"When a young soccer idol dies unexpectedly on the field, his fans and the media react with shocking extremism, raising the question: how much of the nefariousness of Hitler do we carry in our hearts?"--Back cover.
Why is there no Native woman David Sedaris? Or Native Anne Lamott? Humor categories in publishing are packed with books by funny women and humorous sociocultural-political commentary—but no Native women. There are presumably more important concerns in Indian Country. More important than humor? Among the Diné/Navajo, a ceremony is held in honor of a baby’s first laugh. While the context is different, it nonetheless reminds us that laughter is precious, even sacred. Bury My Heart at Chuck E. Cheese’s is a powerful and compelling collection of Tiffany Midge’s musings on life, politics, and identity as a Native woman in America. Artfully blending sly humor, social commentary, and meditations on love and loss, Midge weaves short, stand-alone musings into a memoir that stares down colonialism while chastising hipsters for abusing pumpkin spice. She explains why she does not like pussy hats, mercilessly dismantles pretendians, and confesses her own struggles with white-bread privilege. Midge goes on to ponder Standing Rock, feminism, and a tweeting president, all while exploring her own complex identity and the loss of her mother. Employing humor as an act of resistance, these slices of life and matchless takes on urban-Indigenous identity disrupt the colonial narrative and provide commentary on popular culture, media, feminism, and the complications of identity, race, and politics.
This memoir is the story of my childhood and teen years. It begins when I was very young with my parents' divorce, then goes on to living with a spiteful and unloving stepmother, World War II, my father being wounded, the fear of the approaching Russian front, our fleeing from them and bombings. After the end of war, as we tried to make our way back home, I was terrified of the Russian soldiers and war prisoners who roamed our countryside. I feared my father would be shot or imprisoned. I listened to women screaming for help while being raped. I endured the sorrow of losing my beloved father, followed by living with my stepmother's cruelty. My agony ended with the happy reunion with my real mother, my sister, Oma my loving grandmother, and family. After WWII ended, my family and I lived behind the "Iron Curtain" in East Germany under the Russian occupation Stalin's "Iron Fist." His communist regime imposed such strict isolation and extreme hunger on us that in June of 1953 the citizens of East Germany waged an unsuccessful uprising to gain freedom from Russia and communism. Finally, in the fall of 1953, when I was eighteen, we escaped to West Germany. These are the memories of my childhood and teen years.
She's a British spy handler who, in the darkest days of World War II, discovers the way to stopping the Nazis is to find a French baker's assistant. Who also happens to be Adolf Hitler's illegitimate son. When a trio of Nazi informants wash up on the shoes of Dover, spy handler Cora Brown is assigned their interrogation. Usually skeptical, she's shocked when they reveal to her a secret only a handful of Nazis know: that during the first World War Hitler fathered a child in France. Armed with these stolen Nazi files, she defies her orders and tracks down Pierre Moreau and convinces him to embark on a mission to find his biological father - and assassinate him. They make their way to Germany but discover that the road to discovery is filled with violence, spycraft, weird scientific experiments and death. Will Pierre make it to Hitler and end the war? Or will they discover something else along the way? SON OF HITLER is an acclaimed graphic novel of which NPR describes, “few war stories are this much fun.” If you like pulp spy thriller and alternative history thrillers like Inglourious Basterds, Man in the High Castle and the works of John Le Carre, you'll love this page-turning yarn by acclaimed creators Anthony Del Col (Assassin's Creed), Jeff McComsey (FUBAR) and newcomer Geoff Moore. Buy SON OF HITLER today to discover the greatest untold legend of World War II!
