The Tharu of lowland Nepal are a group of culturally and linguistically diverse people who, only a few generations ago, would not have acknowledged each other as belonging to the same ethnic group. Today the Tharu are actively redefining themselves as a single ethnic group in Nepal's multiethnic polity. In Many Tongues, One People, Arjun Guneratne argues that shared cultural symbols—including religion, language, and common myths of descent—are not a necessary condition for the existence of a shared sense of peoplehood. The many diverse and distinct socio-cultural groups sharing the name "Tharu" have been brought together, Guneratne asserts, by a common relationship to the state and a shared experience of dispossession and exploitation that transcends their cultural differences. Tharu identity, the author shows, has developed in opposition to the activities of a modernizing, centralizing state and through interaction with other ethnic groups that have immigrated to the Tarai region where the Tharu live.This book"s claims have wide implications for the study of ethnic identity and are applicable far beyond Nepal. The emergence of the category of Native American, for example, may be considered an analogous case because that ethnic identity, like the Tharu, subsumes people of different cultural origin, and has been defined both through the state and against it.
The author of the New York Times best-selling Maze Runner series leads us on a dark journey of generational horror as we visit The House of Tongues. David Player has spent 30 years trying to forget the traumas of his childhood. The threats, the kidnappings, the murders. The imagined curses of a people born centuries earlier, passed from father to son, mother to daughter, generation to generation. Its climax came in human form, a monster of a man, one of the most notorious serial killers the nation has ever seen: Pee Wee Gaskins. And Gaskins had a particular hatred for the Player family, then for David, himself, who barely escaped those years with his own life intact. Now David is back, his four children in tow, visiting his parents' home, a place he has learned to cherish despite the evils that haunted his younger days. But no sooner does he return than a stranger visits their doorstep, the son of Pee Wee Gaskins. In a terrifying display, right in front of the kids, the man utters threats until he chokes on his own tongue, sparking a series of events that drag David and his family back into the days of curses and murders, onto a path of unimaginable terror, all too familiar. That path leads to an old gothic tower in the woods, a place David had blocked from his memory, a house of horrors both past and present. The House of Tongues.
This fascinating and whimsical nonfiction picture book uses humorous comparisons and playful artwork to teach children the unusual ways that a variety of animals--from woodpeckers to snakes to bats--use their tongues to find food, eat, and clean themselves. In this nonfiction picture book, kids will learn about the woodpecker, which uses its tongue to burrow for insects under tree bark; the okapi, which can wash its face and ears with its tongue; and the octopus, which uses its tongue to drill holes in shells. Through debut illustrator Jia Liu's bright, playful collage artwork, readers can imagine what it would be like to have a tongue like a sword, like a straw, or like a party blower, among many other silly and illuminating comparisons. The back matter expands on each animal tongue's unique abilities and includes information about other fun tongues, too.
Stories of the Deep South from a woman's point of view, depicting the changing relationships between black and white people, the impact of the civil rights movement, and the emergence of the New South.
Edited by The Bronx Is Reading founder Saraciea J. Fennell and featuring an all-star cast of Latinx contributors, Wild Tongues Can’t Be Tamed is a ground-breaking anthology that will spark dialogue and inspire hope In Wild Tongues Can’t Be Tamed, bestselling and award-winning authors as well as up-and-coming voices interrogate the different myths and stereotypes about the Latinx diaspora. These fifteen original pieces delve into everything from ghost stories and superheroes, to memories in the kitchen and travels around the world, to addiction and grief, to identity and anti-Blackness, to finding love and speaking your truth. Full of both sorrow and joy, Wild Tongues Can't Be Tamed is an essential celebration of this rich and diverse community. The bestselling and award-winning contributors include Elizabeth Acevedo, Cristina Arreola, Ingrid Rojas Contreras, Naima Coster, Natasha Diaz, Saraciea J. Fennell, Kahlil Haywood, Zakiya Jamal, Janel Martinez, Jasminne Mendez, Meg Medina, Mark Oshiro, Julian Randall, Lilliam Rivera, and Ibi Zoboi.
From Kiana Davenport, the bestselling author of Song of the Exile and Shark Dialogues, comes another mesmerizing novel about her people and her islands. Told in spellbinding and mythic prose, House of Many Gods is a deeply complex and provocative love story set against the background of Hawaii and Russia. Interwoven throughout with the indelible portrait of a native Hawaiian family struggling against poverty, drug wars, and the increasing military occupation of their sacred lands. Progressing from the 1960s to the turbulent present, the novel begins on the island of O’ahu and centers on Ana, abandoned by her mother as a child. Raised by her extended family on the “lawless” Wai’anae coast, west of Honolulu, Ana, against all odds, becomes a physician. While tending victims of Hurricane ‘Iniki on the neighboring island of Kaua’i, she meets Nikolai, a Russian filmmaker with a violent and tragic past, who can confront reality only through his unique prism of lies. Yet he is dedicated to recording the ecological horrors in his motherland and across the Pacific. As their lives slowly and inextricably intertwine, Ana and Nikolai’s story becomes an odyssey that spans decades and sweeps the reader from rural Hawaii to the forbidding Arctic wastes of Russia; from the poverty-stricken Wai’anae coast to the glittering harshness of “new Moscow” and the haunting, faded beauty of St. Petersburg. With stunning narrative inventiveness, Davenport has created a timeless epic of loss and remembrance, of the search for family and identity, and, ultimately, of the redemptive power of love.
NATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting." Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from.