Thanks to an impressive selection of works of painting, sculpture, mixed media, ceramics, photography, this book showcases the best in contemporary Hong Kong art with the aim of promoting awareness of Hong Kong artistic achievement on a worldwide basis
Elsie Tu is well known as a social activist and crusader against injustice and corruption in Hong Kong. In this powerful personal statement, she expresses her views about the injustices in the past colonial system and her fears about present day economic colonialism. This is a book with strong messages for today. Mrs Tu's deep concerns about the current international scene have the most immediate and obvious topical relevance. But there is an equally strong lesson in her description of the corruption that used to be so pervasive in Hong Kong and her battles against it. She reminds us forcefully of the need for continued vigilance if corruption and its awful effects are not to return. However, the most important message of this book pervades all parts of it: the example of a life devoted to improving things for the ordinary people of Hong Kong, a life not just lived according to high principles, but characterized by a dogged and fearless determination to fight for those principles, to be an activist. This book is important because it records the beliefs, some of the experiences and above all the commitment of one of the most notable people of post-war Hong Kong. By giving rich insights into the mind and beliefs of an extraordinary and indomitable person, it brings to life the recent history of Hong Kong and challenges the next generation of Hong Kong people to contribute as much. Readers may have heard of Hong Kong's economic miracle during the second half of the twentieth century, but they may not be aware of the suffering and injustices caused by greed and corruption at that time. This book shows how the society's struggle stirred the spirit of determination upon which the Hong Kong we know today was built The book will also give readers a bird's eye view of the worldwide scale of suffering and injustices caused by nations seeking economic and political domination. I write this book because I believe that human beings can only comprehend the present when they understand the past, and they can only make a better future when they learn from previous errors. And I feel compelled to alert the younger generation of the dangers that confront the world today from those obsessed with wealth and power. I hope that all prejudices and evil ambitions can be set aside, and an equal playing field can be created for all nations. - Elsie Tu
An investigative account of the February 1979 murder of U.S. Ambassador Adolph "Spike" Dubs, featuring newly unearthed evidence justifying the reopening of the file for forensic reexamination.
This delightfully written book tells the story of William John Napier, 9th Lord Napier of Merchiston, who was sent to China in 1834, not to stop the opium smuggling (by which all local officials profited hugely), but to seek a settlement between the British sea-traders and the Cantonese authorities. Known at home as a brave and sensible sailor who had started his career at Trafalgar, William John was noted for his calm and patience. He was at once seen by the Chinese authorities as a dangerous spy - a 'Barbarian Eye'. Though biographical in character, based largely upon Lord Napier's own letters and journals, the book gives an admirable insight into the story of Western contacts over the centuries with the world's oldest and surely, most remarkable civilisation and a charming description of life in England and Scotland in the early 19th century, including life in the court of King William IV, Lord Napier's close friend and master.
Not your typical photo book! David Bellis, founder of the popular local history website Gwulo, shows you a selection of his favourite photos of old Hong Kong. So far, so familiar. But then he takes you on a deep dive to discover and understand the photos’ most minute and revealing details. Plague-ridden rats (pg. 7), flapper hats (pg. 56), and chocolates (pg. 73) are just a few of the surprising clues you’ll investigate. Finally, David helps you piece the clues together to uncover the photos’ hidden stories.
"The volume covers Hong Kong's medical development in the period from 1841 to early 2005, including the history of hospitals and medical education, and the role of the Bacteriological Institute. It is a record of how the health care system has evolved and how the territory has been able to cope with the massive increase in population."--BOOK JACKET.
The value of this book lies in the quality and expertise of the text chapters contributed by multiple international experts across the globe. Clearly written by the contributors providing a global perspective about the subject. Attempts to update the state-of-the-art vitreoretinal surgery in a lucid, authoritative and well-illustrated manner. Detailed reference lists following each chapter provide extensive background support for the text. Outstanding illustrations combined with excellent schematic drawings, beautiful clinical photographs, fluorescein angiograms, and OCT images. Illustrations.
A best-selling source of compact, authoritative guidance on the treatment of ocular disorders in a variety of settings, The Wills Eye Manual, 8th Edition, is the comprehensive, high-yield reference of choice for both trainees and seasoned practitioners. It provides highly illustrated information on more than 200 ophthalmic conditions along with proven clinical recommendations from initial diagnosis through extended treatment. The consistent, bulleted outline format makes it ideal for portability and quick reference.
A gripping history of China's deteriorating relationship with Hong Kong, and its implications for the rest of the world. For 150 years as a British colony, Hong Kong was a beacon of prosperity where people, money, and technology flowed freely, and residents enjoyed many civil liberties. In preparation for handing the territory over to China in 1997, Deng Xiaoping promised that it would remain highly autonomous for fifty years. An international treaty established a Special Administrative Region (SAR) with a far freer political system than that of Communist China—one with its own currency and government administration, a common-law legal system, and freedoms of press, speech, and religion. But as the halfway mark of the SAR’s lifespan approaches in 2022, it is clear that China has not kept its word. Universal suffrage and free elections have not been instituted, harassment and brutality have become normalized, and activists are being jailed en masse. To make matters worse, a national security law that further crimps Hong Kong’s freedoms has recently been decreed in Beijing. This tragic backslide has dire worldwide implications—as China continues to expand its global influence, Hong Kong serves as a chilling preview of how dissenters could be treated in regions that fall under the emerging superpower’s control. Today Hong Kong, Tomorrow the World tells the complete story of how a city once famed for protests so peaceful that toddlers joined grandparents in millions-strong rallies became a place where police have fired more than 10,000 rounds of tear gas, rubber bullets and even live ammunition at their neighbors, while pro-government hooligans attack demonstrators in the streets. A Hong Kong resident from 1992 to 2021, author Mark L. Clifford has witnessed this transformation firsthand. As a celebrated publisher and journalist, he has unrivaled access to the full range of the city’s society, from student protestors and political prisoners to aristocrats and senior government officials. A powerful and dramatic mix of history and on-the-ground reporting, this book is the definitive account of one of the most important geopolitical standoffs of our time.
Ghost Movies in Southeast Asia and Beyond explores ghost movies, one of the most popular film genres in East and Southeast Asia, by focusing on movie narratives, the cultural contexts of their origins and audience reception. In the middle of the Asian crisis of the late 1990s, ghost movies became major box office hits. The emergence of the phenomenally popular “J-Horror” genre inspired similar ghost movie productions in Korea, Thailand, Taiwan, Hong Kong, the Philippines and Singapore. Ghost movies are embedded and reflected in national as well as transnational cultures and politics, in narrative traditions, in the social worlds of the audience, and in the perceptual experience of each individual. They reflect upon the identity crises and traumas of the living as well as of the dead, and they unfold affection and attraction in the border zone between amusement and thrill, secular and religious worldviews. This makes the genre interesting not only for sociologists, anthropologists, media and film scholars, but also for scholars of religion.