Since 1959, when Cuba was overrun by Marxist revolutionary Fidel Castro after a long guerrilla war, Cubans have come to America in waves through the auspices of the United States and its open-door policies on immigration and asylum. Destination of choice? Miami, Florida, today home to hundreds of thousands of Cuban refugees granted political asylum in the United States and to the Americans of Cuban descent welcoming them ashore. In Historic Photos of Cuban Miami, Miamian Jennifer Ortiz looks back at the origins, hardships, unique ethnicity, and progress of the Cuban-American community which today so widely shapes this American metropolis. Nearly 200 photographs reproduced in vivid black-and-white, captioned and with introductions, tell the story of this chapter in recent American history so influential for Miami and the Cuban exiles and Cuban-Americans who call Miami home.
While the Naval base in Guantánamo Bay, Cuba is well-known for its infamous prison camp, few people are aware of its prior use as an immigrant detention center for Haitian and Cuban refugees. Beginning in August 1994, the United States government declared that thousands of Cubans who had launched themselves into the Florida Straits on rickety rafts were "illegal refugees" and sent them to join over fifteen thousand Haitians already being held on Guantánamo after fleeing a violent coup in Haiti. Escape to Miami recounts the gripping stories of the rafters who were detained in Guantánamo during the 1994-1996 Cuban Rafter Crisis. After working in the camps for a year as an employee of the U.S. Justice Department, Elizabeth Campisi conducted life history interviews with twelve of the rafters, chronicling their departures from Cuba, their rafting trips, life on the base, and their initial experiences in Cuban Miami. Through these remarkable narratives, the book details the ways in which the rafters used creative expression, such as performance and artwork, to cope with the traumas they experienced in the camp. Campisi explores these coping mechanisms, showing that, when people work through individually-traumatic experiences as a group, the new meanings they create during that process can come together to change existing cultures or create new ones. Vivid and engaging, Escape to Miami gives voice to the untold stories of Guantánamo. This book is a must-read for anyone interested in policy, Latin American history, and human rights.
WINNER OF THE PULITZER PRIZE IN HISTORY WINNER OF THE LOS ANGELES TIMES BOOK PRIZE IN HISTORY “Full of…lively insights and lucid prose” (The Wall Street Journal) an epic, sweeping history of Cuba and its complex ties to the United States—from before the arrival of Columbus to the present day—written by one of the world’s leading historians of Cuba. In 1961, at the height of the Cold War, the United States severed diplomatic relations with Cuba, where a momentous revolution had taken power three years earlier. For more than half a century, the stand-off continued—through the tenure of ten American presidents and the fifty-year rule of Fidel Castro. His death in 2016, and the retirement of his brother and successor Raúl Castro in 2021, have spurred questions about the country’s future. Meanwhile, politics in Washington—Barack Obama’s opening to the island, Donald Trump’s reversal of that policy, and the election of Joe Biden—have made the relationship between the two nations a subject of debate once more. Now, award-winning historian Ada Ferrer delivers an “important” (The Guardian) and moving chronicle that demands a new reckoning with both the island’s past and its relationship with the United States. Spanning more than five centuries, Cuba: An American History provides us with a front-row seat as we witness the evolution of the modern nation, with its dramatic record of conquest and colonization, of slavery and freedom, of independence and revolutions made and unmade. Along the way, Ferrer explores the sometimes surprising, often troubled intimacy between the two countries, documenting not only the influence of the United States on Cuba but also the many ways the island has been a recurring presence in US affairs. This is a story that will give Americans unexpected insights into the history of their own nation and, in so doing, help them imagine a new relationship with Cuba; “readers will close [this] fascinating book with a sense of hope” (The Economist). Filled with rousing stories and characters, and drawing on more than thirty years of research in Cuba, Spain, and the United States—as well as the author’s own extensive travel to the island over the same period—this is a stunning and monumental account like no other.
