Three surreal, erotically charged stories from Nobel Prize winner Yasunari Kawabata. In the three long tales in this collection, Yasunari Kawabata examines the boundaries between fantasy and reality in the minds of three lonely men. Piercing examinations of sexuality and human psychology—and works of remarkable subtlety and beauty—these stories showcase one of the twentieth century’s great writers—in any language—at his very best.
From Japan's first Nobel laureate for literature, three superb stories exploring the interplay between erotic fantasy and reality in a loner's mind. "He was not to do anything in bad taste, the woman of the house warned old Eguchi. He was not to put his finger into the mouth of the sleeping girl, or try anything else of that sort." With his promise to abide by the rules, Eguchi begins his life as a member of a secret club for elderly gentlemen who have lost their sexual powers. At an inn several hours from Tokyo they indulge in their last pleasure: lying with beautiful young girls who are sleeping nude when the men arrive. As "House of the Sleeping Beauties" unfolds in Kawabata's subtle prose, the horrified reader comes to see that the sexual excitement is a result not of rejuvenescence, but of a flirtation with death. The three stories presented in this volume all center upon a lonely protagonist and his peculiar eroticism. In each, the author explores the interplay of fantasy and reality at work on a mind in solitude-in "House of the Sleeping Beauties," the elderly Eguchi and his clandestine trips to his club; in "One Arm," the bizarre dialogue of a man with the arm of a young girl; in "Of Birds and Beasts," a middle-aged man's memories of an affair with a dancer mingled with glimpses of his abnormal attachment to his pets. All of these stories appear in English for the first time outside of Japan. "Of Birds and Beasts," written in the early 1930's, is one of Kawabata's earlier works, while "One Arm" and "House of the Sleeping Beauties," the latter hailed by novelist Yukio Mishima as the best ofKawabata's works, are among his later works.
Collection of short stories written over the entire span of Kawabata's career. These stories, he felt, represented the essence of his art and reflect his abiding interest in the miniature, the wisp of plot reduced to the essential. --Adapted from publisher description.
From Japan's first Nobel laureate for literature, three superb stories explore the interplay between erotic fantasy and reality in a loner's mind. Kawabata's fiction is noted for combining a traditional Japanese aesthetic with modernist, often surreal trends: his richly lyrical prose is imbued with a sense of loneliness and alienation. In these three tales, underlying the erotic fantasy is the protagonists' lack of connection with other people, and their memories of past loves in an empty sterile life. The title story, "House of the Sleeping Beauties," is about a man who visits a brothel where elderly men can spend a chaste but lecherous night with a drugged, unconscious virgin. As he admires the girl's beauty, he recalls his past womanizing, and reflects on the relentless course of old age. In "One Arm," a young girl removes her right arm and gives it to the narrator to take home for the night, a surreal seduction follows as he speaks to it, tries to allay its fears, caresses it and even replaces his own right arm with it. "Of Birds and Beasts" is about a man who lives alone, with a housemaid, preferring the company of the birds and dogs he keeps to human beings. But rather than living animals, these are beautiful objects which, although they give him pleasure, he treats with casual cruelty, in much the same way as he treated his previous lover, a dancer. Beautiful yet chilling, poetic yet subtly disturbing, these stories make compelling reading.
A fascinating discovery, Kawabata’s unfinished final novel Dandelions is a great master’s last word A fascinating discovery, Dandelions is Kawabata's final novel, left incomplete when he committed suicide in 1972. Beautifully spare and deeply strange, Dandelions explores love and madness and consists almost entirely conversations between a woman identified only as Ineko's mother, and Kuno, a young man who loves Ineko and wants to marry her. The two have left Ineko at the Ikuta Clinic, a mental hospital, which she has entered for treatment of somagnosia, a condition that might be called “seizures of body blindness.” Although her vision as a whole is unaffected, she periodically becomes unable to see her lover Kuno. Whether this condition actually constitutes madness is a topic of heated discussion between Kuno and Ineko’s mother: Kuno believes Ineko's blindness is actually an expression of her love for him, as it is only he, the beloved, she cannot see. In this tantalizing book, Kawabata explores the incommunicability of desire and carries the art of the novel, where he always suggested more than he stated, into mysterious and strange new realms. Dandelions is the final word of a truly great master, the first Japanese winner of the Nobel Prize.
AN ELLE MAGAZINE BEST BOOK OF THE YEAR AN O, THE OPRAH MAGAZINE MUST-READ LGBTQ BOOK OF THE YEAR AN ELECTRIC LIT BEST SHORT STORY COLLECTION OF THE YEAR A GRINDR QUEER BOOK OF THE YEAR A THE ADVOCATE LGBT+ Book You Absolutely Need to Read "Riveting… Every lie reveals itself so exquisitely that the parallels become an added pleasure, as soon as we uncover the ways they diverge." —New York Times Book Review "Dazzling. Here is a confident, psychologically astute new writer with a bold new vision." —Garrard Conley, New York Times bestselling author of Boy Erased Throughout this striking debut collection we meet characters who have lied, who have sometimes created elaborate falsehoods, and who now must cope with the way that those deceptions eat at the very fabric of their lives and relationships. In the title story, the narrator, desperate to save a love affair on the rocks, hires an actor to play a friend he invented in order to seem less lonely, after his boyfriend catches on to his compulsion for lying and demands to know this friend is real; in "Aim for the Heart," a man's lies about a hunting habit leave him with an unexpected deer carcass and the need to parse unsettling high school memories; in "Rorschach," a theater producer runs a show in which death row inmates are crucified in an on-stage rendering of the New Testament, while being haunted daily by an unrequited love and nightly by ghosts of his own creation. In I Know You Know Who I Am, Kispert deftly explores deception and performance, the uneasiness of reconciling a queer identity with the wider world, and creates a sympathetic, often darkly humorous, portrait of characters searching for paths to intimacy.
The stories of Yasunari Kawabata evoke an unmistakably Japanese atmosphere in their delicacy, understatement, and lyrical description. Like his later works, First Snow on Fuji is concerned with forms of presence and absence, with being, with memory and loss of memory, with not–knowing. Kawabata lets us slide into the lives of people who have been shattered by war, loss, and longing. These stories are beautiful and melancholy, filled with Kawabata's unerring vision of human psychology. First Snow on Fuji was originally published in Japan in 1958, ten years before Kawabata received the Nobel Prize. Kawabata selected the stories for this collection himself, and the result is a stunning assembly of disparate moods and genres. This new edition is the first to be published in English.
From the Nobel Prize-winning writer and acclaimed author of Snow Country comes a beautiful rendering of the predicament of old age—about an elderly Tokyo businessman who must face the failures of his memory and the sudden upsurges of passion that illuminate the end of a life. “A rich, complicated novel.... Of all modern Japanese fiction, Kawabata’s is the closest to poetry.” —The New York Times Book Review By day Ogata Shingo, an elderly Tokyo businessman, is troubled by small failures of memory. At night he associates the distant rumble he hears from the nearby mountain with the sounds of death. In between are the complex relationships that were once the foundations of Shingo’s life: his trying wife; his philandering son; and his beautiful daughter-in-law, who inspires in him both pity and the stirrings of desire. Out of this translucent web of attachments, Kawabata has crafted a novel that is a powerful, serenely observed meditation on the relentless march of time. Translated from the Japanese by Edward G. Seidensticker
