There exists in the breasts of most of those who have served, or are serving, in the Army, an Esprit de Corps—an attachment to everything belonging to their Regiment; to such persons a narrative of the services of their own Corps cannot fail to prove interesting. Authentic accounts of the actions of the great, the valiant, the loyal, have always been of paramount interest with a brave and civilized people. Great Britain has produced a race of heroes who, in moments of danger and terror, have stood "firm as the rocks of their native shore:" and when half the world has been arrayed against them, they have fought the battles of their Country with unshaken fortitude.
The bagpipe is one of the cultural icons of Scottish highlanders, but in the twentieth century traditional Scottish Gaelic piping has all but disappeared. Few recordings were ever made of traditional pipe music and there are almost no Gaelic-speaking pipers of the old school left. Recording an important aspect of Gaelic culture before it disappears, John Gibson chronicles the decline of traditional Highland Gaelic bagpiping - and Gaelic culture as a whole - and provides examples of traditional bagpipe music that have survived in the New World. Pulling together what is known of eighteenth-century West Highland piping and pipers and relating this to the effects of changing social conditions on traditional Scottish Gaelic piping since the suppression of the last Jacobite rebellion, Gibson presents a new interpretation of the decline of Gaelic piping and a new view of Gaelic society prior to the Highland diaspora. Refuting widely accepted opinions that after Culloden pipes and pipers were effectively banned in Scotland by the Disarming Act (1746), Gibson reveals that traditional dance bagpiping continued at least to the mid-nineteenth century. He argues that the dramatic depopulation of the Highlands in the nineteenth century was one of the main reasons for the decline of piping. Following the path of Scottish emigrants, Gibson traces the history of bagpiping in the New World and uncovers examples of late eighteenth-century traditional bagpiping and dance in Gaelic Cape Breton, Nova Scotia. He argues that these anachronistic cultural forms provide a vital link to the vanished folk music and culture of the Scottish highlanders. This definitive study throws light on the ways pipers and piping contributed to social integration in the days of the clan system and on the decline in Scottish Gaelic culture following the abolition of clans. It also illuminates the cultural problems faced by all ethnic minorities assimilated into unitary multinational societies.
This is one of the most valuable books in the armoury of the serious student of British Military history. It is a new and revised edition of Arthur White's much sought-after bibliography of regimental, battalion and other histories of all regiments and Corps that have ever existed in the British Army. This new edition includes an enlarged addendum to that given in the 1988 reprint. It is, quite simply, indispensible.
Regimental histories abound, but few can be as stirring as this story of the fortunes of the famous Yorkshire-based Green Howards. Raised in 1688 in response to a call for loyal troops, the Green Howards have maintained their tradition of loyalty over the past 300 years winning many superb battle honours. Their history reflects that of the British Army as there is hardly a major campaign that this Regiment has not been involved in; the French Wars of 1697-1793, the American War of Independence, Crimean War, First and Second World Wars, service in Suez, Malaya, Northern Ireland, peacekeeping operations in Bosnia and the war in the Gulf. This fine book brings the story of one of Britain's finest regiments right up to date.
Historical record of The Nineteenth, or, The First Yorkshire North Riding Regiment of Foot: containing an account of the formation of the regiment in 1688 and of its subsequent services to 1848.
