knows a thing or two about how not to make a short film. From the first draft of your script to casting, production, editing, and distribution, this is your one-stop primer for breaking into the business. Featuring interviews with many of today's most talented writers, producers, and directors, as well as revealing stories (e.g., what to do when the skinhead crack addict next door begins screaming obscenities as soon as you call "action") from the sets of her own short films, Roberta walks you through the minefield of mistakes that an aspiring filmmaker can make--so that you don't have to make them yourself.
Want to know how to make a movie on a tight budget? How to make a movie: Filmmaker Rickey Bird and screenwriter and novelist Al Guevara are on a mission to help indie moviemakers everywhere. Today’s indie film market is growing by leaps and bounds. At the same time, many aspiring filmmakers are running into their share of problems: • not enough money for crews • over budget and more than likely making the wrong movie • can’t get the attention of an indie studio • should have started with a short film to gain attention Cheap Movie Tricks: Film school numbers aren’t down. They’re increasing at more than 2,600 film-related courses worldwide. You probably didn’t even realize 48% of all film schools are in the U.S. and U.K. Thousands of aspiring filmmakers are literally learning how to use cheaper, widely available filmmaking technology, as well as the craft of making movies from books pulled from bookstore and library shelves. They’re totally DIY and the most creative people you will ever meet. Rickey Bird’s Hectic Films is a Southern California enterprise that is building a filmmaking empire on a budget. His short films, feature films, micro docs and tutorials have landed in some of the biggest American film festivals and been seen online throughout the world. The result? Millions of views worth of exposure from films online, in festivals and creative marketing literally on the street. His many projects have seen leading B actors like Hulk Hogan and Vernon Wells (Mad Max Road Warrior), make-up artists from the TV show Grimm, and stuntmen from the Call of Duty games. What you’ll learn inside this book: • how planning and shooting a short film today can lead to a feature-length project tomorrow • everything you need to know about writing a movie project on a burger budget • tips on how to find locations and not get arrested • shooting tips galore for building exciting scenes • sound and film editing tips and all kinds of special effects wizardry, including puppetry • screenings, promotions and juicy tips on film festival strategy
Fully revised and updated practical and inspirational guide for students and independent film-makers, describing and explaining the whole process - from creating an original or adapted script, through producing, directing and editing, to finance and distribution.
New technologies now offer accessibility to the medium of video and film for virtually anyone who feels they have something to say. You might be: someone who wants to create a video to share online; someone who wants to record and document everyday events that happen around you; a charity worker wanting to highlight the plight of the less fortunate, or a journalist keen to use film to explore social issues; an artist or a writer eager to experiment within an an audio visual medium; anyone who wants to step into a world of discovery and challenge, and learn new skills along the way.This book offers an abundance of hints, tips and practical advice that will help emerging film-makers discover an exciting form of expression, either for personal satisfaction or to make their mark in a highly competitive industry. It includes: deciding what kind of film you want to make; choosing a camera; choosing your subject matter; dealing with copyright; using music to enhance your film; working with professional actors; researching information and avoiding location problems; production meetings; budgets; schedules; conducting interviews for documentaries; digital editing; aound and lighting techniques; and, making your film stand out from the crowd.
The Independent Directing Bible that will fit in your back pocket! (If you have an extremely large pocket ...) Have you always wanted to direct a movie, but don't know how to start? Want to know how to get your first directing job? What do directors even do, anyway? Legendary director Lloyd Kaufman, creator of The Toxic Avenger, reveals 40 years worth of maverick cinematic know-how! Direct Your Own Damn Movie! will be your step-by-step roadmap on the journey through: * Scriptwriting * Pre-production * Casting * Managing your set * Post-production * Distribution Master the art of directing the easy way! There is no better way to become a director than by following the instruction and wisdom of an actual successful film director, not someone who just talks about it. Featuring expert advice from: Eli Roth (Grindhouse, Hostel) Jenna Fischer (LolliLove) Stan Lee (co-writer Spider-Man, Fantastic Four) Ron Jeremy (credits cannot be printed here) Stuart Gordon (Re-Animator) James Gunn (Dawn of the Dead, Slither) ... and many more! WARNING! Do not read this book if you suffer from motion sickness, or are about to operate heavy machinery. This book is not for the faint of heart, the good of taste, or those who might be pregnant. * There's more to directing than a cool-looking chair. Renegade director Lloyd Kaufman reveals all! * Includes interviews with a host of luminaries on mistakes and disasters from their early film careers * Learn the ten directing commandments of Lloyd Kaufman, plus the all-important 11th: forget the first 10 and direct your own damn movie!
Making a Winning Short is the first book to give hands-on instruction on how to write, direct, edit, and produce a fictional short in film or video. Edmond Levy guides the beginning filmmaker step-by-step through the stages of making a short: writing the script (from developing the idea to fine-tuning the final draft), launching production, casting, and working with the actors, working with the crew, directing the camera, editing, and other aspects of post-production. He devotes a separate chapter to Hi-8 video and gives a list of short-film festivals, both domestic and international.
