The Gardeners' Dirty Hands

The Gardeners' Dirty Hands

Author: Noah J. Toly

Publisher: Oxford University Press

Published: 2019-05-21

Total Pages: 161

ISBN-13: 0190249439

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The past three centuries have witnessed the accumulation of unprecedented levels of wealth and the production of unprecedented risks. These risks include the declining integrity and stability of many of the world's environments, which face dramatic and possibly irreversible change as the environmental burdens of late modern lifestyles increasingly shift to fragile ecosystems, vulnerable communities, and future generations. Globalization has increased the scope and scale of these risks, as well as the pace of their emergence. It has also made possible global environmental governance, attempts to manage risk by unprecedented numbers and types of authoritative agents, including state and non-state actors at the local, national, regional, and global levels. In The Gardeners' Dirty Hands: Environmental Politics and Christian Ethics, Noah Toly offers an interpretation of environmental governance that draws upon insights into the tragic - the need to forego, give up, undermine, or destroy one or more goods in order to possess or secure one or more other goods. Toly engages Christian and classical Greek ideas of the tragic to illuminate the enduring challenges of environmental politics. He suggests that Christians have unique resources for responsible engagement with global environmental politics while acknowledging the need for mutually agreed, and ultimately normative, restraints.


Perspectives on Design and Digital Communication

Perspectives on Design and Digital Communication

Author: Nuno Martins

Publisher: Springer Nature

Published: 2020-07-09

Total Pages: 239

ISBN-13: 3030496473

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This book shares new research findings and practical lessons learned that will foster advances in digital design, communication design, web, multimedia and motion design, graphic design and branding, and other related areas. It gathers the best papers presented at the 3rd International Conference on Digital Design and Communication, DIGICOM 2019, held on November 15–16, 2019, in Barcelos, Portugal. The respective contributions highlight new theoretical perspectives and practical research directions in design and communication, aimed at promoting their use in a global, digital world. The book offers a timely guide and a source of inspiration for designers of all kinds (Graphic, Digital, Web, UI & UX Design and Social Media), for researchers, advertisers, artists, entrepreneurs, and brand or corporate communication managers, and for teachers and advanced students.


The Invention of Morel

The Invention of Morel

Author: Adolfo Bioy Casares

Publisher: New York Review of Books

Published: 2003-08-31

Total Pages: 124

ISBN-13: 9781590170571

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Jorge Luis Borges declared The Invention of Morel a masterpiece of plotting, comparable to The Turn of the Screw and Journey to the Center of the Earth. Set on a mysterious island, Bioy's novella is a story of suspense and exploration, as well as a wonderfully unlikely romance, in which every detail is at once crystal clear and deeply mysterious. Inspired by Bioy Casares's fascination with the movie star Louise Brooks, The Invention of Morel has gone on to live a secret life of its own. Greatly admired by Julio Cortázar, Gabriel García Márquez, and Octavio Paz, the novella helped to usher in Latin American fiction's now famous postwar boom. As the model for Alain Resnais and Alain Robbe-Grillet's Last Year in Marienbad, it also changed the history of film.


