The handover in 1997 saw Hong Kong's transition from colonial to communist rule under the auspices of 'one country, two systems'. But twenty years on, the real impact of the sovereignty change is just starting to register, with a rapid erosion of freedoms. Believing that we are stronger together, PEN Hong Kong invited some of the city's most prominent writers to contribute to an anthology of essays, fiction and artwork that marks this historical milestone.
How can one of the world's most free-wheeling cities transition from a vibrant global center of culture and finance into a subject of authoritarian control?As Beijing's anxious interference has grown, the "one country, two systems" model China promised Hong Kong has slowly drained away in the yearssince the 1997 handover. As "one country" seemed set to gobble up "two systems," the people of Hong Kong riveted the world's attention in 2019 by defiantly demanding the autonomy, rule of law and basic freedoms they were promised. In 2020, the new National Security Law imposed by Beijing aimed to snuff out such resistance. Will the Hong Kong so deeply held in the people's identity and the world's imagination be lost? Professor Michael Davis, who has taught human rights and constitutional law in this city for over three decades, and has been one of its closest observers, takes us on this constitutional journey.
This book provides an anatomy of Hong Kong's 2019-2020 social unrest, which has significantly damaged its economy and image. A coalition of Opposition to the Communist Party of China (CPC) emerged in Hong Kong after the 1989 Tiananmen Square Incident. The Basic Law, Hong Kong's mini-constitution which took effect in 1997, defined 'one country, two systems' in Hong Kong but inadvertently installed an 'opposition politics' system that the city was unfamiliar with. Fresh out of a colonial system, Hong Kong did not have the socio-ecological system to hold politicians accountable for their policies. For more than two decades, the tug of war between the Opposition and all other politicians has been delivering inconsistent public policies raising the costs of living and income disparity while hollowing out job opportunities. As a result, the younger generations have been immensely hurt. Meanwhile, the Opposition Camp has been promoting the blame narrative that the CPC is chipping away at Hong Kong's democracy and freedom. While the narrative's empirical evidence is weak and its linkage to Hong Kong's economic grievances is absent, the Opposition Camp has fallen captive to the narrative in the sense that its legitimacy is now tied to the narrative.For more than twenty years, rallies built on the blame narrative have profoundly influenced the development of people who grew up after 1997. Furthermore, the year-long unrest has socialised many more to adopt the narrative. The younger generations have been hurt by inconsistent public policies, and on top of that, the blame narrative has robbed them of any coherent social identity; and finally, the unrest has further dimmed their future. Hong Kong is now facing the problem of how to reincorporate a significant portion among its younger generations into mainstream society. This book offers in-depth analyses of the journey, identifies government and societal failures, and suggests long- and short-term policy directions.
This imaginative and innovative study by Daniel Miles Amos, begun in 1976 and completed in 2020, examines sociocultural changes in the practices of Chinese martial artists in two closely related and interconnected southern Chinese cities, Hong Kong and Guangzhou. The initial chapters of the book compare how sociocultural changes from World War II to the mid-1980s affected the practices of Chinese martial artists in the British Crown Colony of Hong Kong and neighboring Guangzhou in mainland China. An analysis is made of how the practices of Chinese martial artists have been influenced by revolutionary sociocultural changes in both cities. In Guangzhou, the victory of the Chinese Communist Party lead to the disappearance in the early 1950s of secret societies and kungfu brotherhoods. Kungfu brotherhoods reappeared during the Cultural Revolution, and subsequently were transformed again after the death of Mao Zedong, and China’s opening to capitalism. In Hong Kong, dramatic sociocultural changes were set off by the introduction of manufacturing production lines by international corporations in the mid-1950s, and the proliferation of foreign franchises and products. Economic globalization in Hong Kong has led to dramatic increases both in the territory’s Gross Domestic Product and in cultural homogenization, with corresponding declines in many local traditions and folk cultures, including Chinese martial arts. The final chapters of the book focus on changes in the practices of Chinese martial arts in Hong Kong from the years 1987 to 2020, a period which includes the last decade of British colonial administration, as well as the first quarter of a century of rule by the Chinese government.