From America’s number one Cuba reporter, PEN award–winning investigative journalist Ann Louise Bardach, comes the big book on Cuba we’ve all been waiting for. An incisive and spirited portrait of the twentieth century’s wiliest political survivor and his fiefdom, Cuba Confidential is the gripping story of the shattered families and warring personalities that lie at the heart of the forty-three-year standoff between Miami and Havana. Famous to many Americans for her cover stories and media appearances, Ann Louise Bardach has been covering Cuba for a decade. She’s talked to the crooks, spooks and politicians who have made history, and to their hired assassins and confidants. Based on exclusive interviews with Fidel Castro, his sister Juanita, his former brother-in-law Rafael Díaz-Balart, the family of Elián González, the friends and family of the legendary American fugitive Robert Vesco, the intrepid terrorist Luis Posada Carriles, and the inner circles of Jeb Bush and the late exile leader Jorge Mas Canosa, Cuba Confidential exposes the hardball take-no-prisoners tactics of the Cuban exile leadership, and its manipulation and exploitation by ten American presidents. Bardach homes in on Fidel Castro and his cronies, taking us closer than we’ve ever been—and on the militant exiles who have devoted their lives, with CIA connivance, to trying to eliminate him. From Calle Ocho to Juan Miguel González’s kitchen table in Cárdenas, from Guantánamo Bay to Union City to Washington, D.C., Ann Louise Bardach serves up an unforgettable portrait of Cuba and its exiles.
The Cuban Table is a comprehensive, contemporary overview of Cuban food, recipes and culture as recounted by serious home cooks and professional chefs, restaurateurs and food writers. Cuban-American food writer Ana Sofia Pelaez and award-winning photographer Ellen Silverman traveled through Cuba, Miami and New York to document and learn about traditional Cuban cooking from a wide range of authentic sources. Cuban home cooks are fiercely protective of their secrets. Content with a private kind of renown, they demonstrate an elusive turn of hand that transforms simple recipes into bright and memorable meals that draw family and friends to their tables time and again. More than just a list of ingredients or series of steps, Cuban cooks' tricks and touches hide in plain sight, staying within families or being passed down in well-worn copies of old cookbooks largely unread outside of the Cuban community. Here you'll find documented recipes for everything from iconic Cuban sandwiches to rich stews with Spanish accents and African ingredients, accompanied by details about historical context and insight into cultural nuances. More than a cookbook, The Cuban Table is a celebration of Cuban cooking, culture and cuisine. With stunning photographs throughout and over 110 deliciously authentic recipes this cookbook invites you into one of the Caribbean's most interesting and vibrant cuisines.
I rode bike and drove to every coffee window on SW 8th St from South Beach to the Everglades and other major coffee windows and cafeterias all over Miami and photographed everything. It's all in this book, along with interviews and a visit to the sugar cane fields near Lake Okeechobee. Ventanitas (literally -little windows-) are walkup coffeeshops most often attached to larger indoor cafeterias. They are a unique cultural phenomenon in South Florida. There are approximately 60 coffee windows on Calle Ocho between South Beach and The Everglades which equals on average a coffee window every couple of blocks. That's a lot of concrete. That's a lot of coffee. That's a lot of coffee windows.
Written by the trio that has spawned a renewal of interest in Cuban cuisine,his guide to the flavors of Cuba reveals the island as a tasty confluence ofpanish spices, tropical ingredients, and African influence.
For the past 50 years, Cuban refugees and Central American immigrants have moved to an old quarter of Miami known as Little Havana. This internationally known community is famous for its sizzle, its heated ethnic politics, its entrepreneurial zest, and its colorful street life and celebrations. Before it became Little Havana, the area was home to a vast array of people, including white and black Bahamians, Jews, people from parts of the Middle East, and folks with Deep South pedigrees. The quarter's most famous neighborhoods then were Riverside and Shenandoah. Riverside emerged from the piney woods at the start of the 19th century and hosted some of the earliest city institutions, as well as picturesque homes and tree-shaded streets. Shenandoah was farmland as late as the 1920s, before a real estate boom transformed it into a neighborhood of gorgeous Mediterranean Revival-style homes. Southwest Eighth Street, the famed Calle Ocho, once divided the two neighborhoods, but the vast influx of Hispanics erased that division as the thoroughfare developed its own identity.
