Recruited by Wild Bill Donovan to set up an airline that will be an OSS front in 1943 Argentina, Marine pilot Cletus Frade monitors two German operations, including a concentration-camp smuggling ring and a Nazi protection group. 350,000 first printing.
THE GIRL WAS SPRAWLED OUT ON THE FLOOR IN THE LIVING ROOM OF HIS APARTMENT. So begins Joe Clifford Faust’s classic science fiction mystery, which has thrilled both SF and non-SF readers since its release nearly 25 years ago. Originally published as a paperback original by Del Rey Books, Honor was also a main selection of the Science Fiction Book Club, where it was given a generic cover and enjoyed crossover sales through the Mystery Guild Book Club. It was also chosen as a Recommended Read in the Crime and Punishment category by the Science Fiction Museum. The novel takes place in an alternate future where a crumbling United States is one of the few nations left to have fended off Soviet domination. It tells the story of seven days in the life of D.A. Payne, a bioengineer who finds the naked corpse of a woman in his apartment and is compelled to investigate her murder. As he digs deeper into the woman’s identity and the cause of her death, he learns things about himself and his world that will conspire to change his life forever. The electronic editions of Honor also contain bonus material: the novel’s original ending - a 2,000 word epilog that was cut before publication - along with an essay from the author telling how it came to be chopped.
Justice or Revenge Which would you choose? When a bandit raid destroys his home, Gabriel Kane believes his whole family is killed in the fire. Burdened by guilt, he dedicates his life to bringing those responsible to justice. Xander Kane has a secret place, a crawlspace under the kitchen perfect for stealing snacks. When the bandits attack Xander is trapped by the flames. Xander emerges hours later scarred and near death, his whole world reduced to ashes. Blind with rage, Xander dedicates his life to killing those responsible. Four years pass before Xander, now an elite assassin, learns Gabriel survived the attack and is now an officer of the city watch. Xander returns home for a reunion, but what reaction will he get from his by the law brother? Will the two brothers be able to set aside their differences to bring down the evil responsible for their pain?
Siobhan Dunmoore was not having a good war. She’s had more ships shot out from under her by the invading Shrehari Empire than any other officer in the Fleet. Some called her overly aggressive. Others simply called her reckless. What the enemy called her was something else altogether. That she gave the Shrehari a good drubbing along the way didn’t matter in the least, because not all her enemies wore an Imperial uniform. A reputation for bad luck was pretty much the only reputation she had left. Sailing yet another ruined starship home after a near defeat, she wanted nothing more than a long, long rest, because this time, she had escaped by the thinnest of bluffs. Unfortunately, the Admiralty had other ideas. The frigate Stingray was known as the unluckiest ship in the Fleet and her Captain had just been removed in disgrace for cowardice. Some in the Admiralty would dearly love to retire the old warhorse. After all, she was the last of her type left in service, and perhaps it was time to break up the jinx permanently, along with the crew. But in the midst of an interstellar war, every ship that could fight was needed. In short order, Dunmoore went from staring down the Empire’s finest on the bridge of a wrecked battleship to taking on a demoralized, semi-mutinous crew, scheming Admirals and a deadly mystery. The Stingray’s bad luck wasn’t just superstition gone rampant. Between a crew that won't talk, political enemies who want her gone, and her personal demons, she's got her hands full. Taking the frigate into battle under those conditions would seem foolish to anyone else, but Dunmoore was never one to shrink from a good fight. Failure was not an option, and defeat not an acceptable alternative, for there was no honor in death, only in victory. She would redeem herself and her ship or be damned for all eternity.
Crime historian Lizzie Stuart goes to Gallagher, Virginia for a year as a visiting professor at Piedmont State University. She is there to do research for a book about a 1921 lynching that her grandmother, Hester Rose, witnessed when she was a twelve-year-old child. Lizzie's research is complicated by her own unresolved feelings about her secretive grandmother and by the disturbing presence of John Quinn, the police officer she met while on vacation in England. When an arrogant but brilliant faculty member of Piedmont State University is murdered, Lizzie begins to have more than a few sleepless nights. A Dead Man’s Honor is a haunting story that will keep you awake nights, too. Praise for Frankie Y. Bailey “She has a tremendous eye and ear.” —The Times Union, Albany, New York
A national bestseller, this extraordinary work of investigative reporting uncovers the identities, and the remarkable stories, of the CIA secret agents who died anonymously in the service of their country. In the entrance of the CIA headquarters looms a huge marble wall into which seventy-one stars are carved-each representing an agent who has died in the line of duty. Official CIA records only name thirty-five of them, however. Undeterred by claims that revealing the identities of these "nameless stars" might compromise national security, Ted Gup sorted through thousands of documents and interviewed over 400 CIA officers in his attempt to bring their long-hidden stories to light. The result of this extraordinary work of investigation is a surprising glimpse at the real lives of secret agents, and an unprecedented history of the most compelling—and controversial—department of the US government.
