Amid the soaring oratory of Martin Luther King and the fiery rhetoric of George Wallace, scholars who worked with the Southern Regional Council during the civil rights movement spoke quietly, but with the authority of informed reason. Prominent among them was Professor Paul Gaston of the University of Virginia, who co-authored an influential analysis of school segregation, served as president of the SRC board, and authored The New South Creed. Gaston’s legacy of service includes his role as a mentor of historians. He oversaw more than two dozen dissertations at UVA from 1957 to the year 2000. These illuminated important aspects of the South and the civil rights movement while contributing to the growth of community and organizational studies within the field of social history. The articles in this Festschrift feature essays that he inspired among his students and colleagues.
Praised by The New York Times; O, The Oprah Magazine; Bitch Magazine; Slate; Publishers Weekly; and more, this is “a bracing corrective to a national mythology” (New York Times) around the civil rights movement. The civil rights movement has become national legend, lauded by presidents from Reagan to Obama to Trump, as proof of the power of American democracy. This fable, featuring dreamy heroes and accidental heroines, has shuttered the movement firmly in the past, whitewashed the forces that stood in its way, and diminished its scope. And it is used perniciously in our own times to chastise present-day movements and obscure contemporary injustice. In A More Beautiful and Terrible History award-winning historian Jeanne Theoharis dissects this national myth-making, teasing apart the accepted stories to show them in a strikingly different light. We see Rosa Parks not simply as a bus lady but a lifelong criminal justice activist and radical; Martin Luther King, Jr. as not only challenging Southern sheriffs but Northern liberals, too; and Coretta Scott King not only as a “helpmate” but a lifelong economic justice and peace activist who pushed her husband’s activism in these directions. Moving from “the histories we get” to “the histories we need,” Theoharis challenges nine key aspects of the fable to reveal the diversity of people, especially women and young people, who led the movement; the work and disruption it took; the role of the media and “polite racism” in maintaining injustice; and the immense barriers and repression activists faced. Theoharis makes us reckon with the fact that far from being acceptable, passive or unified, the civil rights movement was unpopular, disruptive, and courageously persevering. Activists embraced an expansive vision of justice—which a majority of Americans opposed and which the federal government feared. By showing us the complex reality of the movement, the power of its organizing, and the beauty and scope of the vision, Theoharis proves that there was nothing natural or inevitable about the progress that occurred. A More Beautiful and Terrible History will change our historical frame, revealing the richness of our civil rights legacy, the uncomfortable mirror it holds to the nation, and the crucial work that remains to be done. Winner of the 2018 Brooklyn Public Library Literary Prize in Nonfiction
This reader gathers fifteen of the most important essays written in the field of southern environmental history over the past decade. Ideal for course use, the volume provides a convenient entrée into the recent literature on the region as it indicates the variety of directions in which the field is growing. As coeditor Paul S. Sutter writes in his introduction, “recent trends in environmental historiography--a renewed emphasis on agricultural landscapes and their hybridity, attention to the social and racial histories of environmental thought and practice, and connections between health and the environment among them--have made the South newly attractive terrain. This volume suggests, then, that southern environmental history has not only arrived but also that it may prove an important space for the growth of the larger environmental history enterprise.” The writings, which range in setting from the Texas plains to the Carolina Lowcountry, address a multiplicity of topics, such as husbandry practices in the Chesapeake colonies and the aftermath of Hurricane Andrew. The contributors’ varied disciplinary perspectives--including agricultural history, geography, the history of science, the history of technology, military history, colonial American history, urban and regional planning history, and ethnohistory--also point to the field’s vitality. Conveying the breadth, diversity, and liveliness of this maturing area of study, Environmental History and the American South affirms the critical importance of human-environmental interactions to the history and culture of the region. Contributors: Virginia DeJohn Anderson William Boyd Lisa Brady Joshua Blu Buhs Judith Carney James Taylor Carson Craig E. Colten S. Max Edelson Jack Temple Kirby Ralph H. Lutts Eileen Maura McGurty Ted Steinberg Mart Stewart Claire Strom Paul Sutter Harry Watson Albert G. Way
Over the past one hundred years, a body of historical knowledge and writing has been built up which has sought to explain and describe the unique configuration of South African Society. In the historical evolution of this society prominence and sometimes primacy have been variously accorded to the concepts of race and class. This survey of the lives and works of the major historians of South AfricaóG. M. Theal, W. M. Macmillan, C. W. de Kiewiet, Leonard Thompson, Shula Marks and othersóexamines the ways in which the South African past has been recreated and interpreted anew. Contents: Introduction 1; PART I:3 G.M. THEAL; 1 A Canadian becomes South African 9; 2 The making of a settler historian 18; 3 Race and Class 30; 4 Racial myths and Theal's legacy 36; PART 2:3 W.M. MACMILLAN AND C.W. DE KIEWIET; 5 Macmillan: the South African years, and after 47; 6 The revisionist historian 62; 7 De Kiewiet: from Johannesburg to America 76; 8 The master historian 81; 9 Race, class, and liberal history 95; PART 3:3 AMATEURS AND PROFESSIONALS; 10 Early Africanist work 105; 11 Walker and other historians of the 1930s and 1940s; 12 Historians of the 1940s and 1950s 121; 13 Early radical writing 131; PART 4:3 THE LIBERAL AFRICANISTS; 14 The beginnings of liberal Africanism 143; 15 The Oxford History 154; PART 5:3 THE RADICAL CHALLENGE; 16 The challenge begins 165; 17 Class and race, structure and process 177; 18 Changing perspectives 186; Conclusion 192; References 198; Select bibliography 219; Index 235^R
