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Author: Francis Haskell
Publisher: Yale University Press
Published: 1993-01-01
Total Pages: 574
ISBN-13: 9780300059496
DOWNLOAD EBOOKOver the last four centuries, historians have turned to images in their attempts to understand and visualize the past. In this book, an art historian surveys the various ways that they have adopted for making use of this material and examines the objects that became available to them.
Author: Francis Haskell
Publisher:
Published: 1993
Total Pages: 568
ISBN-13:
DOWNLOAD EBOOKAuthor: Richard Eldridge
Publisher: Oxford University Press
Published: 2017-12
Total Pages: 257
ISBN-13: 0190847360
DOWNLOAD EBOOKHuman subjects are both formed by historical inheritances and capable of active criticism. Insisting on this fact, Kant and Benjamin each develop powerful, systematic, but sharply opposed accounts of human powers and interests in freedom. A persistent constitutive tension between Kantian and Benjaminan ideals is woven through human life. By examining the two philosophers through this volume, Richard Eldridge attempts to make better sense of the commitment forming, commitment revising, anxious, reflective and acculturated human subjects we are.
Author: Georges Didi-Huberman
Publisher: Penn State Press
Published: 2005
Total Pages: 354
ISBN-13: 9780271024714
DOWNLOAD EBOOKAccording to Didi-Huberman, visual representation has an "underside" in which intelligible forms lose clarity and defy rational understanding. Art historians, he contends, fail to engage this underside, and he suggests that art historians look to Freud's concept of the "dreamwork", a mobile process that often involves substitution and contradiction.
Author: David Freedberg
Publisher: University of Chicago Press
Published: 2013-02-01
Total Pages: 561
ISBN-13: 022625903X
DOWNLOAD EBOOK"This learned and heavy volume should be placed on the shelves of every art historical library."—E. H. Gombrich, New York Review of Books "This is an engaged and passionate work by a writer with powerful convictions about art, images, aesthetics, the art establishment, and especially the discipline of art history. It is animated by an extraordinary erudition."—Arthur C. Danto, The Art Bulletin "Freedberg's ethnographic and historical range is simply stunning. . . . The Power of Images is an extraordinary critical achievement, exhilarating in its polemic against aesthetic orthodoxy, endlessly fascinating in its details. . . . This is a powerful, disturbing book."—T. J. Jackson Lears, Wilson Quarterly "Freedberg helps us to see that one cannot do justice to the images of art unless one recognizes in them the entire range of human responses, from the lowly impulses prevailing in popular imagery to their refinement in the great visions of the ages."—Rudolf Arnheim, Times Literary Supplement
Author: Axel Bolvig
Publisher: Brepols Publishers
Published: 2003
Total Pages: 472
ISBN-13:
DOWNLOAD EBOOKThe 19 papers of this collection were first presented at the 1999 History and Images Congress held at the U. of Copenhagen in Denmark. As reflected in the subtitle, the international group of historians and art historians provide essays that reflect new approaches to the reading of images, with the papers divided into the main topics of images and history, image databases and history, and images as source material.
Author: John D. Barrow
Publisher: W. W. Norton & Company
Published: 2008
Total Pages: 636
ISBN-13: 9780393061772
DOWNLOAD EBOOK"... a tour through the most influential images in science"--Jacket.
Author: Jeremy Black
Publisher: Yale University Press
Published: 2000-01-01
Total Pages: 282
ISBN-13: 9780300086935
DOWNLOAD EBOOKExplores the role, development, and nature of the atlas and discusses its impact on the presentation of the past.
Author: Horst Bredekamp
Publisher: University of Chicago Press
Published: 2015-04-17
Total Pages: 209
ISBN-13: 022625884X
DOWNLOAD EBOOKIn science and technology, the images used to depict ideas, data, and reactions can be as striking and explosive as the concepts and processes they embody—both works of art and generative forces in their own right. Drawing on a close dialogue between the histories of art, science, and technology, The Technical Image explores these images not as mere illustrations or examples, but as productive agents and distinctive, multilayered elements of the process of generating knowledge. Using beautifully reproduced visuals, this book not only reveals how scientific images play a constructive role in shaping the findings and insights they illustrate, but also—however mechanical or detached from individual researchers’ choices their appearances may be—how they come to embody the styles of a period, a mindset, a research collective, or a device. Opening with a set of key questions about artistic representation in science, technology, and medicine, The Technical Image then investigates historical case studies focusing on specific images, such as James Watson’s models of genes, drawings of Darwin’s finches, and images of early modern musical automata. These case studies in turn are used to illustrate broad themes ranging from “Digital Images” to “Objectivity and Evidence” and to define and elaborate upon fundamental terms in the field. Taken as a whole, this collection will provide analytical tools for the interpretation and application of scientific and technological imagery.
Author: John Amadeus Wolter
Publisher: McGraw-Hill Companies
Published: 1997
Total Pages: 484
ISBN-13:
DOWNLOAD EBOOKLavishly illustrated with 196 rare and historical maps it recounts tales of atlas makers from pre-Gutenberg to electronic atlas.
