"This revised edition includes over 100 new hallmarks as it traces the history of Hopi silversmithing. From early Hopi silversmith experiences to modern jewelry and hallmarks, the book blends black and white and color illustrations with excellent reviews of Hopi history and culture."--Reviewer's Bookwatch
A full-color tribute to distinctive Hopi jewelry and the artists who create it--past and present. View the intricate and splendid nature of this art form and craft. Detailed descriptions accompany photos.
"Nearly 200 photographs chronicle the evolution of Hopi jewelry over the last four decades and illustrate, through the Kaopavi collection, the innovative and often stunning creations of twelve well-known Hopi artists. Included are Victor Coochwytewa, Phillip Honanie, and Michael Kabotie, as well as Ricky Coochwytewa, Sidney Sekakuku, Sharold Nutumya, Watson Honanie, Bradley Gashwazra, Norman Honie Sr., John Coochyumptewa, Beauford Dawahoya, and Jason Takala Sr. The artists incorporate gold, platinum, diamonds, and rare turquoise into a tradition previously identified predominantly with silver, while expanding the range of designs to include narrative and ceremonial representations. Some of the iconography speaks to the merging of two cultures: ancient Hopi and contemporary commodity. These objects have a historical voice and represent a major change not only in jewelry styles, but in Hopi culture."--Page 4 of cover.
Hallmarks identify thousands of Native American silversmiths -- so many that even seasoned collectors cannot remember them all. However, with concise information at hand, anyone can become an expert at spotting the most important marks. This book helps you do that. It has hallmarks and brief biographies of 100 Native American silversmiths, chosen after consultation with experts in the field. Silversmiths and designers in this book have all passed away, making their work even more desirable and collectible.
Museum collections are often perceived as static entities hidden away in storerooms or trapped behind glass cases. By focusing on the dynamic histories of museum collections, new research reveals their pivotal role in shaping a wide range of social relations. Over time and across space the interactions between these artefacts and the people and institutions who made, traded, collected, researched and exhibited them have generated complex networks of material and social agency. In this innovative volume, the contributors draw on a broad range of source materials to explore the cross-cultural interactions which have created museum collections. These case studies contribute significantly to the development of new theoretical frameworks to examine broader questions of materiality, agency, and identity in the past and present. Grounded in case studies from individual objects and museum collections from North America, Europe, Africa, the Pacific Islands, and Australia, this truly international volume juxtaposes historical, geographical, and cross-cultural studies. This work will be of great interest to archaeologists and anthropologists studying material culture, as well as researchers in museum studies and cultural heritage management.