Literary Criticism

Literary Criticism

Author: Joseph North

Publisher: Harvard University Press

Published: 2017-05-08

Total Pages: 270

ISBN-13: 0674967739

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Cover -- Title Page -- Copyright -- Contents -- Preface -- Introduction -- 1. The Critical Revolution Turns Right -- 2. The Scholarly Turn -- 3. The Historicist/Contextualist Paradigm -- 4. The Critical Unconscious -- Conclusion: The Future of Criticism -- Appendix: The Critical Paradigm and T.S. Eliot -- Notes -- Acknowledgments -- Index


A History of Literary Criticism

A History of Literary Criticism

Author: M. A. R. Habib

Publisher: John Wiley & Sons

Published: 2008-04-15

Total Pages: 848

ISBN-13: 1405148845

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This comprehensive guide to the history of literary criticism from antiquity to the present day provides an authoritative overview of the major movements, figures, and texts of literary criticism, as well as surveying their cultural, historical, and philosophical contexts. Supplies the cultural, historical and philosophical background to the literary criticism of each era Enables students to see the development of literary criticism in context Organised chronologically, from classical literary criticism through to deconstruction Considers a wide range of thinkers and events from the French Revolution to Freud’s views on civilization Can be used alongside any anthology of literary criticism or as a coherent stand-alone introduction


A History of Russian Literary Theory and Criticism

A History of Russian Literary Theory and Criticism

Author: Evgeny Dobrenko

Publisher: University of Pittsburgh Pre

Published: 2011-11-27

Total Pages: 425

ISBN-13: 0822977443

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This edited volume assembles the work of leading international scholars in a comprehensive history of Russian literary theory and criticism from 1917 to the post-Soviet age. By examining the dynamics of literary criticism and theory in three arenas—political, intellectual, and institutional—the authors capture the progression and structure of Russian literary criticism and its changing function and discourse. The chapters follow early movements such as formalism, the Bakhtin Circle, Proletklut, futurism, the fellow-travelers, and the Russian Association of Proletarian Writers. By the cultural revolution of 1928, literary criticism became a mechanism of Soviet policies, synchronous with official ideology. The chapters follow theory and criticism into the 1930s with examinations of the Union of Soviet Writers, semantic paleontology, and socialist realism under Stalin. A more "humanized" literary criticism appeared during the ravaging years of World War II, only to be supplanted by a return to the party line, Soviet heroism, and anti-Semitism in the late Stalinist period. During Khrushchev's Thaw, there was a remarkable rise in liberal literature and criticism, that was later refuted in the nationalist movement of the "long" 1970s. The same decade saw, on the other hand, the rise to prominence of semiotics and structuralism. Postmodernism and a strong revival of academic literary studies have shared the stage since the start of the post-Soviet era. For the first time anywhere, this collection analyzes all of the important theorists and major critical movements during a tumultuous ideological period in Russian history, including developments in emigre literary theory and criticism.


The Historical Renaissance

The Historical Renaissance

Author: Heather Dubrow

Publisher: University of Chicago Press

Published: 1988-10-19

Total Pages: 387

ISBN-13: 0226167666

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The Historical Renaissance both exemplifies and examines the most influential current in contemporary studies of the English Renaissance: the effort to analyze the interplay between literature, history, and politics. The broad and varied manifestations of that effort are reflected in the scope of this collection. Rather than merely providing a sampler of any single critical movement, The Historical Renaissance represents the range of ways scholars and critics are fusing what many would once have distinguished as "literary" and "historical" concerns The volume includes studies of mid-Tudor culture as well as of Elizabethan and Stuart periods. The scope of the collection is also manifest in its list of contributors. They include historians and literary critics, and their work spans he spectrum from more traditional methods to those characteristic of what has been termed "New Historicism."One aim of the book is to investigate the apparent division between these older and more current approaches. Heather Dubrow and Richard Strier evaluate the contemporary interest in historical studies of the Renaissance, relating it to previous developments in the field, surveying its achievements and limitations, and suggesting new directions for future work.


Averroes' Middle Commentary on Aristotle's Poetics

Averroes' Middle Commentary on Aristotle's Poetics

Author: Averroës

Publisher:

Published: 2000

Total Pages: 192

ISBN-13:

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Aristotle's Poetics has held the attention of scholars and authors through the ages, and Averroes has long been known as "the commentator" on Aristotle. His Middle Commentary on Aristotle's Poetics is important because of its striking content. Here, an author steeped in Aristotle's thought and highly familiar with an entirely different poetical tradition shows in careful detail what is commendable about Greek poetics and commendable as well as blameworthy about Arabic poetics.


Modern Literary Criticism and Theory

Modern Literary Criticism and Theory

Author: Rafey Habib

Publisher: Wiley-Blackwell

Published: 2008

Total Pages: 272

ISBN-13:

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Exploring the works of a diverse group of 20th century writers including D.H. Lawrence, H.L. Mencken, Jean-Paul Sartre, and Jacques Derrida, this book provides an accessible scholarly introduction to modern literary theory and criticism, placing various modes of criticism in their historical and intellectual contexts.


Literary Criticism

Literary Criticism

Author: Gary Day

Publisher: Edinburgh University Press

Published: 2008-07-04

Total Pages: 352

ISBN-13: 0748628525

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A THE Book of the Week. Did you know that Aristotle thought the best tragedies were those which ended happily? Or that the first mention of the motor car in literature may have been in 1791 in James Boswell's Life of Johnson? Or that it was not unknown in the nineteenth century for book reviews to be 30,000 words long?These are just a few of the fascinating facts to be found in this absorbing history of literary criticism. From the Ancient Greek period to the present day, we learn about critics' lives, the times in which they lived and how the same problems of interpretation and valuation persist through the ages. In this lively and engaging book, Gary Day questions whether the 'theory wars' of recent years have lost sight of the actual literature, and makes surprising connections between criticism and a range of subjects, including the rise of money.General readers will appreciate this informative, intriguing and often provocative


Why Literary Periods Mattered

Why Literary Periods Mattered

Author: Ted Underwood

Publisher: Stanford University Press

Published: 2013-07-24

Total Pages: 210

ISBN-13: 0804788448

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In the mid-nineteenth century, the study of English literature began to be divided into courses that surveyed discrete "periods." Since that time, scholars' definitions of literature and their rationales for teaching it have changed radically. But the periodized structure of the curriculum has remained oddly unshaken, as if the exercise of contrasting one literary period with another has an importance that transcends the content of any individual course. Why Literary Periods Mattered explains how historical contrast became central to literary study, and why it remained institutionally central in spite of critical controversy about literature itself. Organizing literary history around contrast rather than causal continuity helped literature departments separate themselves from departments of history. But critics' long reliance on a rhetoric of contrasted movements and fateful turns has produced important blind spots in the discipline. In the twenty-first century, Underwood argues, literary study may need digital technology in particular to develop new methods of reasoning about gradual, continuous change.