Revolution uprooted six-year-old Cecilia from her comfortable middle-class Cuban home and dropped her into the low-income neighborhood of Miami’s Little Havana. Her philandering father focused on rebuilding his career, chasing the American promise of wealth and freedom from the past. Her mother spiraled into madness trying to hold the family together and get him back. Neglected and trapped, Cecilia rebelled against her conservative culture and embraced the 1960s counter-culture - seeking love, attention and a place of her own in America. But immigrant children either thrive or self-destruct in a new land. How will Cecilia beat the odds? While most memoirs by Cuban-Americans revolve around childhood scenes in Cuba and explore the experiences of a young man, Leaving Little Havana is the first refugee memoir to focus on a Cuban girl growing up in America, rising above the obstacles and clearing a path to her American Dream. “Leaving Little Havana is the compelling story of a Cuban girl seeking a new life in the U.S. with her family as the Cuban revolution unfolds in the early sixties. 'Cecilita’s' personal account, and sexual awakening, is transparent, sad, and triumphant, sprinkled with anecdotes of an emerging Cuban-American landscape. In short, this book is a colorful reminiscence of historical scenes on both sides of the Straits of Florida, providing closure to a Cuban American journalist coming to terms with her turbulent past.” - Guarione M. Diaz, President Emeritus, Cuban American National Council “Cecilia Fernandez’s memoir of growing up Cuban in Miami is not only fascinating reading, it tells more about the story of Cubans in this U.S. than a truckload of sociology textbooks - and is a thousand times more entertaining!” - Dan Wakefield, author of New York in the Fifties “Leaving Little Havana is a candid, touching, and engaging memoir of a young Cuban exile’s coming of age. Cecilia Fernandez writes with passion and intensity, both of her missteps and her triumphs, casting fresh light on the American experience in the process.” - Les Standiford, author of Havana Run and Bringing Adam Home “Cecilia Fernandez gives us a coming of age story told with wide open eyes and vivid details of growing up in Little Havana. Broken-hearted more times than she can count, she gradually finds a path to new beginnings and the infinite promises of the American Dream. A poignant and important chronicle of the Miami Cuban immigrant journey.” - Ruth Behar, author of Traveling Heavy: A Memoir in Between Journeys “Every so often along comes a book that seizes you by the collar and arrests you on the spot. From page one, Leaving Little Havana is a brilliant, voice-driven book that will make your heart skip a few beats. My experience reading this book was similar to the first time I read The House on Mango Street by Sandra Cisneros when you instantly know you are reading a classic, a story so achingly beautiful and unforgettable you relish every last word as if it were the buzzing of a hummingbird at your lips feeding you honey. This book is about family, about what happens to family in exile, about how people come into a great world of struggle and manage to get by and survive. The author has a great gift for capturing that world-known enclave of Miami we love and call Little Havana. This might be the book that puts it on the literary map for good and forever.” - Virgil Suárez, author of Latin Jazz, The Cutter, and 90 Miles: Selected and New Poems
Scenes from Havana to Santiago Through an abundance of dynamic photographs, Portraits of Cuba depicts the experiences of Cubans of different ages and walks of life who are navigating the challenges and changes transforming the island today. From the vintage colonial architecture and potholed streets of Havana to the farms and winding highways of the countryside, images by documentary photographer Daniel Duncan capture daily life across the nation. Expert commentary by Marcela Vásquez-León and Dereka Rushbrook describes the history of el bloqueo, the economic embargo imposed by the U.S. government in 1960. The book also features selections from interviews with Cubans who highlight how the island residents continue to invent, adapt, and persevere in the face of this and other complicated circumstances. Duncan's photographs represent many aspects of the arts, religion, politics, public messaging, agriculture, and the economy in contemporary Cuba. Despite issues such as limited natural resources, dependence on imports, climate change and rising sea levels, and the departure of many of its young people, the island has emerged as an innovative player in addressing today's global problems. The authors note how the advances made by Cuba's sustainable farmers, scientists, medical teams, and literacy campaigns are models throughout the developing world. Portraits of Cuba celebrates the ingenuity, solidarity, and deep-rooted resilience of the Cuban people, illustrating how they are creating their own form of democracy in the long shadow of the 1959 Cuban Revolution and the 60-year blockade.
