History and characteristics of US-sitcoms

History and characteristics of US-sitcoms

Author: Irina Wamsler

Publisher: GRIN Verlag

Published: 2014-11-21

Total Pages: 18

ISBN-13: 3656844100

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Academic Paper from the year 2007 in the subject American Studies - Linguistics, grade: 2,1, University of Hannover, language: English, abstract: The scripts of comedies imitate real life and fulfill the audience’s needs in everyday lives. That means people like to relax while watching other people’s daily lives including love, friendship, or working life. They want to escape from the pressure they had during their own day and enjoy funny and easy-to-understand-shows. Additionally, humor gives, as Bärmann (1989) claims, the audience a chance to breathe. The evolution of TV series from the beginning of this genre of TV shows in the 1950s until today is important. The first TV series were comedies and variety shows but soon this concept was replaced by sitcoms. During the 1970s and the 1990s sitcoms changed as well as society. Rapidly, new issues like friends, emancipation, or the role of the family has changed. “The correspondence between reality and fiction has become in fact the most important thing for the public: present TV series want people to recognize themselves in the fictive and unreal characters.”


TV Family Values

TV Family Values

Author: Alice Leppert

Publisher: Rutgers University Press

Published: 2019-03-15

Total Pages: 193

ISBN-13: 0813592690

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During the 1980s, U.S. television experienced a reinvigoration of the family sitcom genre. In TV Family Values, Alice Leppert focuses on the impact the decade's television shows had on middle class family structure. These sitcoms sought to appeal to upwardly mobile “career women” and were often structured around non-nuclear families and the reorganization of housework. Drawing on Foucauldian and feminist theories, Leppert examines the nature of sitcoms such as Full House, Family Ties, Growing Pains, The Cosby Show, and Who's the Boss? against the backdrop of a time period generally remembered as socially conservative and obsessed with traditional family values.


The Queer Fantasies of the American Family Sitcom

The Queer Fantasies of the American Family Sitcom

Author: Tison Pugh

Publisher: Rutgers University Press

Published: 2018-02-27

Total Pages: 259

ISBN-13: 0813591759

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The Queer Fantasies of the American Family Sitcom examines the evasive depictions of sexuality in domestic and family-friendly sitcoms. Tison Pugh charts the history of increasing sexual depiction in this genre while also unpacking how sitcoms use sexuality as a source of power, as a kind of camouflage, and as a foundation for family building. The book examines how queerness, at first latent, became a vibrant yet continually conflicted part of the family-sitcom tradition. Taking into account elements such as the casting of child actors, the use of and experimentation with plot traditions, the contradictory interpretive valences of comedy, and the subtle subversions of moral standards by writers and directors, Pugh points out how innocence and sexuality conflict on television. As older sitcoms often sit on a pedestal of nostalgia as representative of the Golden Age of the American Family, television history reveals a deeper, queerer vision of family bonds.


The Columbia History of American Television

The Columbia History of American Television

Author: Gary Richard Edgerton

Publisher: Columbia University Press

Published: 2007

Total Pages: 513

ISBN-13: 0231121652

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Richly researched and engaging, The Columbia History of American Television tracks the growth of TV into a convergent technology, a global industry, a social catalyst, a viable art form, and a complex and dynamic reflection of the American mind and character. Renowned media historian Gary R. Edgerton follows the technological progress and increasing cultural relevance of television from its prehistory (before 1947) to the Network Era (1948-1975) and the Cable Era (1976-1994). He considers the remodeling of television's look and purpose during World War II; the gender, racial, and ethnic components of its early broadcasts and audiences; its transformation of postwar America; and its function in the political life of the country. In conclusion, Edgerton takes a discerning look at our current Digital Era and the new forms of instantaneous communication that continue to change America's social, political, and economic landscape.


A Companion to the History of American Broadcasting

A Companion to the History of American Broadcasting

Author: Aniko Bodroghkozy

Publisher: John Wiley & Sons

Published: 2018-10-02

Total Pages: 512

ISBN-13: 1118646355

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Presented in a single volume, this engaging review reflects on the scholarship and the historical development of American broadcasting A Companion to the History of American Broadcasting comprehensively evaluates the vibrant history of American radio and television and reveals broadcasting’s influence on American history in the twentieth and twenty-first centuries. With contributions from leading scholars on the topic, this wide-ranging anthology explores the impact of broadcasting on American culture, politics, and society from an historical perspective as well as the effect on our economic and social structures. The text’s original and accessibly-written essays offer explorations on a wealth of topics including the production of broadcast media, the evolution of various television and radio genres, the development of the broadcast ratings system, the rise of Spanish language broadcasting in the United States, broadcast activism, African Americans and broadcasting, 1950’s television, and much more. This essential resource: Presents a scholarly overview of the history of radio and television broadcasting and its influence on contemporary American history Contains original essays from leading academics in the field Examines the role of radio in the television era Discusses the evolution of regulations in radio and television Offers insight into the cultural influence of radio and television Analyzes canonical texts that helped shape the field Written for students and scholars of media studies and twentieth-century history, A Companion to the History of American Broadcasting is an essential and field-defining guide to the history and historiography of American broadcasting and its many cultural, societal, and political impacts.


