Adam Lambert was born in about 1739 in Jugenheim, Rheinhessen, Germany. He emigrated in 1759 and settled in Lancaster County, Pennsylvania. He married Maria Salome Hammacher in about 1765. They had thirteen children. He died in about 1817 in Augusta County, Virginia. Descendants and relatives lived mainly in Virginia, Ohio, Illinois, Quebec, Michigan and Missouri.
The McGinnis family originally of Ireland. James McGinnis, son of "Old" Edmund (Edward) and Sarah McGinnis, with his brother John and sister Nella, came from Ireland. James McGinnis and his wife Sarah Davis McGinnis, who were married ca. 1774 in Virginia, lived in Frederick Co., Virginia in the last half of 1700. They were parents of eight children born between 1774 and 1793. Descendants live in Virginia, West Virginia, Oregon, Missouri and elsewhere.
Traces the origins of nearly 3,000 surnames found on the eastern Canadian island, along with sometimes extensive information on etymology, genealogy, and Newfoundland history. Introduces the alphabetical catalogue with a survey of the history and linguistic origins, which include English, Welsh, Irish, Scottish, French, Syrian, Lebanese, and Micmac. Appends lists of names by frequency and frequency by origin, and surnames recorded before 1700. First published in 1977, reprinted four times, and here revised with additions and corrections and reset in a more convenient format. No index. Annotation copyrighted by Book News, Inc., Portland, OR
"This register lists the names of emigrants, employees and sailors who died and were buried on Grosse Île in 1847, as well as emigrants who died at sea during the crossing or aboard ships while in quarantine off Grosse Île. The names of 8,308 victims were gathered from various archival sources"--Cover. Many of the dead were Irish immigrants.
This book reveals the magnificent landscape paintings of the Group of Seven and their associates and explores how they contributed to Canada's modern cultural identity. The early decades of the 20th century were marked by artistic, economic, and social transformation in Canada and around the world. Starting in Toronto, a group of young modern artists, including Tom Thomson and Lawren S. Harris, and Emily Carr in British Columbia, desired to create a new painting vocabulary for the young nation coming into its own cultural identity. They turned away from city life and explored Canada's landscape, painting sublime vistas, monumental rivers, ancient forests around the great lakes, the mighty Rocky Mountains, and the arctic tundra, determined to break away from European stylistic traditions. Together, their paintings imagined a mythical Canada, expansive and rugged, that added to their country's growing sense of national pride. Featuring paintings, sketches, photographs, film stills, and documentary material, this catalog examines the language of Canadian modernism. It also includes essays and interviews that offer contemporary indigenous perspectives on the impact of industry on nature, issues surrounding national identity, and modern Canadian landscape painting. This generously illustrated book critically reviews Canada's modernism in art history.
