This book shows how gender is central to our imagination and understanding of modernity. The essays in this volume unravel the complexities of modernity's relationship to femininity and the cultures of gender construction amidst the diverse manifestations of colonialism and nationalism. The essays cover varied aspects of gender identities, including the private spheres of elite women who expressed their freedom through their subversive, restricted sexuality, thus shaking off the shackles of domination; the debates regarding dress codes for women; the deplorable condition of girls after marriage; legislative battles to achieve the right to divorce; challenges to notions of sports as a masculine activity; the different meanings of modernity for women writers; the implications of print cultures and cinema on women; gendered meanings of peace and partition; women's preferences, perceptions and practices; the politics of resistance; and questions of agency and autonomy.
Gender, Sexuality and Colonial Modernities presents exciting new perspectives on modern colonial regimes to researchers and students in gender studies, history and cultural studies.
Until today, Western, European sociology contributes to the social reality of colonial modernity, and gender knowledge is a paradigmatic example of it. Multiple Gender Cultures, Sociology, and Plural Modernities critically engages with these ‘Western eyes’ and shifts the focus towards the global variety of gendered socialities and hierarchically entangled social histories. This is conceptualised as multiple gender cultures within plural modernities. The authors examine the multifaceted realities of gendered life in varying contexts across the globe. Bringing together different perspectives, the volume provides a rereading of the social fabric of gender in contrast to androcentrist-modernist as well as orientalist representations of ‘the’ gendered Other. The key questions explored by this volume are: which social mechanisms lead to conflicting or shifting gender dynamics against the backdrop of global entanglements and interdependencies, and to what extent are neocolonial gender regimes at work in this regard? How are varying gender cultures sociohistorically and culturally structured, and how are they connected within (global) power relations? How can established hierarchies and asymmetries become an object of criticism? How can historical, cultural, social, and political specificities be analysed without gendered and other reifications? That way, the volume aims to promote border thinking in sociological understanding of social reality towards multiple gender cultures and plural modernities.
The emergence of modernity has typically focused on Western male actors and privileged politics and economy over culture. The contributors to this volume successfully unsettle such perspectives by emphasizing the social history, artistic practices, and symbolic meanings of female performers in popular music of Asia. Women surfaced as popular icons in different guises in different Asian countries through different routes of circulation. Often, these women established prominent careers within colonial conditions, which saw Asian societies in rapid transition and the vernacular and familiar articulated with the novel and the foreign. These female performers were not merely symbols of times that were rapidly changing. Nor were they simply the personification of global historical changes. Female entertainers, positioned at the margins of intersecting fields of activities, created something hitherto unknown: they were artistic pioneers of new music, new cinema, new forms of dance and theater, and new behavior, lifestyles, and morals. They were active agents in the creation of local performance cultures, of a newly emerging mass culture, and the rise of a region-wide and globally oriented entertainment industry. Vamping the Stage is the first book-length study of women, modernity, and popular music in Asia, showcasing cutting-edge research conducted by scholars whose methods and perspectives draw from such diverse fields as anthropology, Asian studies, cultural studies, ethnomusicology, and film studies. Led by an impressive introduction written by Weintraub and Barendregt, fourteen contributors analyze the many ways that women performers supported, challenged, and transgressed representations of existing gendered norms in the entertainment industries of China, Japan, India, Indonesia, Iran, Korea, Malaysia, and the Philippines. Placing women’s voices in social and historical contexts, the essays explore salient discourses, representations, meanings, and politics of “voice” in Asian popular music. Historicizing the artistic sounds, lyrical texts, and visual images of female performers, the essays reveal how women used popular music to shape the ideas, practices, and meanings of modernity in various Asian contexts and time frames. The ascendency of women as performers paralleled, and in some cases generated, developments in wider society such as suffrage, social and sexual liberation, women as business entrepreneurs and independent income earners, and particularly as models for new life styles. Women’s voices, mediated through new technologies of film and the phonograph, changed the soundscape of global popular music and resonate today in all spheres of modern life.
