Capt. B. B. Paddock was one of the most prolific authors on Texas history. His writings are probably the most complete and best balanced ones. This book covers the history of the Texas Northwest and especially the history of the Fort Worth Region. This is volume two out of two.
In 2010 Written in Blood Volume 1 told the stories of thirteen law officers who died in the line of duty between 1861 and 1909. Now Selcer and Foster are back with Volume 2 covering more line-of-duty deaths. This volume covers 1910 to 1928, as Fort Worth experiences a race riot, lynchings, bushwhacking, assassinations and martial law imposed by the U.S. Army.
Fort Worth Stories is a collection of thirty-two bite-sized chapters of the city’s history. Did you know that the same day Fort Worth was mourning the death of beloved African American “Gooseneck Bill” McDonald, Dallas was experiencing a series of bombings in black neighborhoods? Or that Fort Worth almost got the largest statue to Robert E. Lee ever put up anywhere, sculpted by the same massive talent that created Mount Rushmore? Or that Fort Worth was once the candy-making capital of the Southwest and gave Hershey, Pennsylvania, a good run for its money as the sweet spot of the nation? A remarkable number of national figures have made a splash in Fort Worth, including Theodore Roosevelt while he was President; Vernon Castle, the Dance King; Dr. H.H. Holmes, America’s first serial killer; Harry Houdini, the escape artist; and Texas Guinan, star of the vaudeville stage and the big screen. Fort Worth Stories is illustrated with 50 photographs and drawings, many of them never before published. This collection of stories will appeal to all who appreciate the Cowtown city.
A History of Fort Worth in Black & White fills a long-empty niche on the Fort Worth bookshelf: a scholarly history of the city's black community that starts at the beginning with Ripley Arnold and the early settlers, and comes down to today with our current battles over education, housing, and representation in city affairs. The book's sidebars on some noted and some not-so-noted African Americans make it appealing as a school text as well as a book for the general reader. Using a wealth of primary sources, Richard Selcer dispels several enduring myths, for instance the mistaken belief that Camp Bowie trained only white soldiers, and the spurious claim that Fort Worth managed to avoid the racial violence that plagued other American cities in the twentieth century. Selcer arrives at some surprisingly frank conclusions that will challenge current politically correct notions.
They say everything is bigger in Texas, and the Lone Star State can certainly boast of immense ranches, vast oil fields, enormous cowboy hats, and larger-than-life heroes. Among the greatest of the latter are the iconic Texas Rangers, a service that has existed, in one form or another, since 1823. Established in Waco in 1968, the Texas Ranger Hall of Fame and Museum continues to honor these legendary symbols of Texas and the American West. While upholding a proud heritage of duty and sacrifice, even men who wear the cinco peso badge can have their own champions. Thirty-one individuals—whose lives span more than two centuries—have been enshrined in the Texas Ranger Hall of Fame. In The Ranger Ideal Volume 2: Texas Rangers in the Hall of Fame, 1874-1930, Darren L. Ivey presents capsule biographies of the twelve inductees who served Texas in the latter half of the nineteenth century. Ivey begins with John B. Jones, who directed his Rangers through their development from state troops to professional lawmen; then covers Leander H. McNelly, John B. Armstrong, James B. Gillett, Jesse Lee Hall, George W. Baylor, Bryan Marsh, and Ira Aten—the men who were responsible for some of the Rangers’ most legendary feats. Ivey concludes with James A. Brooks, William J. McDonald, John R. Hughes, and John H. Rogers, the “Four Great Captains” who guided the Texas Rangers into the twentieth century.
This is an excellent history of Fort Worth, Texas. Founded in 1849 as an army outpost in what was then the western frontier of Texas. The soldiers were there to protect settlers. The book features original architectural drawings of what the original fort probably looked like. The illustrator researched the fort through the National Archives and other records and came up with artist's views of the frontier outpost. The accompanying text explains the history of the fort and how it grew into one of the country's great cities.
