"Hobson's Choice" by Harold Brighouse. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
With his single mother in jail, Sequoyah, a 15-year-old Cherokee boy, is placed in foster care with the Troutt family. Literally and figuratively scarred by his unstable upbringing, Sequoyah has spent years mostly keeping to himself, living with his emotions pressed deep below the surface - that is, until he meets 17-year-old Rosemary, another youth staying with the Troutts. Sequoyah and Rosemary bond over their shared Native American background and tumultuous paths through the foster care system, but as Sequoyah's feelings towards Rosemary deepen, the precariousness of their lives and the scars of their pasts threaten to undo them both.
A novel “about a [Cherokee] family’s reckoning with loss and injustice...spirited, droll, and as quietly devastating as rain lifting from earth to sky” (Tommy Orange, New York Times–bestselling author of There, There). Steeped in Cherokee myths and history, a novel about a family fractured by loss—from National Book Award finalist Brandon Hobson In the fifteen years since their teenage son, Ray-Ray, was killed in a police shooting, the Echota family has been suspended in private grief. The mother, Maria, increasingly struggles to manage the onset of Alzheimer’s in her husband, Ernest. Their adult daughter, Sonja, leads a life of solitude, punctuated only by spells of dizzying romantic obsession. And their son, Edgar, fled home long ago, turning to drugs to mute his feelings of alienation. With the family’s annual bonfire approaching—an occasion marking both the Cherokee National Holiday and Ray-Ray’s death—Maria attempts to call the family together once more. But as the reunion draws near, each of them feels a strange blurring of the boundary between normal life and the spirit world. “Rich in Cherokee folklore” (San Francisco Chronicle) The Removed is “a moving meditation on family, home, and ancestral trauma” (Harper’s Bazaar). “A marvel. With a few sly gestures, a humble array of piercingly real characters...Brandon Hobson delivers an act of regeneration and solace. You won’t forget it.” —Jonathan Lethem, bestselling author of The Feral Detective “Multilayered, emotionally radiant...Highly recommended.” —Library Journal, starred review “Mesmerizing.” —Kirkus Reviews, starred review “Hobson is a master storyteller. . . . This will stay long in readers’ minds.” —Publishers Weekly, starred review
Sex, drugs and gardening. That's the spirit of Garden of My Ancestors, a story about a family farm set in the wild and misty reaches of Limpopo province. The farm belongs to an infamous family whose ancestors settled here more than a century ago. This is no tedious or anguished account of stoic, hard-nosed colonials, however. This is the tale of a wild and wonderful family, an African tale where white mischief meets magic realism. Set in an incredible garden against ancient mountains that change everyday, Garden of My Ancestors is sad, tragic, funny and philosophical - and an evocative testament to the healing powers of gardening.
The Bronxville Book Club takes you beyond the manicured lawns of some of the most elegant mansions in Bronxville, an affluent suburb in Westchester that is "endlessly copied, but never matched." As club members prepare for their monthly meeting, you'll meet... Kathryn, a divorcée forced to (gasp!) get a job to supplement her substantial alimony payments; Anne, owner of an upscale boutique, Annetiques, whose home renovation is prompting cries of outrage from her neighbors; Giselle, former Vogue model who now designs the lingerie she once modeled; Madison, high-powered investment banker and School Board Trustee; Lizbet, Yale graduate and über volunteer caught up in the college admissions game for her daughter, a senior in the Bronxville High School; ...and their friends Hillary, Carole, Francesca, Sarah and Chelsea. Eavesdrop on the lively discussion of I Don't Know How She Does It: The Life of Kate Reddy, Working Mother, and then follow each of the women home at the end of a highly entertaining evening. A must read for every book club!
I'm So Glad You Found Me in Here, co-written by college graduate Matt Hobson, a nonverbal young man living with autism, and his mother, Nancy, is a touching story about Matt's disability and the obstacles he and his family have faced and are still encountering today. Being diagnosed as severely mentally handicapped until the age eleven, the Hobsons' story is an inspirational one and will serve to provide insight, support, and comfort to the parents of autistic and other disabled children. �So few try to see what is actually inside my heart and my mind.� --Matthew Hobson �I think the greatest thing that I can do with my life is to help parents see that you have to have faith that God will help you do your best to support your child.� --Matthew Hobson
For more than a century, the city of Atlanta has been associated with black achievement in education, business, politics, media, and music, earning it the nickname "the black Mecca." Atlanta's long tradition of black education dates back to Reconstruction, and produced an elite that flourished in spite of Jim Crow, rose to leadership during the civil rights movement, and then took power in the 1970s by building a coalition between white progressives, business interests, and black Atlantans. But as Maurice J. Hobson demonstrates, Atlanta's political leadership--from the election of Maynard Jackson, Atlanta's first black mayor, through the city's hosting of the 1996 Olympic Games--has consistently mishandled the black poor. Drawn from vivid primary sources and unnerving oral histories of working-class city-dwellers and hip-hop artists from Atlanta's underbelly, Hobson argues that Atlanta's political leadership has governed by bargaining with white business interests to the detriment of ordinary black Atlantans. In telling this history through the prism of the black New South and Atlanta politics, policy, and pop culture, Hobson portrays a striking schism between the black political elite and poor city-dwellers, complicating the long-held view of Atlanta as a mecca for black people.