Legendary Web designer and author Hillman Curtis has always been fascinated by motion and movement. In 2001, inspired in part by the affordability and accessibility of digital video, he began to experiment with short digital films in an effort to reinvigorate his creative spirit and express himself both personally and professionally. The nine projects Hillman describes in this book, each between 60 seconds and 10 minutes long, draw from a wide variety of creative sources and take various forms—documentaries, music videos, a fictional short film, and a series of video portraits. Each one is unique, yet the goal is always the same: to capture in video the essence of his subject. Equal parts inspiration, instruction, and personal essay, Hillman Curtis on Creating Short Films for the Web offers an intimate look into the author’s personal filmmaking process: from the ideas and influences that drive the concept and theme of the piece, through the setup, shoot, and assembly of a rough cut, to the final edit. Hillman explains how his flexible, often spontaneous filmmaking style is guided by certain principles—the value of leaving room for serendipity, the freedom found within self-imposed limitations, the importance of collaborating with others, and the possibilities for discovery and revision when reacting to unforeseen accidents. Throughout the book, Hillman offers advice on filmmaking’s numerous elements, such as direction, sound, editing, and interviewing. Also included is a primer to help you get up and running with your own digital video projects—explaining the equipment you’ll need and providing an overview of the filmmaking process—and an appendix that guides you through building your own Flash video player. Hillman Curtis is the founder of hillmancurtis.com, a design studio specializing in Web site design, motion graphics, and digital video. Hillman’s clients include Yahoo!, Adobe, RollingStone.com, British Airways, MTV, and Intel. His expert and innovative design solutions have garnered him and his company numerous awards, including the Communication Arts Award of Excellence and the South by Southwest Conference “Best Use of Design” and “Best of Show.” Author of the bestselling Flash Web Design: The Art of Motion Graphics and MTIV: Process, Inspiration and Practice for the New Media Designer, Hillman lives in New York City with his family.
Producing and Directing the Short Film and Video is the definitive book on the subject for beginning filmmakers and students. The book clearly illustrates all of the steps involved in preproduction, production, postproduction, and distribution. Its unique two-fold approach looks at filmmaking from the perspectives of both producer and director, and explains how their separate energies must combine to create a successful short film or video, from script to final product. This guide offers extensive examples from award-winning shorts and includes insightful quotes from the filmmakers themselves describing the problems they encountered and how they solved them. The companion website contains useful forms and information on grants and financing sources, distributors, film and video festivals, film schools, internet sources for short works, and professional associations.
Do you want to make your own short film? Maybe you don't have a video camera. After all, they can be awfully expensive. With the advancements in smartphone technology, just about anyone can become a short film maker. All you need is a relatively cheap phone, and maybe you could become the next big thing in the film industry. Inside this book, you will find the following: * Why you should create a short film with your smartphone. * Is your phone good enough to make a film with (most likely, the answer is yes). * Choosing the best accessories to go with your device. * How to find free-or-cheap alternatives to professional film making equipment. * An app guide, to help you find the best software for shooting and editing your film. * How to share your finished film with others, if you want to. * The basics of film making, from thinking of an idea, to finding cast and crew members, to shooting your footage, and finally editing everything together. Making Short Films on Your Smartphone isn't just another tech-book about buying smartphones, or learning how to use apps. This book is aimed at people who have a passion for creating their own films, and would like to take advantage of the devices that they already own - a smartphone. Why wait until you save thousands of dollars for a "real" video camera? You could be creating award-winning short films right now, as other people have already done - using a smartphone, and your own creativity.
Lloyd Kaufman, the writer/producer/director of such cult-classic films as The Toxic Avenger, Class of Nuke 'Em High, and Tromeo and Juliet, offers a guide to movie-making unlike any other available anywhere. In 25 years, Kaufman, along with partner Michael Herz, has built Troma Studios up from a company struggling to find its voice in a field crowded with competitors to its current--and legendary--status as a lone survivor, a bastion of true cinematic independence, and the world's greatest collection of camp on film. As entertaining and funny as it is informative and insightful, Make Your Own Damn Movie! places Kaufman's radically low-budget, independent-studio style of filmaking directly in the reader's hands. Thus we learn how to: develop and write a knock-out screenplay; raise funding; find locations and cast actors; hire a crew; obtain equipment, permits, and music rights (all for little or no money); make incredible special effects for $0.79 each; charm, schmooze, and network while on the film-festival circuit; and, finally, make a bad actor act so bad it's actually good. From scriptwriting and directing to financing and marketing, this book is brimming with utterly off-the-wall, decidedly maverick, yet consistently proven advice on how to fully develop one's idea for an independent film.
