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Author: Gwendolyn D. Pough
Publisher: Parker Publishing Incorporated
Published: 2007
Total Pages: 0
ISBN-13: 9781600430107
DOWNLOAD EBOOK"Includes critical essays, cultural critiques, interviews, personal narratives, fiction, poetry, and artwork."--P. [4] of cover.
Author: Ruth Nicole Brown
Publisher: University of Illinois Press
Published: 2013-10-30
Total Pages: 265
ISBN-13: 0252095243
DOWNLOAD EBOOKThis volume examines how Saving Our Lives Hear Our Truths, or SOLHOT, a radical youth intervention, provides a space for the creative performance and expression of Black girlhood and how this creativity informs other realizations about Black girlhood and womanhood. Founded in 2006 and co-organized by the author, SOLHOT is an intergenerational collective organizing effort that celebrates and recognizes Black girls as producers of culture and knowledge. Girls discuss diverse expressions of Black girlhood, critique the issues that are important to them, and create art that keeps their lived experiences at its center. Drawing directly from her experiences in SOLHOT, Ruth Nicole Brown argues that when Black girls reflect on their own lives, they articulate radically unique ideas about their lived experiences. She documents the creative potential of Black girls and women who are working together to advance original theories, practices, and performances that affirm complexity, interrogate power, and produce humanizing representation of Black girls' lives. Emotionally and intellectually powerful, this book expands on the work of Black feminists and feminists of color and breaks intriguing new ground in Black feminist thought and methodology.
Author: Rowhea M. Elmesky
Publisher: Emerald Group Publishing
Published: 2017-10-13
Total Pages: 512
ISBN-13: 1783504625
DOWNLOAD EBOOKThis book is guided through the powerful ideological frameworks of culture and social reproduction and looks specifically to the role of schooling as a vehicle for catalysing change.
Author: Lesley J. Pruitt
Publisher: SUNY Press
Published: 2013-04-01
Total Pages: 291
ISBN-13: 1438446551
DOWNLOAD EBOOKThis book highlights the important role youth can play in processes of peacebuilding by examining music as a tool for engaging youth in such activities. As Lesley J. Pruitt discusses throughout the book, musicas expression, as creation, as inspirationcan provide many unique insights into transforming conflicts, altering our understandings, and achieving change. She offers detailed empirical work on two youth peacebuilding programs in Australia and Northern Ireland, countries that appear overtly peaceful, but where youth still face structural violence and related direct violence at the community level. She also pays careful attention to the ways in which gender norms might influence young peoples participation in music-based peacebuilding activities. Ultimately, the book defines a new research area linking youth cultures and music with peacebuilding practice and policy.
Author: Shanté Paradigm Smalls
Publisher: NYU Press
Published: 2022-06-28
Total Pages: 121
ISBN-13: 1479808180
DOWNLOAD EBOOKWinner of the 2022-2023 New York City Book Awards! SPECIAL MENTION, 2023 IASPM Book Prize, given by the International Association for the Study of Popular Music SHORTLISTED, 2023 Ralph J. Gleason Book Award, given by the Rock N Roll Hall of Fame/Clive Davis Institute Unearths the queer aesthetic origins of NYC hip hop Hip Hop Heresies centers New York City as a space where vibrant queer, Black, and hip hop worlds collide and bond in dance clubs, schools, roller rinks, basketball courts, subways, and movie houses. Using this cultural nexus as the stage, Shanté Paradigm Smalls attends to the ways that hip hop cultural production in New York City from the 1970s through the early twenty-first century produced film, visual art, and music that offer queer articulations of race, gender, and sexuality. To illustrate New York City as a place of experimental aesthetic collaboration, Smalls brings four cultural moments to the forefront: the life and work of the gay Chinese American visual and graffiti artist Martin Wong, who brokered the relationship between New York City graffiti artists and gallery and museum spaces; the Brooklyn-based rapper-singer-writer-producer Jean Grae, one of the most prolific and underrated emcees of the last two decades; the iconic 1980s film The Last Dragon, which exemplifies the experimental and queer Black masculinity possible in early formal hip hop culture; and finally queer- and trans-identified hip hop artists and groups like BQE, Deepdickollective, and Hanifah Walidah, and the documentary Pick Up the Mic. Hip Hop Heresies transforms the landscape of hip hop scholarship, Black studies, and queer studies by bringing together these fields through the hermeneutic of aesthetics. Providing a guidepost for future scholarship on queer, trans, and feminist hip hop studies, Hip Hop Heresies takes seriously the work that New York City hip hop cultural production has done and will do, and advocates a form of hip hop that eschews authenticity in favor of performativity, bricolage, and pastiche.
Author: Crystal Leigh Endsley
Publisher: State University of New York Press
Published: 2015-12-26
Total Pages: 186
ISBN-13: 1438459874
DOWNLOAD EBOOKThe writing and performance of spoken word poetry can create moments of productive critical engagement. In The Fifth Element, Crystal Leigh Endsley charts her experience of working with a dynamic and diverse group of college students, who are also emerging artists, to explore the connection between spoken word and social responsibility. She considers how themes of activism, identity, and love intersect with the lived experiences of these students and how they use spoken word to negotiate resistance and to navigate through life. Endsley also examines the local and transnational communities where performances took place to shed light on concepts of social responsibility and knowledge production.