Pulitzer Prize Finalist Winner of the John Brinckerhoff Jackson Book Prize Winner of the Sharon Harris Book Award Finalist, Jefferson Davis Award of the American Civil War Museum Arlington National Cemetery is one of America’s most sacred shrines, a destination for millions who tour its grounds to honor the men and women of the armed forces who serve and sacrifice. It commemorates their heroism, yet it has always been a place of struggle over the meaning of honor and love of country. Once a showcase plantation, Arlington was transformed by the Civil War, first into a settlement for the once enslaved, and then into a memorial for Union dead. Later wars broadened its significance, as did the creation of its iconic monument to universal military sacrifice: the Tomb of the Unknown Soldier. As Arlington took its place at the center of the American story, inclusion within its gates became a prerequisite for claims to national belonging. This deeply moving book reminds us that many brave patriots who fought for America abroad struggled to be recognized at home, and that remembering the past and reckoning with it do not always go hand in hand. “Perhaps it is cliché to observe that in the cities of the dead we find meaning for the living. But, as McElya has so gracefully shown, such a cliché is certainly fitting of Arlington.” —American Historical Review “A wonderful history of Arlington National Cemetery, detailing the political and emotional background to this high-profile burial ground.” —Choice
Murder in the Name of Honour is Rana Husseini’s hard-hitting and controversial examination of honour crimes. Common in many traditional societies around the world, as well as in migrant communities in Europe and the USA, they involve a ‘punishment’—often death or disfigurement—carried out by a relative to restore the family’s honour. Breaking through the conspiracy of silence surrounding this crime, one writer above all others has been instrumental in bringing it to the world’s attention: Rana Husseini.
For the Romans, the manner of a person's death was the most telling indication of their true character. Death revealed the true patriot, the genuine philosopher, even, perhaps, the great artist--and certainly the faithful Christian. Catharine Edwards draws on the many and richly varied accounts of death in the writings of Roman historians, poets, and philosophers, including Cicero, Lucretius, Virgil, Seneca, Petronius, Tacitus, Tertullian, and Augustine, to investigate the complex significance of dying in the Roman world. Death in the Roman world was largely understood and often literally viewed as a spectacle. Those deaths that figured in recorded history were almost invariably violent--murders, executions, suicides--and yet the most admired figures met their ends with exemplary calm, their last words set down for posterity. From noble deaths in civil war, mortal combat between gladiators, political execution and suicide, to the deathly dinner of Domitian, the harrowing deaths of women such as the mythical Lucretia and Nero's mother Agrippina, as well as instances of Christian martyrdom, Edwards engagingly explores the culture of death in Roman literature and history.
For readers of Being Mortal and When Breath Becomes Air, the acclaimed founder of Death over Dinner offers a practical, inspiring guide to life's most difficult yet important conversation. Of the many critical conversations we will all have throughout our lifetime, few are as important as the ones discussing death—and not just the practical considerations, such as DNRs and wills, but what we fear, what we hope, and how we want to be remembered. Yet few of these conversations are actually happening. Inspired by his experience with his own father and countless stories from others who regret not having these conversations, Michael Hebb cofounded Death Over Dinner—an organization that encourages people to pull up a chair, break bread, and really talk about the one thing we all have in common. Death Over Dinner has been one of the most effective end-of-life awareness campaigns to date; in just three years, it has provided the framework and inspiration for more than a hundred thousand dinners focused on having these end-of-life conversations. As Arianna Huffington said, "We are such a fast-food culture, I love the idea of making the dinner last for hours. These are the conversations that will help us to evolve." Let's Talk About Death (over Dinner) offers keen practical advice on how to have these same conversations—not just at the dinner table, but anywhere. There's no one right way to talk about death, but Hebb shares time—and dinner—tested prompts to use as conversation starters, ranging from the spiritual to the practical, from analytical to downright funny and surprising. By transforming the most difficult conversations into an opportunity, they become celebratory and meaningful—ways that not only can change the way we die, but the way we live.