Hollywood's Master Showman

Hollywood's Master Showman

Author: Charles Beardsley

Publisher:

Published: 1983

Total Pages: 160

ISBN-13:

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"Sidney Patrick Grauman (1879-1950) was the dominant movie palace impresario west of Chicago in the 1920s and one of the most flamboyantly successful theatrical talents ever associated with films. His story is the story of early motion pictures in Hollywood, a colorful and fascinating tale that needed to be told. Charles Beardsley has captured the narrative of Grauman's life using the words of the press, the accounts of friends, and analysis of his works. It is indeed a comprehensive and enlightening effort. Gentle and generous, soft-spoken and mild-mannered, possessing a wicked sense of humor and a brilliant imagination, Grauman had a genius for translating his personal visions into stage spectacles of awesome proportions. He was responsible for the design and construction of several famous and highly sophisticated Los Angeles theaters that bore his name over their marquees: Grauman's Million Dollar, Grauman's Egyptian, Grauman's Metropolitan, and Grauman's Chinese. He is credited with creation of the movie prologue, a type of stage show that he developed to precede the first-run silent films he exhibited. Many of the stage features that Grauman introduced have since become standard technical theater procedure and as such are in wide use today. In addition to being an industry giant, Sid Grauman was a friendly, generous, much-loved individual who adored practical jokes and enjoyed playing them upon such people as Charlie Chaplin. An affable man, Grauman was a gregarious personality who numbered among his associates the Hollywood greats: Mary Pickford, Douglas Fairbanks, Rudolph Valentino, Gloria Swanson, Dorothy and Lillian Gish, William S. Hart, Mabel Normand, Marion Davies, Cecil B. DeMille, D.W. Griffith, and Fred Niblo. Within these pages are a wealth of anecdotes about these people and many others who were prominent in developing silent films into the most popular universal entertainment medium of its time. Grauman's sumptuous movie palaces, elaborate and innovative staging, and keen eye for talent and publicity made him a legend in his lifetime, a man who is still remembered with awe and respect by all who saw his work in its prime. While this book deals extensively with the details of Grauman's management of his various houses, it is no mere documentary. Nor is it a chronological biography, since it explains Grauman's career and major professional achievements. Instead, it is a collection of narrative flashes, accurately reproducing the spirit of Grauman's life and times, that pick out an event in one decade to describe and illuminate an event in another. Grauman obtained his first taste of show business working with his father at Dawson, Alaska, during the 1898 Yukon Gold Rush and went on to become "Mr. Show Business" of Hollywood. This affectionate memoir covers Grauman's early years, his San Francisco theaters and his many discoveries, including Fatty Arbuckle, Al Jolson, Jackie Coogan, and Myrna Loy. The brilliant parade of prologues presented in the five Los Angeles Grauman houses and the premieres that drew crowds of over one hundred thousand screaming fans are described in vivid detail. Anecdotal and descriptive, this book goes behind the scenes to explain how Grauman designed and built his unique theaters, how he worked, and how he blended his prologues with live actors and symphony orchestras to enhance every film that he presented. Often called the Barnum of Hollywood, Sid Grauman was a great deal more. Not only did he glorify the movie prologue, he invented the red-carpet premiere. A colorful blend of Max Reinhardt, Sergei Diaghilev, David Belasco, Flo Ziegfeld, and Buffalo Bill Cody, he was still very much an original who left his singular mark on the silent film era. Until this lively, detailed portrait of the maestro, Grauman has never been fully documented. But that gap, a major one in the history of American films, has now been filled by this entertaining volume. Illustrated with period photographs, in black and white and color, a vivid portrait of this master showman has been achieved."--Dust jacket.


Hollywood in the Klondike

Hollywood in the Klondike

Author: Michael Gates

Publisher: Harbour Publishing

Published: 2023-04-11

Total Pages: 342

ISBN-13: 1550179977

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In this exciting first-hand account of an unexpected cinematic discovery, Michael Gates delves into the history behind a hoard of silent films found buried beneath the permafrost of an Arctic gold rush town. In 1978, hundreds of reels of silent films were unearthed from beneath the demolished site of an old hockey arena in Dawson City, Yukon. Author Michael Gates witnessed the cinematic discovery of these once-lost films—and in this book excavates and illuminates the history of a gold rush town like no other. An event in the most unlikely of places and circumstances, the Klondike gold rush was unique in the history of Canada and the development of the North. Dawson City, the “Paris of the North,” was the hub of the Klondike gold rush 125 years ago. There were more saloons, gambling halls and theatres than there were places serving food, and the live theatre was at the centre of it all. Discover the icons who went from the Klondike to Hollywood: Robert Service, Jack London, Charlie Chaplin, Alexander Pantages, Sid Grauman, Roscoe "Fatty" Arbuckle, Marjorie Rambeau and more. Join Gates on this cinematic journey as he ponders the question: Did the Klondike help make Hollywood, or did Hollywood make the Klondike? Crafted from Gates’s first-hand experience and extensive research, Hollywood in the Klondike casts a spotlight on an exciting piece of Canadian history.