Saloons, barrooms, honky-tonks, or watering holes--by whatever name, they are part of the mythology of the American West, and their stories are cocktails of legend and fact, as Richard Selcer, David Bowser, Nancy Hamilton, and Chuck Parsons demonstrate in these entertaining and informative accounts of four legendary Texas establishments. In most Western communities, the first saloon was built before the first church, and the drinking establishments far outnumbered the religious ones. Beyond their obvious functions, saloons served as community centers, polling places, impromptu courtrooms, and public meeting halls. The authors of this volume discuss both the social and operational aspects of the businesses: who the owners were, what drinks were typically served, the democratic ethos that reigned at the bars, the troubling issues of social segregation by race and gender within each establishment, and the way order was maintained--if it was at all. Here, the spotlight is thrown on four saloons that were legends in their day: Jack Harris's Saloon and Vaudeville Theater in San Antonio, Ben Dowell's Saloon in El Paso, the Iron Front of Austin, and the White Elephant of Fort Worth. Together with architectural renderings of the floor plans and old photographs of the establishments and some of their more famous customers, the history of each is woven into the history of its city. Fatal shootings are recounted, and forms of entertainment are described with care and verve. One of this book's most fascinating aspects is the sharp detail that brings to life the malodorous, smoky interiors and the events that took place there. Selcer and his co-authors are experts on their respective watering holes. They start with the origins of each establishment and follow their stories until the last drink was served and the places closed down for good. There are stops along the way to consider the construction of the ornate bars, the suppliers of the liquor served, the attire of the gentlemen gamblers, the variety of casino games that emptied men's pockets, and more. Through the wealth of detail and the animated narrative, a crucial part of Texas' Western heritage becomes immediately accessible to the present.
Texas is a place where legends are made, die, and are revived. Fort Worth, Texas, claims its own legend – Hell’s Half Acre – a wild ’n woolly accumulation of bordellos, cribs, dance houses, saloons, and gambling parlors. Tenderloin districts were a fact of life in every major town in the American West, but Hell’s Half Acre – its myth and its reality – can be said to be a microcosm of them all. The most famous and infamous westerners visited the Acre: Timothy (“Longhair Jim”) Courtright, Luke Short, Bat Masterson, Wyatt Earp, Doc Holliday, Sam Bass, Mary Porter, Etta Place, along with Butch Cassidy and his Wild Bunch, and many more. For civic leaders and reformers, the Acre presented a dilemma – the very establishments they sought to close down or regulate were major contributors to the local economy. Controversial in its heyday and receiving new attention by such movies as Lonesome Dove, Hell’s Half Acre remains the subject of debate among historians and researchers today. Richard Selcer successfully separates fact from fiction, myth from reality, in this vibrant study of the men and women of Cowtown’s notorious Acre.
The last of the Deep Southern states to secede, Texas experienced a cultural consolidation through the trauma of war and loss that has political relevance today. With the perceived indignities of Reconstruction, formerly pro-Union voices in the Texas Borderlands found themselves more culturally aligned with the former Confederacy by 1876, when the Texas Constitution was ratified. Two Counties in Crisis offers a rare opportunity to observe how local political cultures are transformed by state and national events. Utilizing an interdisciplinary fusion of history and political science, Robert J. Dillard analyzes two disparate Texas counties—traditionalist Harrison County and individualist Collin County—and examines four Reconstruction governors (Hamilton, Throckmorton, Pease, Davis) to aid the narrative and provide additional cultural context. Commercially prosperous and built on slave labor in the mold of Deep South plantation culture, East Texas’s Harrison County strongly supported secession in 1861. West Texas’s Collin County, characterized by individual and family farms with a limited slave population, favored the Union. During Reconstruction Collin County became increasingly conservative and eventually bore a great resemblance to Harrison County in its social, cultural, and political leanings. By 1876 and the ratification of the regressive Texas Constitution, Collin County had become firmly resistant to all aspects of Reconstruction. Both counties found themselves enculturated with the rest of the state, establishing for Texas an identity as a former Confederate state that has persisted for generations. The reactionary Texas Constitution of 1876, written as a backlash against perceived Northern radicalism, ultimately dismantled state education, reduced the state tax base, and spawned a legal black hole of amendments that Texans remain stuck with today. Overwhelmingly ratified by popular vote, the suboptimal Texas Constitution was not solely the product of political maneuverings from the economic elite, but a collective refusal of federal Reconstruction supported at the local level, where the politics of fear and group polarization had transformed former Unionists into die-hard rebels.
American history is teeming with unconventional, trailblazing Lone Star women with big, unprecedented achievements--outstanding, outrageous, outré women who know all about being "Texas Big" and being first. Texas's own Bessie Coleman was the first black person in the world to earn a pilot's license. Students and typists the world over breathed a sigh of relief when San Antonio-born Bette Nesmith Graham released Mistake Out, now known as Liquid Paper®. Way ahead of the curve, University of Texas graduate Aida Nydia Barrera saw the need for bilingual educational programming and in 1970 started Carrascolendas, the first television show of its kind in the country. In 1981, El Paso's Sandra Day O'Connor became the first female justice of the United States Supreme Court. Join author Sherrie McLeRoy for an introduction to the exceptional women of Lone Star history.