"Essays examine the widespread presence and myths of Asia in American culture in the late 18th and early 20th centuries, exploring the persistence and pervasiveness of America's fascination with the East"--OCLC
In 1883, Isabella Stewart Gardner and her husband embarked on a trip that would take them from Boston, across the Unites States and the Pacific, to Japan, China Cambodia and finally, the India of the Raj. Travelling in the wake of recent Western expansion into Asia, they were privileged guests in a world convulsed by colliding forces and identities. They visited ancient temples; met missionaries and colonial officials; toured rubble left but anti-Western riots; camped at Angkhor Wat but took first-class trains throughout India. Isabella kept a diary, bought photographs, and assembled a travel album. Back home, she became a pioneering collector of Asian art. 'Journeys East' reconstructs the Gardners' epic journey with illustrations from Isabella's albums and quotations from her diary and her husband's letters and notes. Isabella's evolving relationship to Asia is the subject of essays by Alan Chong, Noriko Murai, and Christine Guth, amoth other major authorities, that consider a broad range of topics, from the Japanese tea ceremony to her selection and display of Asian art at her extraordinary museum in Boston. A new kind of book, 'Journeys East' combines the history of travel and collecting with the study of East-West relations. Nearly all the 400 illustrations in this oversize book reproduce vintage photographs on her travels. In numerous instances, the photographs document sites long changed beyond recognition. The book will be of exceptional interest to readers of Joseph Conrad. ILLUSTRATIONS 400 illustrations
Kuniyoshi The Faithful Samurai is a pioneering publication which deals with the most famous series - the Seichū gishi den (1847-48) and its sequel the Seichū gishin den (1848) - of the forty-seven masterless samurai (rōnin) by artist Utagawa Kuniyoshi (1797-1861). The true 18th-century tale of revenge by forty-seven rōnin for the death of their lord was enormously popular in Japan: it was dramatised for the Kabuki theatre and its heroes were often depicted in ukiyo-e prints. Kuniyoshi was a master in the genre of warrior prints, and his series expressively portrays these warrior 'folk heroes'. Dr. Weinberg's book also includes translations of the texts which appear on the prints and which recount each hero's exploits. In addition, there are photographs of the relics of the masterless samurai and the ruins of their castle in Akō.
The works of Makoto Sei Watanabe combine the functionality of aesthetic experience and the calculated organization of structures with the evocation of deep ancestral memories.
Exquisite depictions of romantically idealized landscapes from woodcut master's superb Fifty-three Stages on the Tokaido. Reproduced from the Collection of the Elvehjem Museum of Art. Includes The Bridge on the Toyo River, The Ferryboat at Rokugo, The Junction of the Pilgrims' Road and Mt. Fuji in the Morning from Hara.
City planning is a concept which usually covers the wide range of events, processes and developments taking place in our cities, but individual plans and designs cannot do justice to the complex realities of the city. In "Induction Cities" the author aims to take the reader beyond our traditional understanding of city design to redefine our perception of design in this context. With the assistance of computers, a dynamic mechanism will be created which generates a result corresponding to the specific conditions and requirements stipulated. By this form of "meta-design" a greater degree of freedom is obtained than the conventional design methods provide. In this publication, this new theory and process is analysed, looking at the first computer-generated architecture in the world, the underground station "Iidabashi"in Tokyo. Makoto Sei Watanabe studied architecture and worked in the office of Arata Isozaki in Tokyo. In 1984 he founded his own architectural office which has realised numerous projects.