After the terrifying conclusion to Bait’s tale, witness the long-awaited conclusion to Jace Boucher’s story in THE BUTCHER’S WAR! Jace has gone rogue, and it will take the scheming and collaboration of rival Houses to track down the cunning hunter, who seems to perpetually hide in the shadows just out of sight. But with House Slaughter and House Boucher’s relentless pursuit keeping them close, will this be the perfect opportunity for Jace to finally get revenge and find the peace he’s looking for? But in the darkness of an abandoned amusement park in the South, someone familiar will prove to be a devil on Jace’s shoulder... Series co-creator James Tynion IV (Department of Truth, The Nice House On The Lake) and highly acclaimed writer Tate Brombal (Behold, Behemoth) are joined by co-creator and artist Werther Dell’Edera (House of Slaughter) and artist Antonio Fuso (Lost Falls, GI Joe: Cobra) return to the hit Slaughterverse spinoff to deliver this epic and bloody conclusion to Jace’s story! Collects House of Slaughter #21-25.
Kurt Vonnegut’s masterpiece, Slaughterhouse-Five is “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time). Selected by the Modern Library as one of the 100 best novels of all time Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.” An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it. Authors as wide-ranging as Norman Mailer, John Irving, Michael Crichton, Tim O’Brien, Margaret Atwood, Elizabeth Strout, David Sedaris, Jennifer Egan, and J. K. Rowling have all found inspiration in Vonnegut’s words. Jonathan Safran Foer has described Vonnegut as “the kind of writer who made people—young people especially—want to write.” George Saunders has declared Vonnegut to be “the great, urgent, passionate American writer of our century, who offers us . . . a model of the kind of compassionate thinking that might yet save us from ourselves.” More than fifty years after its initial publication at the height of the Vietnam War, Vonnegut’s portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties.
The first arc of House of Slaughter comes to a close as Jace finally enacts his secret plan. As chaos fills the halls and the Order members fight off legions of monsters, will Aaron be able to intervene in the battle between his love and the House? And in those final moments, what will he choose?
What secrets do the mysterious scribes of the Order of St. George, the Scarlet Masks, record within the shadows of the House of Slaughter? Enamored with stories of ancient hunters, as well as those in his midst, Edwin Slaughter only gets to write the stories... never live them. That is, until a legendary Oscuratype that’s taken the lives of countless children brings Edwin into the field. Will he live to survive long enough to document his experience, or perish with his story left untold? Collects House of Slaughter #6-10.
Erica Slaughter isn’t the only member of the House of Slaughter to have made sacrifices in order to become the monster hunter she is today. As a teenager, her handler and rival Aaron finds himself with a new roommate, the mysterious “transfer student” Jace Boucher. To initiate his training, Jace must prove his loyalty to the House of Slaughter through a binding ritual... a ritual that few survive.
After a year since we last saw her in Archer’s Peak, Erica Slaughter resurfaces to take on the case of a girl who’s seen a new kind of monster, one with terrifying implications. But Erica’s broken ties with the House of Slaughter and that can have deadly consequences. The Order of St. George does not forget nor do they forgive. Even as Erica goes on the hunt, she must keep an eye out for the mysterious figure on her trail in order to survive the coming storm. Erica Slaughter returns after the Archer’s Peak Saga in this volume of the Eisner and Harvey Award-nominated series from GLAAD Award-winning author James Tynion IV (The Woods, Batman), artist Werther Dell’Edera (Razorblades), colorist Miquel Muerto (Bleed Them Dry), and letterer AndWorld Design (Nightwing). Collecting Something is Killing the Children #21-25.
As the House leaders discuss the fate of “the Last Butcher”, Aaron and Jace escape the watchful eye of Helen and the White Masks and sneak into the forbidden outreaches of Chicago. Then, in the present-day, Aaron finally comes face-to-face with the monster that he’s been tracking...which is much more powerful than expected.
Slaughterhouse is the first book of its kind to explore the impact that unprecedented changes in the meatpacking industry over the last twenty-five years — particularly industry consolidation, increased line speeds, and deregulation — have had on workers, animals, and consumers. It is also the first time ever that workers have spoken publicly about what’s really taking place behind the closed doors of America’s slaughterhouses. In this new paperback edition, author Gail A. Eisnitz brings the story up to date since the book’s original publication. She describes the ongoing efforts by the Humane Farming Association to improve conditions in the meatpacking industry, media exposés that have prompted reforms resulting in multimillion dollar appropriations by Congress to try to enforce federal inspection laws, and a favorable decision by the Supreme Court to block construction of what was slated to be one of the largest hog factory farms in the country. Nonetheless, Eisnitz makes it clear that abuses continue and much work still needs to be done.
The author relates his experiences working five months undercover at a slaughterhouse, and explores why society encourages this violent labor yet keeps the details of the work hidden.
NEW YORK TIMES BESTSELLER • “A complex, gripping, and deadly serious novel that reflects anew [Karin] Slaughter’s abundant talent.”—The Washington Post WATCH WILL TRENT ON ABC • “An absolute master . . . Slaughter creates some wonderfully complex and mature female characters, a distinctive achievement in the world of thrillers.”—Chicago Tribune “You know what we’re here for. Hand it over, and we’ll let her go.” There’s no police training stronger than a cop’s instinct. Faith Mitchell’s mother isn’t answering her phone. Her front door is open. There’s a bloodstain above the knob. Her infant daughter is hidden in a shed behind the house. All that the Georgia Bureau of Investigations taught Faith Mitchell goes out the window when she charges into her mother’s house, gun drawn. She sees a man dead in the laundry room. She sees a hostage situation in the bedroom. What she doesn’t see is her mother. . . . Faith is left with too many questions and not enough answers. To find her mother, she’ll need the help of her partner, Will Trent, and they’ll both need the help of trauma doctor Sara Linton. But Faith isn’t just a cop anymore—she’s a witness. She’s also a suspect. The thin blue line hides police corruption, bribery, even murder. Faith will have to go up against the people she respects the most in order to find her mother and bring the truth to light—or bury it forever.
