Du Bois to classic blaxploitation films like Black Caesar and The Mack, Van Deburg demonstrates how African Americans have combated such negative stereotypes and reconceptualized the idea of the badman through stories of social bandits - controversial individuals vilified by whites for their proclivity toward evil, but revered in the black community as necessarily insurgent and revolutionary."--BOOK JACKET.
For fans of Percy Jackson comes a high-adventure retelling of the classic Robin Hood tale featuring a diverse cast of characters and a kick-butt heroine . . . Robyn Hoodlum.
"Johnny Washington, a black teenager in Los Angeles, knows the freight yards like the back of his hand. He and his pals, Josh and Buddy, hit them often, stealing for a fence. They have to. They're the sole support of their families. But when Josh is killed by a security guard, they are forced to look for other work. They find it with the underworld kings in Elliot Davis." -- Back cover.
This paperback edition of A Place on the Corner marks the twenty-fifth anniversary of Elijah Anderson's sociological classic, a study of street corner life at a local barroom/liquor store located in the ghetto on Chicago's South Side. Anderson returned night after night, month after month, to gain a deeper understanding of the people he met, vividly depicting how they created—and recreated—their local stratification system. In addition, Anderson introduces key sociological concepts, including "the extended primary group" and "being down." The new preface and appendix in this edition expand on Anderson's original work, telling the intriguing story of how he went about his field work among the men who frequented Jelly's corner.
The definitive book on the ultimate mob boss—featuring new FBI revelations, rare family photos, and never-before-published material. To authorities, Frank Costello was “The Prime Minister of the Underworld” and “one of the most powerful and influential Mafia leaders in the U.S.” To friends and associates, he was simply “Uncle Frank.” Pulitzer Prize-winning reporter Anthony M. DeStefano sets out to answer who Frank Costello really was in this definitive portrait of one of the most fascinating figures in the annals of American crime . . . Using newly released FBI files, eyewitness accounts, and family mementos, Top Hoodlum takes you inside the Mafia that Frank Costello helped build from the ground up. These are the riveting stories and stunning revelations that have inspired American crime classics like The Godfather, Casino, Goodfellas, and The Sopranos. This is the man who made the Mafia such a powerful force in our nation’s history. The man who refused to admit his crimes long after he retired. This is Top Hoodlum. Praise for Anthony M. DeStefano and his books on the Mafia “Thrilling American crime writing.” —Jimmy Breslin on King of the Godfatherss “Terrific . . . A fitting end to the murderous story of the 1978 Lufthansa heist.” —Nicholas Pileggi, author of Wiseguy on The Big Heist “The best and last word on the subject . . . DeStefano brings the story to life.” —Jerry Capeci, creator of the website GangLandNews “DeStefano tells Costello’s story well.” —Kirkus Reviews “A master at cutting through the secrecy of the Mafia.” —Publishers Weekly
He set out to be the good son, but the streets had a different plan. Born to one of the city's most notorious crime families, Shai Clark has always managed to be a good kid. A college hoops star, Shai shunned the world that his father had created and focused on his dreams of going pro. Tommy, Shai's trigger-happy older brother, is next in line for the throne and rules under his father through brute force. But Poppa has bigger plans for Shai. The situation soon turns ugly when Poppa is murdered and Tommy is removed from the equation. Suddenly Shai finds himself at the head of his father's empire and the streets are thrown into chaos. It is then that he must decide whether to pursue his own dreams or put his father's affairs in order. Unable to sit idly by while the Clarks' underworld empire is pillaged, Shai takes up his father's mantle and brings his game to the streets. He quickly learns that there are two sides to every coin, and the streets hold no mercy for the weak. Hoodlum chronicles three generations of Trinidadian immigrants and their rise to power in the New York City heroin trade. A K'wan classic.
From The Wild Angels in 1966 until its conclusion in 1972, the cycle of outlaw motorcycle films contained forty-odd formulaic examples. All but one were made by independent companies that specialized in producing exploitation movies for drive-ins, neighborhood theaters, and rundown inner city theaters. Despised by critics, but welcomed by exhibitors denied first-run films, these cheaply and quickly produced movies were made to appeal to audiences of mobile youths. The films are repetitive, formulaic, and eminently forgettable, but there is a story to tell about all of the above, and it is one worth hearing. Hoodlum Movies is not only about the films, its focus is on why and how these films were made, who they were made for, and how the cycle developed through the second half of the 1960s and came to a shuddering halt in 1972.
Top-notch street lit...one of the top urban fiction novels of the year." - Library Journal All he ever wanted to be was a Good Son ... Shai Clark was an all-American basketball player with aspirations of one day making it to the NBA, but that all changed when his father was viciously murdered and he found himself thrust into the role of the new head of his family's criminal enterprise. After waging a war on the streets of New York that lasts nearly three years, it seems like peace is finally being restored to the land and Shai can get back to focusing on continuing his father's mission to legitimize the Clark family— but little does he know it was only the calm before the storm. Not everyone respects his claim to the Clark empire, and when new and old enemies start to come out of the woodwork, Shai will find that inheriting the throne was one thing, but holding onto it will prove to be a far more difficult task.