Shared Pleasures

Shared Pleasures

Author: Douglas Gomery

Publisher: Univ of Wisconsin Press

Published: 1992

Total Pages: 412

ISBN-13: 9780299132149

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Gomery (The coming of sound to the American cinema, 1975; The Hollywood studio system, 1986) draws upon his earlier work and that of other scholars to address the broader social functions of the film industry, showing how Hollywood adapted its business policies to diversity and change within American society. Includes 31 bandw photographs. Paper edition (unseen), $15.95. Annotation copyrighted by Book News, Inc., Portland, OR


Hollywood TV

Hollywood TV

Author: Christopher Anderson

Publisher: University of Texas Press

Published: 2013-10-11

Total Pages: 356

ISBN-13: 0292759533

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The 1950s was one of the most turbulent periods in the history of motion pictures and television. During the decade, as Hollywood's most powerful studios and independent producers shifted into TV production, TV replaced film as America's principal postwar culture industry. This pioneering study offers the first thorough exploration of the movie industry's shaping role in the development of television and its narrative forms. Drawing on the archives of Warner Bros. and David O. Selznick Productions and on interviews with participants in both industries, Christopher Anderson demonstrates how the episodic telefilm series, a clear descendant of the feature film, became and has remained the dominant narrative form in prime-time TV. This research suggests that the postwar motion picture industry was less an empire on the verge of ruin—as common wisdom has it—than one struggling under unsettling conditions to redefine its frontiers. Beyond the obvious contribution to film and television studies, these findings add an important chapter to the study of American popular culture of the postwar period.


The Story of Hollywood

The Story of Hollywood

Author: Gregory Paul Williams

Publisher: www.storyofhollywood.com

Published: 2005

Total Pages: 428

ISBN-13: 9780977629909

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Before the film industry arrived, Hollywood was filled with quaint bungalows, millionaires' estates, and churches dedicated to teetotalism. Movies shattered Hollywood's tranquillity, and brought wealth, fame and glamorous movie stars. The giants of the movie industry invented klieg-lighted movie premieres and the Academy Awards in Hollywood. Go beyond the star-studded surface to the district's days of union busting, gangsters, and scandal, foreshadowing Hollywood's seedy decline. The book concludes with Hollywood's redevelopment that continues today. The book features the famous faces and places that made the town legendary, offering a unique perspective on celebrity nightlife and the behind-the-scenes stories of day-to-day life. Lavishly illustrated with over 800 vintage images from the author's private collection, "The Story of Hollywood" brings new insights to readers with a passion for Hollywood and its place in the history of film, radio, and television.


Howard Hughes and the Creation of Modern Hollywood

Howard Hughes and the Creation of Modern Hollywood

Author: Jeffrey Richardson

Publisher: Fonthill Media

Published: 2019-07-04

Total Pages: 331

ISBN-13:

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Howard Hughes was an industrialist, aviator, and eccentric, but he was also the most important movie producer during the golden age of Hollywood. At a time when filmmaking was tightly controlled and highly formulaic, Hughes used his enormous wealth to challenge the dictates and restrictions that defined the motion picture industry. Tackling subjects that were explicitly forbidden, he pushed the boundaries of onscreen sex and violence. He pioneered production and marketing techniques that were revolutionary, including the multimillion-dollar blockbuster and the promotion of scandal. When Hughes became the first person to completely own a major Hollywood studio, he continued his maverick approach to filmmaking as a mogul. Most importantly, Hughes's role in the federal government's antitrust case against the industry led to the collapse of the entire studio system and the transformation of American cinema. Although his contributions are often overlooked, Hughes was instrumental in shaping the motion picture industry that exists today.


Empire of Dreams

Empire of Dreams

Author: Scott Eyman

Publisher: Simon and Schuster

Published: 2010-09-07

Total Pages: 625

ISBN-13: 1439180415

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BEST KNOWN AS THE DIRECTOR of such spectacular films as The Ten Commandments and King of Kings, Cecil B. DeMille lived a life as epic as any of his cinematic masterpieces. As a child DeMille learned the Bible from his father, a theology student and playwright who introduced Cecil and his older brother, William, to the theater. Tutored by impresario David Belasco, DeMille discovered how audiences responded to showmanship: sets, lights, costumes, etc. He took this knowledge with him to Los Angeles in 1913, where he became one of the movie pioneers, in partnership with Jesse Lasky and Lasky’s brother-in-law Samuel Goldfish (later Goldwyn). Working out of a barn on streets fragrant with orange blossom and pepper trees, the Lasky company turned out a string of successful silents, most of them directed by DeMille, who became one of the biggest names of the silent era. With films such as The Squaw Man, Brewster’s Millions, Joan the Woman, and Don’t Change Your Husband, he was the creative backbone of what would become Paramount Studios. In 1923 he filmed his first version of The Ten Commandments and later a second biblical epic, King of Kings, both enormous box-office successes. Although his reputation rests largely on the biblical epics he made, DeMille’s personal life was no morality tale. He remained married to his wife, Constance, for more than fifty years, but for most of the marriage he had three mistresses simultaneously, all of whom worked for him. He showed great loyalty to a small group of actors who knew his style, but he also discovered some major stars, among them Gloria Swanson, Claudette Colbert, and later, Charlton Heston. DeMille was one of the few silent-era directors who made a completely successful transition to sound. In 1952 he won the Academy Award for Best Picture with The Greatest Show on Earth. When he remade The Ten Commandments in 1956, it was an even bigger hit than the silent version. He could act, too: in Billy Wilder’s classic film Sunset Boulevard, DeMille memorably played himself. In the 1930s and 1940s DeMille became a household name thanks to the Lux Radio Theater, which he hosted. But after falling out with a union, he gave up the program, and his politics shifted to the right as he championed loyalty oaths and Sen. Joseph McCarthy’s anticommunist witch hunts. As Scott Eyman brilliantly demonstrates in this superbly researched biography, which draws on a massive cache of DeMille family papers not available to previous biographers, DeMille was much more than his clichéd image. A gifted director who worked in many genres; a devoted family man and loyal friend with a highly unconventional personal life; a pioneering filmmaker: DeMille comes alive in these pages, a legend whose spectacular career defined an era.