"A passionate, important study of the current affairs of a volatile region."-- Kirkus Reviews starred review The rise of Hong Kong is the story of a miraculous post-War boom, when Chinese refugees flocked to a small British colony, and, in less than fifty years, transformed it into one of the great financial centers of the world. The unraveling of Hong Kong, on the other hand, shatters the grand illusion of China ever having the intention of allowing democratic norms to take root inside its borders. Hong Kong's people were subjects of the British Empire for more than a hundred years, and now seem destined to remain the subordinates of today's greatest rising power. But although we are witnessing the death of Hong Kong as we know it, this is also the story of the biggest challenge to China's authoritarianism in 30 years. Activists who are passionately committed to defending the special qualities of a home they love are fighting against Beijing's crafty efforts to bring the city into its fold--of making it a centerpiece of its "Greater Bay Area" megalopolis. Jeffrey Wasserstrom, one of America's leading China specialists, draws on his many visits to the city, and knowledge of the history of repression and resistance, to help us understand the deep roots and the broad significance of the events we see unfolding day by day in Hong Kong. The result is a riveting tale of tragedy but also heroism--one of the great David-versus-Goliath battles of our time, pitting determined street protesters against the intransigence of Xi Jinping, the most ambitious leader of China since the days of Mao.
This book brings together writing from activists and scholars that examine leftist and decolonial forms of resistance that have emerged from Hong Kong’s contemporary era of protests. Practices such as labor unionism, police abolition, land justice struggles, and other radical expressions of self-governance may not explicitly operate under the banners of leftism and decoloniality. Nevertheless, examining them within these frameworks uncovers historical, transnational, and prefigurative sightlines that can help to contextualize and interpret their impact for Hong Kong’s political future. This collection offers insights not only into Hong Kong's local struggles, but their interconnectedness with global movements as the city remains on the frontlines of international politics.
Hong Kong Visual Arts Overview (the Overview) discusses topics concerning the visual arts which took place in, or are related to, Hong Kong between 1 January and 31 December 2020. The Overview is published as an electronic book. 《香港視藝概述》討論2020年1月1日至12月31日於香港發生或與之相關的視覺藝術事件。《概述》以電子書形式出版。
As the waves of Occupy movements gradually recede, we soon forget the political hope and passions these events have offered. Instead, we are increasingly entrenched in the simplified dichotomies of Left and Right, us and them, hating others and victimizing oneself. Studying Hong Kong’s Umbrella Movement, which might be the largest Occupy movement in recent years, The Appearing Demos urges us to re-commit to democracy at a time when democracy is failing on many fronts and in different parts of the world. The 79-day-long Hong Kong Umbrella Movement occupied major streets in the busiest parts of the city, creating tremendous inconvenience to this city famous for capitalist order and efficiency. It was also a peaceful collective effort of appearance, and it was as much a political event as a cultural one. The urge for expressing an independent cultural identity underlined both the Occupy movement and the remarkably rich cultural expressions it generated. While understanding the specificity of Hong Kong’s situations, The Appearing Demos also comments on some global predicaments we are facing in the midst of neoliberalism and populism. It directs our attention from state-based sovereignty to city-based democracy, and emphasizes the importance of participation and cohabitation. The book also examines how the ideas of Hannah Arendt are useful to those happenings much beyond the political circumstances that gave rise to her theorization. The book pays particular attention to the actual intersubjective experiences during the protest. These experiences are local, fragile, and sometimes inarticulable, therefore resisting rationality and debates, but they define the fullness of any individual, and they also make politics possible. Using the Umbrella Movement as an example, this book examines the “freed” political agents who constantly take others into consideration in order to guarantee the political realm as a place without coercion and discrimination. In doing so, Pang Laikwan demonstrates how politics means neither to rule nor to be ruled, and these movements should be defined by hope, not by goals.
'Hong Kong Artists' is an international publication dedicated to the emerging generation of artists born between the late 1970s and the mid 1980s, and introduces 20 artists working in a variety of media from pencil drawing to public performance, from painting to computer-animated video work.
This book examines the socio-political conflicts which have arisen since Hong Kong’s return to China and confronts the fundamental problems in the design of the One Country, Two Systems (OCTS) Model. It considers not only the issue of democratization, but also the institutional fractures in the executive-dominant political system and the disconnection between the executive and the legislature. It describes the drastic changes which have affected social mobilization and political activism in Hong Kong, as well as the pattern of interaction between the government and civil society. This edited volume brings together a team of cutting-edge researchers to examine the operation of the One Country, Two Systems (OCTS) Model in Hong Kong over the past 20 years. The discussion and analysis offered by the contributors will cast light on social and political tensions and conflicts that will continue to unfold in the coming years. This timely account, published on the 20th anniversary of the handover, will be a valuable read for students and scholars of Chinese and East Asian studies.