Author: Nicole R. Fleetwood
Publisher: University of Chicago Press
Published: 2011-01-15
Total Pages: 297
ISBN-13: 0226253058
DOWNLOAD EBOOKTroubling Vision addresses American culture’s fixation on black visibility, exploring how blackness is persistently seen as a problem in public culture and even in black scholarship that challenges racist discourse. Through trenchant analysis, Nicole R. Fleetwood reorients the problem of black visibility by turning attention to what it means to see blackness and to the performative codes that reinforce, resignify, and disrupt its meaning. Working across visual theory and performance studies, Fleetwood asks, How is the black body visualized as both familiar and disruptive? How might we investigate the black body as a troubling presence to the scopic regimes that define it as such? How is value assessed based on visible blackness? Fleetwood documents multiple forms of engagement with the visual, even as she meticulously underscores how the terms of engagement change in various performative contexts. Examining a range of practices from the documentary photography of Charles “Teenie” Harris to the “excess flesh” performances of black female artists and pop stars to the media art of Fatimah Tuggar to the iconicity of Michael Jackson, Fleetwood reveals and reconfigures the mechanics, codes, and metaphors of blackness in visual culture. “Troubling Vision is a path-breaking book that examines the problem of seeing blackness—the simultaneous hyper-visibility and invisibility of African Americans—in US visual culture in the last half century. Weaving together critical modes and methodologies from performance studies, art history, critical race studies, visual culture analysis, and gender theory, Fleetwood expands Du Bois’s idea of double vision into a broad questioning of whether ‘representation itself will resolve the problem of the black body in the field of vision.’ With skilled attention to historical contexts, documentary practices, and media forms, she takes up the works of a broad variety of cultural producers, from photographers and playwrights to musicians and visual artists and examines black spectatorship as well as black spectacle. In chapters on the trope of ‘non-iconicity’ in the photographs of Charles (Teenie) Harris, the ‘visible seams’ in the digital images of the artist Fatimah Tuggar, and a coda on the un-dead Michael Jackson, Fleetwood's close analyses soar. Troubling Vision is a beautifully written, original, and important addition to the field of American Studies.”—Announcement of the American Studies Association for the 2012 Lora Romero First Book Publication Prize
Author: Eunice Rojas
Publisher: Bloomsbury Publishing USA
Published: 2013-10-08
Total Pages: 583
ISBN-13: 0313398062
DOWNLOAD EBOOKFrom the gospel music of slavery in the antebellum South to anti-apartheid freedom songs in South Africa, this two-volume work documents how music has fueled resistance and revolutionary movements in the United States and worldwide. Political resistance movements and the creation of music—two seemingly unrelated phenomenon—often result from the seed of powerful emotions, opinions, or experiences. This two-volume set presents essays that explore the connections between diverse musical forms and political activism across the globe, revealing fascinating similarities regarding the interrelationship between music and political resistance in widely different geographic or cultural circumstances. The breadth of specific examples covered in Sounds of Resistance: The Role of Music in Multicultural Activism highlights strong similarities between diverse situations—for example, protest against the Communist government in Poland and drug discourse in hip hop music in the United States—and demonstrates how music has repeatedly played a vital role in energizing or expanding various political movements. By exploring activism and how music relates to specific movements through an interdisciplinary lens, the authors document how music often enables powerless members of oppressed groups to communicate or voice their concerns.
Author: Silvia Castro-Borrego
Publisher: Cambridge Scholars Publishing
Published: 2011-01-18
Total Pages: 165
ISBN-13: 1443827789
DOWNLOAD EBOOKThe present volume explores through cultural and literary representations the contributions of women to the construction of knowledge in an ever changing, global world as migrant subjects. The essays contained in this book also focus on the female body as a site of physical violence and abuse, fighting prevalent stereotypes about women’s representations and identities. This collection intends to enter a forum of discussion in which the colonial past serves as a point of reference for the analysis of contemporary issues. Women’s strategies for building possible identities are seen to be based on their own experiences, seeking the ways in which the public marking and marketing of the female body within the western male imaginary contributes to the making of women’s social and personal identities. The different articles contained in this volume examine issues of gender and boundaries, the realities of women as colonial and postcolonial subjects, and darker realities such as alienation and discrimination as a result of migration, racism, and colonization analysed through a variety of critical perspectives. The gendered, raced, classed dimensions and mixed heritages not only of white women but also of women of the African Diaspora; these are important issues for the construction of knowledge and identity in our present multicultural societies, and can potentially change the ways we conceptualize, situate and engage the humanities in our scholarly work and in our social and cultural policies. These women, their presumed sexuality and their capacity to produce hybrid subjects, as well as their supposed irrationality make them a singularly disruptive figure in our contemporary world; this interpretation has its roots in the treatment of women in colonial times, especially when they were out of the margins of respectable society. The volume is addressed to a wide readership, both scholarly and those interested in investigating the dynamics of the social and cultural conceptualizations of our multicultural and multiethnic contemporary societies, marked by the intercultural exchanges of migratory subjects from a gender perspective.
Author: Tom Perchard
Publisher: Cambridge University Press
Published: 2022-10-06
Total Pages: 495
ISBN-13: 1108638899
DOWNLOAD EBOOKThis is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It treats those forms as inextricably intertwined, and sets them in a wide variety of social and critical contexts. The book comprises four sections – Histories, Techniques and Technologies, Mediation, Identities – with 16 thematic chapters. Each of these explores a musical or cultural topic as it developed over many years, and as it appeared across a diversity of musical practices. In this way, the text introduces both key musical repertoire and critical-musicological approaches to that work. It historicises music and musical thinking, opening up debate in the present rather than offering a new but closed narrative of the past. In each chapter, an overview of the topic's chronology and main issues is illustrated by two detailed case studies.
