Poems and Ballads of Edward (the Poet) Egan
Author: Edward Egan
Publisher:
Published: 2020
Total Pages: 128
ISBN-13: 9781909822184
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Author: Edward Egan
Publisher:
Published: 2020
Total Pages: 128
ISBN-13: 9781909822184
DOWNLOAD EBOOKAuthor: José E. Limón
Publisher: Univ of California Press
Published: 1992-07
Total Pages: 235
ISBN-13: 0520076338
DOWNLOAD EBOOK"José Limón is one of our most interesting and important commentators on Chicano culture. . . . [This book] will help strengthen an important style of historically and politically accountable cultural analysis."—Michael M. J. Fischer, co-author of Debating Muslims: Cultural Dialogues in Postmodernity and Tradition
Author: Algernon Charles Swinburne
Publisher:
Published: 1889
Total Pages: 232
ISBN-13:
DOWNLOAD EBOOKAuthor: Joseph Ritson
Publisher:
Published: 1832
Total Pages: 302
ISBN-13:
DOWNLOAD EBOOKAuthor: James Henry Dixon
Publisher:
Published: 1857
Total Pages: 260
ISBN-13:
DOWNLOAD EBOOKAuthor: Algernon Charles Swinburne
Publisher:
Published: 1889
Total Pages: 202
ISBN-13:
DOWNLOAD EBOOKAuthor: M. J. Brown
Publisher:
Published: 1912
Total Pages: 284
ISBN-13:
DOWNLOAD EBOOKAuthor: Robert Service
Publisher: Kids Can Press
Published: 2013-03-01
Total Pages: 0
ISBN-13: 9781554532728
DOWNLOAD EBOOKIn 1986 Kids Can Press published an edition of Robert Service's ?The Cremation of Sam McGee? illustrated by painter Ted Harrison, who used his signature broad brushstrokes and unconventional choice of color to bring this gritty narrative poem to life. Evoking both the spare beauty and the mournful solitude of the Yukon landscape, Harrison's paintings proved the perfect match for Service's masterpiece about a doomed prospector adrift in a harsh land. Harrison's Illustrator's Notes on each page enhanced both poem and illustrations by adding valuable historical background. Upon its original publication, many recognized the book as an innovative approach to illustrating poetry for children. For years The Cremation of Sam McGee has stood out as a publishing landmark, losing none of its appeal both as a read-aloud and as a work of art. Kids Can Press proudly publishes this deluxe hardcover twentieth anniversary edition --- complete with a spot-varnished cover, new cover art and heavy coated stock --- of a book that remains as entrancing as a night sky alive with the vibrant glow of the Northern Lights.
Author: Robert Earl Hayden
Publisher:
Published: 1962
Total Pages: 80
ISBN-13:
DOWNLOAD EBOOKAuthor: Lindsay Turner
Publisher: Prelude Books
Published: 2018
Total Pages: 0
ISBN-13: 9780990703037
DOWNLOAD EBOOKPoetry. "Lindsay Turner's ravishing SONGS & BALLADS takes account of colors, architectures, skies, and the many ways the world is speculatively used and re-used for short-term ends. When to refrain? Refrain now, hold back from harm now, hold on to the world now and now, these elegiac, mysteriously worldy poems sing."--Catherine Wagner "'The sunlight was prettier for its uneven distribution,' observes Lindsay Turner, alerting us to the collectivist imperative subtending perception itself. 'Oh share it, share it.' SONGS & BALLADS re-imagines historical poetics--'what's the ragged quatrain's job?'--as a critique of our unsustainable political economies. Employing recursive forms from the Medieval ballad to Modernism's differential repetitions, Turner's contemporary stanzas in meditation remediate 'a range of arrangements / demanding attention' for the continuous present. Whether it be 'the pentagons of space in the chainlink' or 'what the animals we saw never knew,' we find, in this work, a world on the verge: 'all systems go and some places broken.'"--Srikanth Reddy "Witty, mordant, despairing, yet peculiarly refreshing poems: Lindsay Turner has done the thing few can do--she has made lyric critical; she makes thought sing. 'Tuesday and I want an image / of the ecological condition / these raindrops just aren't normal." These are incantations of and against a seeping duress--with weird skies, ugly offices, bank holidays, ominous weather, bad feelings and wrong life. Her antennae quiver in this mood of disaster, as her poems become a 'keeper of our collective distress.' Songs, ballads, ditties, fractured meditations: these poems offer a countermeasure, a countersong against the modern regime of blighting calculation. With their beguiling and wrong-footing music, these poems keep time and keep our time; they are insistent, seductive, surprising. The ocean, love, a day's measure: are they 'nothing to us'? Are we 'good for nothing'? Keenly intelligent poems of dispossession and divestiture, they crack a smart whip in their ludic and paradoxically soulful deadpan."--Maureen N. McLane