The 25 Sitcoms That Changed Television

The 25 Sitcoms That Changed Television

Author: Aaron Barlow

Publisher: Bloomsbury Publishing USA

Published: 2017-12-01

Total Pages: 390

ISBN-13:

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This book spotlights the 25 most important sitcoms to ever air on American television—shows that made generations laugh, challenged our ideas regarding gender, family, race, marital roles, and sexual identity, and now serve as time capsules of U.S. history. What was the role of The Jeffersons in changing views regarding race and equality in America in the 1970s? How did The Golden Girls affect how society views older people? Was The Office an accurate (if exaggerated) depiction of the idiosyncrasies of being employees in a modern workplace? How did the writers of The Simpsons make it acceptable to air political satire through the vehicle of an animated cartoon ostensibly for kids? Readers of this book will see how television situation comedies have consistently held up a mirror for American audiences to see themselves—and the reflections have not always been positive or purely comedic. The introduction discusses the history of sitcoms in America, identifying their origins in radio shows and explaining how sitcom programming evolved to influence the social and cultural norms of our society. The shows are addressed chronologically, in sections delineated by decade. Each entry presents background information on the show, including the dates it aired, key cast members, and the network; explains why the show represents a notable turning point in American television; and provides an analysis of each sitcom that considers how the content was received by the American public and the lasting effects on the family unit, gender roles, culture for young adults, and minority and LGBT rights. The book also draws connections between important sitcoms and other shows that were influenced by or strikingly similar to these trendsetting programs. Lastly, a section of selections for further reading points readers to additional resources.


The Sitcom Reader

The Sitcom Reader

Author: Mary M. Dalton

Publisher: SUNY Press

Published: 2005-10-06

Total Pages: 358

ISBN-13: 9780791465707

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Offers a variety of perspectives on the sitcom genre and its influence on American culture.


The Comedians

The Comedians

Author: Kliph Nesteroff

Publisher: Open Road + Grove/Atlantic

Published: 2015-11-03

Total Pages: 460

ISBN-13: 0802190863

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“Funny [and] fascinating . . . If you’re a comedy nerd you’ll love this book.” —Pittsburgh Post-Gazette Named a Best Book of the Year by Kirkus Reviews, National Post, and Splitsider Based on over two hundred original interviews and extensive archival research, this groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past one hundred years. Starting with the vaudeville circuit at the turn of the last century, the book introduces the first stand-up comedian—an emcee who abandoned physical shtick for straight jokes. After the repeal of Prohibition, Mafia-run supper clubs replaced speakeasies, and mobsters replaced vaudeville impresarios as the comedian’s primary employer. In the 1950s, the late-night talk show brought stand-up to a wide public, while Lenny Bruce, Mort Sahl, and Jonathan Winters attacked conformity and staged a comedy rebellion in coffeehouses. From comedy’s part in the civil rights movement and the social upheaval of the late 1960s, to the first comedy clubs of the 1970s and the cocaine-fueled comedy boom of the 1980s, The Comedians culminates with a new era of media-driven celebrity in the twenty-first century. “Entertaining and carefully documented . . . jaw-dropping anecdotes . . . This book is a real treat.” —Merrill Markoe, TheWall Street Journal


Something Ain't Kosher Here

Something Ain't Kosher Here

Author: Vincent Brook

Publisher: Rutgers University Press

Published: 2003

Total Pages: 246

ISBN-13: 9780813532110

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In this humorous work, Brook explores the cultural significance of the recentunprecedented explosion in "Jewish" sitcoms.


TV (The Book)

TV (The Book)

Author: Alan Sepinwall

Publisher: Hachette+ORM

Published: 2016-06-28

Total Pages: 456

ISBN-13: 1455588202

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Is The Wire better than Breaking Bad? Is Cheers better than Seinfeld? What's the best high school show ever made? Why did Moonlighting really fall apart? Was the Arrested Development Netflix season brilliant or terrible? For twenty years-since they shared a TV column at Tony Soprano's hometown newspaper-critics Alan Sepinwall and Matt Zoller Seitz have been debating these questions and many more, but it all ultimately boils down to this: What's the greatest TV show ever? That debate reaches an epic conclusion in TV (THE BOOK). Sepinwall and Seitz have identified and ranked the 100 greatest scripted shows in American TV history. Using a complex, obsessively all-encompassing scoring system, they've created a Pantheon of top TV shows, each accompanied by essays delving into what made these shows great. From vintage classics like The Twilight Zone and I Love Lucy to modern masterpieces like Mad Men and Friday Night Lights, from huge hits like All in the Family and ER to short-lived favorites like Firefly and Freaks and Geeks, TV (THE BOOK) will bring the triumphs of the small screen together in one amazing compendium. Sepinwall and Seitz's argument has ended. Now it's time for yours to begin!