Between 1870 and 1940 thousands of Australian women were drawn to London, their imperial metropolis and the centre of the art, publishing, theatrical and educational worlds. This study examines connections between whiteness, colonial status and modernity.
The essays in this volume address the central theme of Pakistan’s enduring, yet elusive, quest for democracy. The book charts Pakistan’s struggle from its very inception, at least in the political rhetoric provided by both civilian and military leaders, for democracy, liberalism, freedom of expression, inclusiveness of minorities and even secularism. At the same time, it demonstrates how in practice, the country has continued to drift towards increasingly brittle authoritarianism, religious extremism and intolerance of minorities — both Muslim and non-Muslim. This chasm between animated political rhetoric and grim political reality has baffled the world as much as Pakistanis themselves. In this volume, scholars and practitioners of statecraft from around the world have sought to explain the dichotomy that exists between the rhetoric and the reality. Crucial areas such as Pakistan’s troubled status as a theocracy; its relationship with the US; the position of women and their quest for empowerment; the Mujahir Qaumi movement; the sharp class divide that has led to an elitist political culture; and finally, an erudite discussion of the popular topic — Jinnah’s vision of Pakistan — are the focus of this book. This volume will be of interest to scholars of history, political science, international relations, sociology, anthropology and urban planning, policy-makers and think-tanks, as well as the wider reading public curious about South Asia.
IBSS is the essential tool for librarians, university departments, research institutions and any public or private institution whose work requires access to up-to-date and comprehensive knowledge of the social sciences.
New Perspectives on the History of Gender and Empire, an open access book, extends our understanding of the gendered workings of empires, colonialism and imperialism, taking up recent impulses from gender history, new imperial history and global history. The authors apply new theoretical and methodological approaches to historical case studies around the globe in order to redefine the complex relationship between gender and empire. The chapters deal not only with 'typical' colonial empires like the British Empire, but also with those less well-studied, such as the German, Russian, Italian and U.S. empires. They focus on various imperial formations, from colonies in Africa or Asia to settler colonial settings like Australia, New Zealand and South Africa, to imperial peripheries like the Dodecanese or the Black Sea Steppe. The book deals with key themes such as intimacy, sexuality and female education, as well as exploring new aspects like the complex marriage regimes some empires developed or the so-called 'servant debates'. It also presents several ways in which imperial formations were structured by gender and other categories like race, class, caste, sexuality, religion, and citizenship. Offering new reflections on the intimate and personal aspects of gender in imperial activities and relationships, this is an important volume for students and scholars of gender studies and imperial and colonial history. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollection.com. Open access was funded by Knowledge Unlatched.
"Renowned as the predominant farmers and landlords of Punjab, and long possessed of an autocthonous agricultural identity, Jat Sikhs today often live urban and diasporic lives. Rural Nostalgias and Transnational Dreams examines the formation of Jat Sikh identity amid diverse ideals and incursions of modernity, exploring the question of what it means to be Jat Sikh in the contemporary Indian city.Nicola Mooney describes a number of Jat Sikh social practices and narratives – education, professional development and employment, the making of appropriate marriage matches, and the discourse of progress – through which contemporary notions of identity are developed. She contextualizes these elements of Jat Sikh modernity against local, regional, and national histories of cultural and political differentiation, perceptions of marginality, and the expression of increasingly exclusive notions and practices of identity. Mooney argues that class practices incorporate urban Jat Sikhs into national and transnational communities, separating them from rural Jat Sikhs and confounding caste solidarities. Nevertheless, rural attachments remain important to urban identities.This is a unique ethnography that incorporates first-hand observations and local narratives to develop insights into the traditions and social memory of Jat Sikhs, as well as on the issues of urban and transnational social transformation."
In an exploration of the complex relations between women and the modern, this work challenges conventional male-centred theories of modernity. It examines the gendered meanings of such notions as nostalgia, consumption, feminine writing, the popular sublime, evolution, revolution and perversion.
