When an elevator falls in a major city, nine lives intersect in surprising ways, both comic and tragic—through love and sex, poetry and dentistry; in offices, homes, and hotel rooms. Jill longs for Steve, who’s engaged to Barb, who hooks up with Peter, who’s already having an affair with Nan, who’s married to Marty, who subscribes to Elevator World. Meanwhile, nine stories off the ground, Douglas meets Tanya—who’s hoping to get pregnant with Hal—and a little miracle changes hands. By turns hilarious and profound, HOPE AND GRAVITY traces the barely perceivable threads that connect us all.
“Faith, Hope and Gravity” is the spiritual, magical adventure of teenage Liam Kane as he discovers some of the same lessons Merrill Osmond learned as the world-traveling lead singer of the Osmond Brothers. Like Merrill, Liam is often misunderstood as he helps those seeking for purpose in their extraordinary talents. Liam's visionary abilities gain him international notoriety as “The Prophecy Boy” who swims with dolphins, dreams of a mysterious red door, and champions those who are often misjudged for their uncommon gifts. Surviving kidnapping, near-drowning, and imprisonment leads to the discovery that despite differences, when people respect each other and their wide variety of abilities, the thread of commonality that runs through mankind grows ever stronger. Turn the pages to join in this unforgettable journey.
Ellie Gold is an orthodox Jewish teenager living in Toronto in the late eighties. Ellie has no doubts about her strict religious upbringing until she falls in love with another girl at her grandmother's cottage. Aware that homosexuality clashes with Jewish observance, Ellie feels forced to either alter her sexuality or leave her community. Meanwhile, Ellie's mother, Chana, becomes convinced she has a messianic role to play, and her sister, Neshama, chafes against the restrictions of her faith. Ellie is afraid there is no way to be both gay and Jewish, but her mother and sister offer alternative concepts of God that help Ellie find a place for herself as a queer Jew.
After coming out as transgender, Chris is still processing a frightening assault he survived the year before, while Maia, grieving the loss of her older sister, is trying to find her place in the world, which makes falling in love the furthest thing on their minds--until it is not.
“[An] absorbing novel that will appeal to fans of Rainbow Rowell.” —Booklist “A poignant and carefully crafted story.” —School Library Journal “A gorgeous, sad, funny, and wise book about letting go and finding your place in the world.” —Kathleen Glasgow, New York Times bestselling author of Girl in Pieces Parker struggles to reconnect with her twin brother, Charlie—who’s recovering from cancer—as she tries to deal with her anxiety about the future in this powerful new novel. Twins Parker and Charlie are polar opposites. Where Charlie is fearless, Parker is careful. Charlie is confident while Parker aims to please. Charlie is outgoing and outspoken; Parker is introverted and reserved. And of course, there’s the one other major difference: Charlie got cancer. Parker didn’t. But now that Charlie is officially in remission, life couldn’t be going better for Parker. She’s landed a prestigious summer internship at the hospital and is headed to Harvard in the fall to study pediatric oncology—which is why the anxiety she’s felt since her Harvard acceptance is so unsettling. And it doesn’t help that her relationship with Charlie has been on the rocks since his diagnosis. Enter Finn, a boy who’s been leaving strange graffiti messages all over town. Parker can’t stop thinking about those messages, or about Finn, who makes her feel free for the first time: free to doubt, free to make mistakes, and free to confront the truth that Parker has been hiding from for a long time. That she keeps trying to save Charlie, when the person who really needs saving is herself.
“My vocation was supposed to be joy, and I was speaking at funerals.” Shortly after being hired by Yale University to study joy, Angela Gorrell got word that a close family member had died by suicide. Less than a month later, she lost her father to a fatal opioid addiction and her nephew, only twenty-two years old, to sudden cardiac arrest. The theoretical joy she was researching at Yale suddenly felt shallow and distant—completely unattainable in the fog of grief she now found herself in. But joy was closer at hand than it seemed. As she began volunteering at a women’s maximum-security prison, she met people who suffered extensively yet still showed a tremendous capacity for joy. Talking with these women, many of whom had struggled with addiction and suicidal thoughts themselves, she realized: “Joy doesn’t obliterate grief. . . . Instead, joy has a mysterious capacity to be felt alongside sorrow and even—sometimes most especially—in the midst of suffering.” This is the story of Angela’s discovery of an authentic, grounded Christian joy. But even more, it is an invitation for others to seize upon this more resilient joy as a counteragent to the twenty-first-century epidemics of despair, addiction, and suicide—a call to action for communities that yearn to find joy and are willing to “walk together through the shadows” to find it.
