Fowler House, with its odd nooks, dicey wiring, and vast, unfinished attic playroom, shelters preteen Larkin. And yet, the house speaks of secrets no one else will. Wild creatures weigh in: a muskrat, fireflies, snails, a vesper bat. The menacing garfish. Troubled parents take on repairs: clanking radiators, crumbling plaster, and beloved Uncle Dunkel, finally home from the war in Korea, his mind splintering. Over three years, lived in the moment by Larkin—and relived in hindsight by Eldergirl—doors open and truth, long-stifled, emerges.
Domestic Modernism, the Interwar Novel, and E. H. Young provides a valuable analytical model for reading a large body of modernist works by women, who have suffered not only from a lack of critical attention but from the assumption that experimental modernist techniques are the only expression of the modern. In the process of documenting the publication and reception history of E. H. Young's novels, the authors suggest a paradigm for analyzing the situation of women writers during the interwar years. Their discussion of Young in the context of both canonical and noncanonical writers challenges the generic label and literary status of the domestic novel, as well as facile assumptions about popular and middlebrow fiction, canon formation, aesthetic value, and modernity. The authors also make a significant contribution to discussions of the everyday and to the burgeoning field of 'homeculture,' as they show that the fictional embodiment and inscription of home by writers such as Young, Virginia Woolf, Elizabeth Bowen, Ivy Compton-Burnett, Lettice Cooper, E. M. Delafield, Stella Gibbons, Storm Jameson, and E. Arnot Robertson epitomize the long-standing symbiosis between architecture and literature, or more specifically, between the house and the novel.
The role doors and windows play in shaping the life and structure of Roman private dwellings has been underestimated; they are structures that connect not only rooms but houses to the outside world, and they relate to privacy, security, and light in domestic spaces. This volume analyses these structures as an essential part of daily life.
