"Asian Art provides students with an accessible introduction to the history of Asian Art. Students will gain an understanding of the emergence and evolution of Asian art in all its diversity. Using a range of analytical skills, readers will learn to recognize patterns of continuity and change between the arts and cultures of various regions comprising Asia. Images set within their broader cultural and religious backgrounds provides students with important contextual information to understand and decode artworks"--Publisher's description.
Pipelines, and put up miles of power lines. All of a sudden he was in the middle of a big battle, and he soon became known as "The King of the Dog People."
This four-color, beautifully rendered book from famed manga-ka Miwa Ueda (creator of Peach Girl and Peach Girl: Change of Heart) features some of her most unforgettable artwork. It includes Peach Girl artwork from 1997 to 2000, as well as illustrations from Glass Hearts, Angel Wars, and other pre-Peach Girl works. The Peach Girl Art Book also features four bonus pin-up posters of Momo, Kiley, Toji, and the Peach Girl gang.
A portrait of singer Jerry Lee Lewis details his early life, music, controversial marriage, problems and decline, endurance, and revival in popularity.
Handscroll; Blue and green ink on silk; 542cm(width)*22cm(height) This painting depicts rolling hills and vast rivers and lakes. The mountains and rocks in the painting are first drawn with the technique of "ink chapping," followed by the application of bright blue and green colors, shading the tops of the peaks with blue and green, showing off layers of green mountains. Water patterns are drawn in the water with fast strokes, providing a contrast to the "boneless" coloring. The painting employs a multi-perspective composition, making full use of distance. Level distances are interspersed, creating an attractive picture with ups and downs.
Edwin Sutherland is the acknowledged father of American criminology. This is the first full-length analysis of his work and his person. Unlike the European schools of criminology, which sought to locate deviant behaviour within the deep structures of the economy, Sutherland eschewed such explanations in favour of proximate and observable causes. He located the sources of crime in the association and interaction of specific groups of people. For Sutherland, crime as a way of life results from an individual's attachment to criminals for whom criminal acts are a measure of success no less than a way of life. In a series of publications, Sutherland expanded the horizons of the classic "Chicago School" of interactionists, and in the process founded criminology as a separate area of research while locating it firmly within sociology. As the authors show, Sutherland's work was inspired by strong moral concerns and a sense of the needs of society for social order without falling prey to either blaming the victim or pandering to sentiment about the joys of criminal life. In this sense, he is a model of the sociological tradition long deserving of the biography acknowledging his role as a master and pioneer. Yet Gaylord and Galliher have written more than an intellectual biography. They take seriously the need to fit Sutherland and his "theory of differential association" into a social and historical context. They are also aware and critically straightforward about the limitations of Sutherland's work in criminology, but place both his achievements and their limitations in a fully developed analytical context.
