A gorgeous reinvention of Elizabeth Barrett Browning's famous "Sonnet 43" from the bestselling author of the BabyLit board books and the acclaimed illustrator of Over and Under the Snow. How do I love thee? Let me count the ways. Whether in soft sunlight or rain-drizzled night or winter's frost-etched breath, three children share the love and joy of friendship while exploring the wonders of nature. Bestselling author Jennifer Adams has reimagined Elizabeth Barrett Browning's beloved "Sonnet 43," best known by its opening lines, creating a lyrical, evocative ode to the love of family and friends. Christopher Silas Neal brings the poetry to life with his beautiful, imaginative, and whimsical illustrations.
Finalist for the 2022 Plutarch Award Longlisted for the PEN/Jacqueline Bograd Weld Award for Biography A Washington Post Best Book of 2021 “An elegant act of rehabilitation.”—New York Times Book Review, Editors’ Choice A "nuanced and insightful" (New Statesman) portrait of Britain’s most famous female poet, a woman who invented herself and defied her times. "How do I love thee? Let me count the ways." With these words, Elizabeth Barrett Browning has come down to us as a romantic heroine, a recluse controlled by a domineering father and often overshadowed by her husband, Robert Browning. But behind the melodrama lies a thoroughly modern figure whose extraordinary life is an electrifying study in self-invention. Born in 1806, Barrett Browning lived in an age when women could not attend a university, own property after marriage, or vote. And yet she seized control of her private income, defied chronic illness and disability, became an advocate for the revolutionary Italy to which she eloped, and changed the course of cultural history. Her late-in-life verse novel masterpiece, Aurora Leigh, reveals both the brilliance and originality of her mind, as well as the challenges of being a woman writer in the Victorian era. A feminist icon, high-profile activist for the abolition of slavery, and international literary superstar, Barrett Browning inspired writers as diverse as Emily Dickinson, George Eliot, Rudyard Kipling, Oscar Wilde, and Virginia Woolf. Two-Way Mirror is the first biography of Barrett Browning in more than three decades. With unique access to the poet’s abundant correspondence, “astute, thoughtful, and wide-ranging guide” (Times [UK]) Fiona Sampson holds up a mirror to the woman, her art, and the art of biography itself.
Though written more than a century ago, Elizabeth Barrett Browning’s beautiful sonnet rings true today for three young couples who believe in the power of love. In “Night Vision,” Brett finds a way to brighten a special girl’s lonely existence. “Bobby’s Girl” features Dana, who must choose between two brothers, both of whom she loves. “Laura’s Heart,” the third story, introduces 16-year-old Laura Carson, who is hospitalized on a regular basis because of her weak heart. But when tragedy strikes a loved one, she realizes her heart is stronger than she thought and that love lives on forever.
Presents a series of poems which pay tribute to the limitless worlds available through books, as characters plead for sequels, strut fancy jackets, and have a raucous party in the aisles after a bookstore closes for the night.
I CARRY YOUR HEART WITH ME, rereleased as a board book, is a children's adaptation of the beloved E. E. Cummings poem, beautifully illustrated by Mati Rose McDonough. Showing the strong bond of love between mother and child, within nature and throughout life, Cummings' heartfelt words expressed through McDonough's lovely illustrations combine to create a fresh, yet classic, portrayal of love.
The story of Elizabeth Barrett Browning has become part of literary mythology - the invalid kept locked up in Wimpole Street by a tyrannical father until her elopement and flight to Italy at the age of forty. In this important biography, Margaret Forster challenges the legend, introducing us to another Elizabeth Barrett Browning, one who was no frail and terrified daughter but a woman as strong and determined as her father and responsible in a large part for her own incarceration.
The story of Elizabeth Barrett, a sickly girl confined to the dark house on Wimpole Street, and the love which gave birth to her health and her poetry.
Against the backdrop of Isla Negra — the sea and wind, the white sand with its scattering of delicate wild flowers, the hot sun and salty smells of the Pacific — Nobel laureate Pablo Neruda sets these joyfully sensual poems in celebration of his love. The subject of that love: Matilde Urrutia de Neruda, the poet's "beloved wife." As popular in the Hispanic world as the poet's renowned Twenty Love Poems and a Song of Despair,One Hundred Love Sonnets has never before been published in its entirety in English translation. The reason for this astonishing neglect may lie in the historical circumstances that surrounded Neruda's "discovery " by English-speaking readers. In the United States he came to popularity during the turmoil of the sixties, when Americans needed a politically committed poet, and much of Neruda's canon answered that need. But, in his native Chile and throughout Latin America, Neruda has always been cherished as dearly for the earthly sensuality and eroticism of his love poetry as for his statements of political belief. To know this work, then is to understand the poet's art more thoroughly.