The Virtuoso as Subject

The Virtuoso as Subject

Author: Zarko Cvejić

Publisher: Cambridge Scholars Publishing

Published: 2016-06-22

Total Pages: 355

ISBN-13: 1443896829

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This book offers a novel interpretation of the sudden and steep decline of instrumental virtuosity in its critical reception between c. 1815 and c. 1850, documenting it with a large number of examples from Europe’s leading music periodicals at the time. The increasingly hostile critical reception of instrumental virtuosity during this period is interpreted from the perspective of contemporary aesthetics and philosophical conceptions of human subjectivity; the book’s main thesis is that virtuosity qua irreducibly bodily performance generated so much hostility because it was deemed incompatible with, and even threatening to, the new Romantic philosophical conception of music as a radically disembodied, abstract, autonomous art and, moreover, a symbol or model – if only a utopian one – of a similarly autonomous and free human subject, whose freedom and autonomy seemed increasingly untenable in the economic and political context of post-Napoleonic Europe. That is why music, newly reconceived as radically abstract and autonomous, plays such an important part in the philosophy of early German Romantics such as E. T. A. Hoffmann, Schelling, and Schopenhauer, with their growing misgivings about the very possibility of human freedom, and not so much in the preceding generation of thinkers, such as Kant and Hegel, who still believed in the (transcendentally) free subject of the Enlightenment. For the early German Romantics, music becomes a model of human freedom, if freedom could exist. By contrast, virtuosity, irredeemably moored in the perishable human body, ephemeral, and beholden to such base motives as making money and gaining fame, is not only incompatible with music thus conceived, but also threatens to expose it as an illusion, in other words, as irreducibly corporeal, and, by extension, the human subject it was meant to symbolise as likewise an illusion. Only with that in mind, may we begin to understand the hostility of some early to mid-19th-century critics to instrumental virtuosity, which sometimes reached truly bizarre proportions. In order to accomplish this, the book looks at contemporary aesthetics and philosophy, the contemporary reception of virtuosity in performance and composition, and the impact of 19th-century gender ideology on the reception of some leading virtuosi, male and female alike.


Hieroglyph, Emblem, and Renaissance Pictography

Hieroglyph, Emblem, and Renaissance Pictography

Author: Ludwig Volkmann

Publisher: BRILL

Published: 2018-07-03

Total Pages: 331

ISBN-13: 9004367594

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Robin Raybould’s Hieroglyph, Emblem and Renaissance Pictography is the first English translation of Ludwig Volkmann’s Bilderschriften der Renaissance, the classic text which promoted the symbol as a defining cultural and literary characteristic of early modern Europe. Volkmann enumerates and describes many of the works which illustrated the contemporary obsession with hieroglyph, emblem and device, particularly those from France and Germany, thus complementing Karl Giehlow’s earlier Hieroglyphenkunde on the subject. Volkmann’s book highlights both Renaissance theories of the image as language and the symbol as an aid to an understanding of the meaning of life and the nature of God. Raybould’s translation has been described as elegant, admirable and impeccable and includes an introduction, extensive notes and several additional essays on topics relevant to the field.


The International Legal Order in the XXIst Century / L’ordre juridique international au XXIeme siècle / El órden jurídico internacional en el siglo XXI

The International Legal Order in the XXIst Century / L’ordre juridique international au XXIeme siècle / El órden jurídico internacional en el siglo XXI

Author: Jorge E. Viñuales

Publisher: BRILL

Published: 2023-11-13

Total Pages: 1083

ISBN-13: 9004509429

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This collection of essays celebrating the work of Professor Marcelo Kohen brings together the leading scholars and practitioners of public international law from different continents and generations to explore some of the most challenging issues of contemporary international law. The volume is a testimony of esteem and friendship from colleagues and former students, and it covers a vast expanse, reflecting the width and diversity of Professor Kohen’s own contribution. Written in English, French and Spanish, the essays in this volume will appeal to a broad public of academics, practitioners and students of international law from around the world.


Giovanni Pierluigi da Palestrina

Giovanni Pierluigi da Palestrina

Author: Clara Marvin

Publisher: Routledge

Published: 2013-10-15

Total Pages: 504

ISBN-13: 1135617619

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First Published in 2002. This guide introduces students and scholars to the literature on Palestrina as well as the complicated history of the publication of his works. This bibliography is divided into four primary sections: historical background on musical, social, and cultural life; biographical literature; studies of sources, music, and style; and reception history. They are divided roughly into the periods dating from Palestrina's lifetime to about 1750; from about 1750 to about 1914; from 1914 to the present. This title also contains historical research on performance conditions and practices as they would have applied in Palestrina's time.


Johannes Brahms

Johannes Brahms

Author: Heather Platt

Publisher: Routledge

Published: 2012-07-26

Total Pages: 578

ISBN-13: 1135847088

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First published in 2011. Johannes Brahms: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer. The second edition will include research published since the publication of the first edition and provide electronic resources.


Nuns

Nuns

Author: Silvia Evangelisti

Publisher: Oxford University Press

Published: 2008

Total Pages: 312

ISBN-13: 0199532052

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Silvia Evangelisti presents the story of the women who have lived in religious communities, from the dawn of the modern age onwards - their ideals and achievements, frustrations and failures, and their attempts to reach out to the society aroundthem.