In celebration of the 100th anniversary of "House & Garden, this fully illustrated book presents important contemporary decorating trends in stunning homes. From one-room makeovers to complete renovations, home-decorating projects are flourishing across the country. House & Garden Book of Style explores seven of today's most popular looks, including the rustic charm of Country Luxe, the urban sophistication of New International, and the cross-cultural eclecticism of Bohemian Chic. Interweaving the stories of homeowners and the insights of professional decorators, each chapter features full-color pictures of four to six residences that typify the style, and the do's and don'ts of getting a style right. The first book from "House & Garden in more than 15 years, this is an irresistible combination of inspiration, innovative ideas, and practical know-how.
This magnificently illustrated volume presents a wide-ranging collection of beautiful interiors captured by some of the world's leading photographers. This volume and its 240 color illustrations are both a joy toperuse and a great source of decorating ideas.
The stunning interiors and glorious gardens of New Orleans’s unrivaled jewel and architectural masterpiece. Longue Vue House and Gardens, accredited by the American Alliance of Museums and listed as a national historic landmark, was designed and built between 1934 and 1942 by landscape architect Ellen Biddle Shipman and architects Charles and William Platt for Edgar Bloom and Edith Rosenwald Stern, New Orleans’s foremost mid-twentieth-century philanthropists and civil-rights activists. The mansion and its surrounding eight acres of garden spaces, with varied designs ranging from the formal to the wild, draw upon Southern architectural traditions and native Louisiana flora, even as they echo the contemporaneous garden-design movement that set the stage for the creation of some of the most breathtaking garden estates in the country. Lush photography, supporting architectural drawings, and an informative text bring the main house and gardens to life and establish the estate as an enduring symbol to its creators’ contributions to building a just society.
There is something special about the English country house garden: from its quiet verdant lawns to its high yew hedges, this is a style much-desired and copied around the world. The English country house is most often conceived as a private, intimate place, a getaway from working life. A pergola, a sundial, a croquet lawn, a herbaceous border of soft planting; here is a space to wander and relax, to share secrets, and above all to enjoy afternoon tea. But even the most peaceful of gardens also take passion and hard work to create. The English Country House Garden takes a fresh look at the English country house garden, starting with the owners and the stories behind the making of the gardens. Glorious photographs capture the gardens at their finest moments through the seasons, and a sparkling and erudite text presents twenty-five gardens - some grand, some personal, some celebrated, some never-before-photographed - to explore why this garden style has been so very enduring and influential. From the Victorian grandeur of Tyntesfield and Cragside, to the Arts & Crafts simplicity of Rodmarton Manor and Charleston; from Scampston, in the same family since the 17th century, to new gardens by Dan Pearson and Tom Stuart-Smith; and with favourites such as Hidcote and Great Dixter alongside new discoveries, this book will be a delicious treat for garden-lovers.
Revealing the rich artistic history of this ever-changing art form, the A-to-Z format of this fully updated bestseller creates fascinating juxtapositions between the 500 iconic garden-makers of all time found within its pages
In a time of climate change and mass extinction, how we garden matters more than ever: “An outstanding and deeply passionate book.” —Marc Bekoff, author of The Emotional Lives of Animals Plenty of books tell home gardeners and professional landscape designers how to garden sustainably, what plants to use, and what resources to explore. Yet few examine why our urban wildlife gardens matter so much—not just for ourselves, but for the larger human and animal communities. Our landscapes push aside wildlife and in turn diminish our genetically programmed love for wildness. How can we get ourselves back into balance through gardens, to speak life's language and learn from other species? Benjamin Vogt addresses why we need a new garden ethic, and why we urgently need wildness in our daily lives—lives sequestered in buildings surrounded by monocultures of lawn and concrete that significantly harm our physical and mental health. He examines the psychological issues around climate change and mass extinction as a way to understand how we are short-circuiting our response to global crises, especially by not growing native plants in our gardens. Simply put, environmentalism is not political; it's social justice for all species marginalized today and for those facing extinction tomorrow. By thinking deeply and honestly about our built landscapes, we can create a compassionate activism that connects us more profoundly to nature and to one another.
It is a summer's day in the late 1890s and Monet's house at Giverny is in its heyday. Outside, the pink stucco walls are punctuated by brilliant green shutters, and a new green balcony spans the length of the house. Inside, light streams through open windows, illuminating the vibrant, innovative colors Monet chose to color his rooms. Here is a guided tour of the house where Monet lived for forty years with the woman who would become his second wife, Alice Hoschedé, and their eight children. The original furniture, much of it painted in vivid hues, is here as well as appointments--china, linen, and small antique collectibles--authentic to what is known of Monet's lifestyle and the period. Here is the famous dining room painted in two shades of yellow, embellished with Japanese prints and blue-and-white china. Here is the kitchen with its blue- and-white Rouen tiles and copper pots, the fabled studio where Monet not only painted but entertained his family and friends, the blue drawing room where the family gathered for games, the bedrooms and dressing rooms with their simple and elegant appointments, the foyers, the épicerie, even the cellar where wine and provisions were stored. Paint dabs showing the colors used in major rooms allow the reader to duplicate them in their own homes. Heide Michels opens a door onto Monet's private world, giving us a vivid impression of the family's day-to-day routine, including family activities and mealtime rituals. She describes Monet's love of the good life; good food, good wine, and the company of stimulating friends, among them Monet's fellow painters, Renoir and Caillebotte, and a circle of writers and critics. Monet's House reveals the artist as a master decorator as innovative in his choice of wall and furniture colors as he was in his canvases. It also captures a vivid picture of domestic life as it was lived by one of the world's greatest Impressionist painters.
