Home is home [by F.M. Sibthorpe].
Author: Frances Mary Sibthorpe
Publisher:
Published: 1851
Total Pages: 350
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Frances Mary Sibthorpe
Publisher:
Published: 1851
Total Pages: 350
ISBN-13:
DOWNLOAD EBOOKAuthor: Frances Mary Sibthorpe
Publisher:
Published: 1857
Total Pages: 306
ISBN-13:
DOWNLOAD EBOOKAuthor: British museum. Dept. of printed books
Publisher:
Published: 1931
Total Pages: 496
ISBN-13:
DOWNLOAD EBOOKAuthor: Sampson Low
Publisher:
Published: 1901
Total Pages: 800
ISBN-13:
DOWNLOAD EBOOKVolumes for 1898-1968 include a directory of publishers.
Author:
Publisher:
Published: 1858
Total Pages: 438
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1858
Total Pages: 434
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1853
Total Pages: 436
ISBN-13:
DOWNLOAD EBOOKAuthor: British Museum. Department of Printed Books
Publisher:
Published: 1964
Total Pages: 496
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1857
Total Pages: 746
ISBN-13:
DOWNLOAD EBOOKAuthor: Anna A. Berman
Publisher: Oxford University Press
Published: 2022-09-15
Total Pages: 273
ISBN-13: 0192866621
DOWNLOAD EBOOKThis book offers a new understanding of the relationship between family structures and narrative structure in the nineteenth-century novel. Comparing Russia and England, it argues that the two nations had fundamentally different conceptions of the family and that these, in turn, shaped the way they constructed plots. The English placed primary value on the vertical, diachronic family axis--looking back to ancestors and head to progeny--while the Russians emphasized the lateral, synchronic axis--family expanding outward in the present from nuclear core, to extended and chosen kin. This difference shaped the way authors plotted consanguineal relations, courtship and marriage, and alternative kinship constructions. Idealizing the domestic sphere and emphasizing family continuity, the English novel made family a conservative force, while Russian novels approached it as a backward site of patriarchal tyranny in desperate need of reform. Russian family plots offered a progressive, liberalizing push toward new, nontraditional family constructions. The book's comparative approach calls for a re-evaluation of reigning theories of the novel, theories that are based on the linear English family model and cannot accommodate the more complex, Russian alternative. It reveals where these theories fall short, explains the reasons for their shortcomings, and offers a new way of conceptualizing family's role in shaping the nineteenth-century novel. Classics from Dickens, Eliot, and Trollope, to Dostoevsky, Tolstoy, and Turgenev are contextualized in the broader literary landscape of their day, and Russia's great women writers regain their rightful place alongside their male counterparts as the book draws together family history, literary analysis, and novel theory.