When advertising legend Jim Riswold is stricken with leukemia and prostate cancer, he quits the business that made him famous to become a “fake artist,” creating a controversial body of work with a controversial cast of characters, from Hitler to Mao to Kim Jong-Il. It was a decision that would save his life. Advertising legend Jim Riswold is a Big F****** Deal. Ask him, he’ll tell you. But when Riswold is stricken with leukemia and prostate cancer (a two-fer!), the freewheeling adman quits making commercials, and starts making art. But not just any art—Hitler art. Mussolini art. Stalin-in-a-bathtub art. This is not a sad cancer story. This is a molotov cocktail of raunch and heart and 18-gauge biopsy guns. This is a taboo-busting laugh riot, a raspberry blown straight at dying-guy preciousness and monsters of all kinds—cancer and world-historical bad guys included. Be warned—contents of this book include: One profanity-spiked TEDx talk. Several very public, full-frontal dick picks. Two adorable children. Something called “Interferon Family Fun Night.” Jim Riswold leading a crowd of people in a rousing rendition of “Happy Birthday” to his oncologist. Relentlessly funny, and scorchingly subversive, this is a bruised and bruising memoir—it is also tubed, scarred, stapled, and irradiated. But here’s the secret: Jim Riswold, enfant terrible, the man Charles Barkley once called “a role model for morons,” is kind of a sweetheart. The wise-guy posturing is just a cover for his pulpy heart. Another secret: This book isn’t about Hitler. It’s about the beautiful, stupid, gross, foolish, and fantastic things we’re willing to do for love and family and not-dying. It’s about a guy who, with due respect to Lou Gehrig, considers himself the luckiest man on the face of the earth. Really, Jim Riswold owes cancer a thank-you. Thanks to cancer, his tombstone will no longer read: Here Lies That Guy Who Did That “Bo Knows” Commercial. Now, it will say Here Lies the Guy Who Put Cancer in Its Place—and Mussolini on a Tricycle.
A “brilliant” study of the convergence of apocalyptic anxiety and authoritarianism in Germany: “A story, unfortunately, of continuing relevance.” —Charles B. Strozier, author of Apocalypse: On the Psychology of Fundamentalism in America After World War I, German citizens sought not merely relief from the political, economic, social, and cultural upheaval that wracked Weimar Germany, but also mental salvation. With promises of order, prosperity, and community, Adolph Hitler fulfilled a profoundly spiritual need on behalf of those who converted to Nazism, and thus became not only Führer, but Messiah, contends David Redles, who believes that millenarian sentiment was central to the rise of Nazism. As opposed to many works which depersonalize Nazism by focusing on institutional factors, Redles offers a fresh view of the impact and potential for millenarian movements. The writings of both major and minor Nazi party figures, in which there echoes a striking religiosity and salvational faith, reveal how receptive Germans were to the notion of a millennial Reich such as that offered by Hitler. Redles illustrates how Hitler’s apocalyptic prophecies of a coming “final battle” with the so-called Jewish Bolsheviks, one that was conceived to be a “war of annihilation,” was transformed into an equally eschatological “Final Solution.” “[Redles] has done an extraordinarily careful and brilliant analysis of the archival material to reveal Hitler’s messianic charisma, his appeal both on the ideological and psychological level, illustrating that if you can convince people that they live in apocalyptic times and you have the key to their collective salvation, you can get them to do anything.” —Richard Landes, Director, Center for Millennial Studies, Department of History, Boston University
I Confess is an intimate portrayal of command in the crucible of war. Major General John Joseph Murray fought in the AIF in both the First and Second World Wars. He won the Military Cross as a company commander during the disastrous Battle of Fromelles, and in the Second World War he commanded the Australian 20th Brigade during the siege of Tobruk, that grinding, tortuous desert defence that saw the German forces label his men 'rats', a badge they have worn since with pride and honour. I Confess is a carefully crafted analysis of leadership under pressure, a very personal reflection on its stresses, its tragedies and its lifelong rewards.
Would Hitler have won the war had he not "given" the Allies Germany's most talented scientists? This is the gripping & sobering story of some of the greatest scientists of our times who, forced to flee Nazism, sought refuge in Great Britain & the United States.