HOUSES OF THE PRESIDENTS offers a unique tour of the houses and day-to-day lives of America's presidents, from George Washington's time to the present. Author Hugh Howard weaves together personal, presidential, and architectural histories to shed light on the way our chief executives lived. Original photography by Roger Straus III brings the houses and furnishings beautifully to life. From Jefferson's Monticello to Reagan's Rancho del Cielo, with fascinating and surprising stops between and beyond, HOUSES OF THE PRESIDENTS presents a fascinating alternative history of the American presidency.
Pre-eminent historian David McCullough and noted artist Adam Van Doren unite for an excursion to the celebrated homes of fifteen American presidents, past and present.
All the presidents of the United States have had at least one home outside of the White House, and many have had libraries and museums built to commemorate their careers. This volume offers a comprehensive, illustrated guide to the almost one hundred homes, libraries, and museums that honor the American presidents - from George Washington to George W. Bush.
Houses of the Presidents offers a unique tour of the houses and day-to-day lives of America's presidents, from George Washington's time to the present. Author Hugh Howard weaves together personal, presidential, and architectural histories to shed light on the way our chief executives lived. Original photography by Roger Straus III brings the houses and furnishings beautifully to life. From Jefferson's Monticello to Reagan's Rancho del Cielo, with fascinating and surprising stops between and beyond, Houses of the Presidents presents a fascinating alternative history of the American presidency.
A thought-provoking tour of the eighteenth-century houses belonging to some of America's most important early leaders looks inside the domestic world of the Founding Fathers to chronicle the private lives, families, culture, interests, and aspirations of Jefferson, Washington, Adams, Hamilton, and others in each of the original thirteen colonies.
Winner, 2008 Richard E. Neustadt Award, Presidency Research Group organized section of the American Political Science Association Political scientists are rarely able to study presidents from inside the White House while presidents are governing, campaigning, and delivering thousands of speeches. It’s even rarer to find one who manages to get officials such as political adviser Karl Rove or presidential counselor Dan Bartlett to discuss their strategies while those strategies are under construction. But that is exactly what Martha Joynt Kumar pulls off in her fascinating new book, which draws on her first-hand reporting, interviewing, and original scholarship to produce analyses of the media and communications operations of the past four administrations, including chapters on George W. Bush and Bill Clinton. Kumar describes how today’s White House communications and media operations can be at once in flux and remarkably stable over time. She describes how the presidential Press Office that was once manned by a single presidential advisor evolved into a multilayered communications machine that employs hundreds of people, what modern presidents seek to accomplish through their operations, and how presidents measure what they get for their considerable efforts. Laced throughout with in-depth statistics, historical insights, and you-are-there interviews with key White House staffers and journalists, this indispensable and comprehensive dissection of presidential communications operations will be key reading for scholars of the White House researching the presidency, political communications, journalism, and any other discipline where how and when one speaks is at least as important as what one says.
Independence Hall is a place Americans think they know well. Within its walls the Continental Congress declared independence in 1776, and in 1787 the Founding Fathers drafted the U.S. Constitution there. Painstakingly restored to evoke these momentous events, the building appears to have passed through time unscathed, from the heady days of the American Revolution to today. But Independence Hall is more than a symbol of the young nation. Beyond this, according to Charlene Mires, it has a long and varied history of changing uses in an urban environment, almost all of which have been forgotten. In Independence Hall, Mires rediscovers and chronicles the lost history of Independence Hall, in the process exploring the shifting perceptions of this most important building in America's popular imagination. According to Mires, the significance of Independence Hall cannot be fully appreciated without assessing the full range of political, cultural, and social history that has swirled about it for nearly three centuries. During its existence, it has functioned as a civic and cultural center, a political arena and courtroom, and a magnet for public celebrations and demonstrations. Artists such as Thomas Sully frequented Independence Square when Philadelphia served as the nation's capital during the 1790s, and portraitist Charles Willson Peale merged the arts, sciences, and public interest when he transformed a portion of the hall into a center for natural science in 1802. In the 1850s, hearings for accused fugitive slaves who faced the loss of freedom were held, ironically, in this famous birthplace of American independence. Over the years Philadelphians have used the old state house and its public square in a multitude of ways that have transformed it into an arena of conflict: labor grievances have echoed regularly in Independence Square since the 1830s, while civil rights protesters exercised their right to free speech in the turbulent 1960s. As much as the Founding Fathers, these people and events illuminate the building's significance as a cultural symbol.
Recognizable to millions as a symbol of the American presidency, the White House was first an American home. From 1800 until 1960, it kept pace with changing ideals of the American house and garden. That ended when Jacqueline Kennedy redecorated the White House as a museum to upper-class taste. Today the Obamas are pulling it back to its role as an American home. This book looks at the president's house in the context of American house design and decoration. Hundreds of historic photographs, plans, and drawings compare it to other American houses, gardens, and interiors, showing the White House as it changed through decades of interior renovation, rebuilding, and landscaping.--From publisher description.
