Redefining Elizabethan Literature

Redefining Elizabethan Literature

Author: Georgia Brown

Publisher: Cambridge University Press

Published: 2004-11-18

Total Pages: 271

ISBN-13: 1139455885

DOWNLOAD EBOOK

Redefining Elizabethan Literature examines the new definitions of literature and authorship that emerged in one of the most remarkable decades in English literary history, the 1590s. Georgia Brown analyses the period's obsession with shame as both a literary theme and a conscious authorial position. She explores the related obsession of this generation of authors with fragmentary and marginal forms of expression, such as the epyllion, paradoxical encomium, sonnet sequence, and complaint. Combining developments in literary theory with close readings of a wide range of Elizabethan texts, Brown casts light on the wholesale eroticisation of Elizabethan literary culture, the form and meaning of Englishness, the function of gender and sexuality in establishing literary authority, and the contexts of the works of Shakespeare, Marlowe, Spenser and Sidney. This study will be of great interest to scholars of Renaissance literature as well as cultural history and gender studies.


The Elizabethan Top Ten

The Elizabethan Top Ten

Author: Emma Smith

Publisher: Routledge

Published: 2016-03-23

Total Pages: 308

ISBN-13: 1317034449

DOWNLOAD EBOOK

Engaging with histories of the book and of reading, as well as with studies of material culture, this volume explores ’popularity’ in early modern English writings. Is ’popular’ best described as a theoretical or an empirical category in this period? How can we account for the gap between modern canonicity and early modern print popularity? How might we weight the evidence of popularity from citations, serial editions, print runs, reworkings, or extant copies? Is something that sells a lot always popular, even where the readership for print is only a small proportion of the population, or does popular need to carry something of its etymological sense of the public, the people? Four initial chapters sketch out the conceptual and evidential issues, while the second part of the book consists of ten short chapters-a ’hit parade’- in which eminent scholars take a genre or a single exemplar - play, romance, sermon, or almanac, among other categories-as a means to articulate more general issues. Throughout, the aim is to unpack and interrogate assumptions about the popular, and to decentre canonical narratives about, for example, the sermons of Donne or Andrewes over Smith, or the plays of Shakespeare over Mucedorus. Revisiting Elizabethan literary culture through the lenses of popularity, this collection allows us to view the subject from an unfamiliar angle-in which almanacs are more popular than sonnets and proclamations more numerous than plays, and in which authors familiar to us are displaced by names now often forgotten.


Historical Dictionary of the Elizabethan World

Historical Dictionary of the Elizabethan World

Author: John Wagner

Publisher: Routledge

Published: 2013-04-03

Total Pages: 434

ISBN-13: 1136597611

DOWNLOAD EBOOK

No period of British history generates such deep interest as the reign of Elizabeth I, from 1558 to 1603. The individuals and events of that era continue to be popular topics for contemporary literature and film, and Elizabethan drama, poetry, and music are studied and enjoyed everywhere by students, scholars, and the general public. The Historical Dictionary of the Elizabeth World provides clear definitions and descriptions of people, events, institutions, ideas, and terminology relating in some significant way to the Elizabethan period. The first dictionary of history to focus exclusively on the reign of Elizabeth I, the Dictionary is also the first to take a broad trans-Atlantic approach to the period by including relevant individuals and terms from Irish, Scottish, Welsh, American, and Western European history. Editors' Choice: Reference


The Rhetoric of Courtship in Elizabethan Language and Literature

The Rhetoric of Courtship in Elizabethan Language and Literature

Author: Catherine Bates

Publisher: Cambridge University Press

Published: 1992-06-18

Total Pages: 252

ISBN-13: 0521414806

DOWNLOAD EBOOK

The Rhetoric of Courtship is about the literature of the Elizabethan period with a particular focus on the literature of the court. This book considers how writers and courtiers related to Elizabeth I within a system of patronage and how they portrayed this relationship in fictional courtship of poetry and prose.


Of Chastity and Power

Of Chastity and Power

Author: Philippa Berry

Publisher: Routledge

Published: 2003-09-02

Total Pages: 208

ISBN-13: 1134934122

DOWNLOAD EBOOK

Through a reading of the texts of Lyly, Raleigh, Chapman, Spenser and Shakespeare, Berry explores the themes of sexuality and politics, classical myth and Neopatonic mysticism which became associated with Elizabeth I.


Elizabethan Translation and Literary Culture

Elizabethan Translation and Literary Culture

Author: Gabriela Schmidt

Publisher: Walter de Gruyter

Published: 2013-04-30

Total Pages: 402

ISBN-13: 311031620X

DOWNLOAD EBOOK

Reversing F. O. Matthiessen's famous description of translation as “an Elizabethan art”, Elizabethan literature may well be considered “an art of translation‎”. Amidst a climate of intense intercultural and intertextual exchange, the cultural figure of translatio studii had become a formative concept in most European vernacular writing of the period. However, due to the comparatively marginal status of English in European literary culture, it was above all translation in the literal sense that became the dominant mode of applying this concept in late 16th-century England. Translations into English were not only produced on an unprecedented scale, they also became a key site for critical debate where contemporary discussions about authorship, style, and the development of a specifically English literary identity converged. The essays in this volume set out to explore Elizabethan translation as a literary practice and as a crucial influence on English literature. They analyse the competitive balancing of voices and authorities found in these texts and examine the ways in which both translated models and English literary culture were creatively transformed in the process of appropriation.