"This multiauthor volume represents a far-ranging effort to bring women into our understanding of recent Baptist history, thereby opening up the historiography of Baptist studies, which the editors argue has been too insular for far too long. This interdisciplinary approach extends the latest feminist scholarship to embrace racial issues within the denomination, the role that women had in the SBC takeover, Baptist women during the Progressive Era, a couple of essays on the Woman's Missionary Union, Baptist women in feminism (specifically the ERA), Beth Moore, and other topics"--
The history of women's education in the United States presents a continuous effort to move from the periphery to the mainstream, and this book examines both formal and informal opportunities for girls and women. Through an introductory essay and nearly 250 alphabetically arranged entries, this reference book examines institutions, persons, ideas, events, and movements in the history of women's education in the United States. The volume spans the colonial era to the present, exploring settings from formal institutions such as schools and colleges to informal associations such as suffrage groups and reform organizations where women gained skills and used knowledge. A full picture of women's educational history presents their work in mainstream institutions, sex-segregated schools, and informal organizations that served as alternative educational settings. Educational history varies greatly for women of different races, classes, and ethnicities. The experience of some groups has been well documented. Thus entries on the Seven Sisters women's colleges and the reform organizations of the Progressive Era convey wide historical detail. Other women have been studied only recently. Thus entries on African American school founders or women teachers present considerable new information that scholars interpret against a wider context. Finally, some women's history has yet to be adequately explored. Hispanic American women and Catholic teaching sisters are discussed in entries that highlight historical questions still remaining. Each entry is written by an expert contributor and concludes with a brief bibliography. The volume closes with a timeline of women's educational history and a list of important general works for further reading.
The Reformation was one of the defining cultural turning points in Western history, even if there is a longstanding stereotype that Protestants did away with art and material culture. Rather than reject art and aestheticism, Protestants developed their own aesthetic values, which Protestant Aesthetics and the Arts addresses as it identifies and explains the link between theological aesthetics and the arts within a Protestant framework across five-hundred years of history. Featuring essays from an international gathering of leading experts working across a diverse set of disciplines, Protestant Aesthetics and the Arts is the first study of its kind, containing essays that address Protestantism and the fine arts (visual art, music, literature, and architecture), and historical and contemporary Protestant theological perspectives on the subject of beauty and imagination. Contributors challenge accepted preconceptions relating to the boundaries of theological aesthetics and religiously determined art; disrupt traditional understandings of periodization and disciplinarity; and seek to open rich avenues for new fields of research. Building on renewed interest in Protestantism in the study of religion and modernity and the return to aesthetics in Christian theological inquiry, this volume will be of significant interest to scholars of Theology, Aesthetics, Art and Architectural History, Literary Criticism, and Religious History.
After World War II, Americans constructed an unprecedented number of synagogues, churches, cathedrals, chapels, and other structures. The book is one of the first major studies of American religious architecture in the postwar period, and it reveals the diverse and complicated set of issues that emerged just as one of the nation's biggest building booms unfolded. Price argues that the resulting structures, as often mocked as loved, were physical embodiments of an important time in American religious history.
A critical examination of the Woman’s Missionary Union and how it shaped the views of Southern Baptist women The Woman’s Missionary Union (WMU), founded in 1888, carved out a uniquely feminine space within the Southern Baptist Convention during the tumultuous years of the Progressive Era when American theologians were formulating the social gospel. These women represented the Southern Baptist elite and as such had the time to read, write, and discuss ideas with other Southern progressives. They rubbed shoulders with more progressive Methodist and Presbyterian women in clubs and ecumenical missionary meetings. Baptist women studied the missionary publications of these other denominations and adopted ideas for a Southern Baptist audience. Home without Walls: Southern Baptist Women and Social Reform in the Progressive Era shows how the social attitudes of women were shaped at the time. By studying primary documents—including personal letters, official exchanges and memoranda, magazine publications, newsletters, and editorials—Carol Crawford Holcomb uncovers ample evidence that WMU leaders, aware of the social gospel and sympathetic to social reform, appropriated the tools of social work and social service to carry out their missionary work. Southern Baptist women united to build a financial empire that would sustain the Southern Baptists through the Great Depression and beyond. Their social attitudes represented a kaleidoscope of contrasting opinions. By no stretch of the imagination could WMU leaders be characterized as liberal social gospel advocates. However, it would also be wrong to depict them as uniformly hostile to progressivism or ignorant of contemporary theological ideas. In the end, they were practical feminists in their determination to provide a platform for women’s views and a space for women to do meaningful work.
What Du Bois noted has gone largely unstudied until now. In this book, Evelyn Brooks Higginbotham gives us our first full account of the crucial role of black women in making the church a powerful institution for social and political change in the black community. Between 1880 and 1920, the black church served as the most effective vehicle by which men and women alike, pushed down by racism and poverty, regrouped and rallied against emotional and physical defeat. Focusing on the National Baptist Convention, the largest religious movement among black Americans, Higginbotham shows us how women were largely responsible for making the church a force for self-help in the black community. In her account, we see how the efforts of women enabled the church to build schools, provide food and clothing to the poor, and offer a host of social welfare services. And we observe the challenges of black women to patriarchal theology. Class, race, and gender dynamics continually interact in Higginbotham’s nuanced history. She depicts the cooperation, tension, and negotiation that characterized the relationship between men and women church leaders as well as the interaction of southern black and northern white women’s groups. Higginbotham’s history is at once tough-minded and engaging. It portrays the lives of individuals within this movement as lucidly as it delineates feminist thinking and racial politics. She addresses the role of black Baptist women in contesting racism and sexism through a “politics of respectability” and in demanding civil rights, voting rights, equal employment, and educational opportunities. Righteous Discontent finally assigns women their rightful place in the story of political and social activism in the black church. It is central to an understanding of African American social and cultural life and a critical chapter in the history of religion in America.