From the seventeenth century Cavaliers and Uncle Tom's Cabin to Civil Rights museums and today's conflicts over the Confederate flag, here is a brilliant portrait of southern identity, served in an engaging blend of history, literature, and popular culture. In this insightful book, written with dry wit and sharp insight, James C. Cobb explains how the South first came to be seen--and then came to see itself--as a region apart from the rest of America. As Cobb demonstrates, the legend of the aristocratic Cavalier origins of southern planter society was nurtured by both northern and southern writers, only to be challenged by abolitionist critics, black and white. After the Civil War, defeated and embittered southern whites incorporated the Cavalier myth into the cult of the "Lost Cause," which supplied the emotional energy for their determined crusade to rejoin the Union on their own terms. After World War I, white writers like Ellen Glasgow, William Faulkner and other key figures of "Southern Renaissance" as well as their African American counterparts in the "Harlem Renaissance"--Cobb is the first to show the strong links between the two movements--challenged the New South creed by asking how the grandiose vision of the South's past could be reconciled with the dismal reality of its present. The Southern self-image underwent another sea change in the wake of the Civil Rights movement, when the end of white supremacy shook the old definition of the "Southern way of life"--but at the same time, African Americans began to examine their southern roots more openly and embrace their regional, as well as racial, identity. As the millennium turned, the South confronted a new identity crisis brought on by global homogenization: if Southern culture is everywhere, has the New South become the No South? Here then is a major work by one of America's finest Southern historians, a magisterial synthesis that combines rich scholarship with provocative new insights into what the South means to southerners and to America as well.
From the late nineteenth century until World War I, a group of Columbia University students gathered under the mentorship of the renowned historian William Archibald Dunning (1857--1922). Known as the Dunning School, these students wrote the first generation of state studies on the Reconstruction -- volumes that generally sympathized with white southerners, interpreted radical Reconstruction as a mean-spirited usurpation of federal power, and cast the Republican Party as a coalition of carpetbaggers, freedmen, scalawags, and former Unionists. Edited by the award-winning historian John David Smith and J. Vincent Lowery, The Dunning School focuses on this controversial group of historians and its scholarly output. Despite their methodological limitations and racial bias, the Dunning historians' writings prefigured the sources and questions that later historians of the Reconstruction would utilize and address. Many of their pioneering dissertations remain important to ongoing debates on the broad meaning of the Civil War and Reconstruction and the evolution of American historical scholarship. This groundbreaking collection of original essays offers a fair and critical assessment of the Dunning School that focuses on the group's purpose, the strengths and weaknesses of its constituents, and its legacy. Squaring the past with the present, this important book also explores the evolution of historical interpretations over time and illuminates the ways in which contemporary political, racial, and social questions shape historical analyses.
What if Christianity is simple? When Jesus gave his first public address, he said, I have come to fulfill the law and the prophets and to set the captives free. When a contract is fulfilled, it is completed and is no longer in effect. Religion is a form of bondage that enslaves its adherents to a set of rules that constitute sin. It portrays the image of a God who acts as a judge. In one hand he has a legal pad and pen and in the other a club. When sufficient sins have been committed, the club is used on the sinner. Jesus died on the cross to fulfill the need for justice and came to earth to show that God is not the ogre with a club but a loving father with outstretched arms wanting to hug his children He sent to us the Holy Spirit so we might have the heart and mind of Christ and be empowered to live a life free from the bondage of sin and religion. This book shows the reader how to do that and points out the stumbling blocks that may interfere. It enables the reader to see the simplicity of Christianity and understand why it should surpass religion in our lives.
Ever since its publication in 1941, The Mind of the South has been recognized as a path-breaking work of scholarship and as a literary achievement of enormous eloquence and insight in its own right. From its investigation of the Southern class system to its pioneering assessments of the region's legacies of racism, religiosity, and romanticism, W. J. Cash's book defined the way in which millions of readers— on both sides of the Mason-Dixon line—would see the South for decades to come. This fiftieth-anniversary edition of The Mind of the South includes an incisive analysis of Cash himself and of his crucial place in the history of modern Southern letters.
In the aftermath of World War II, South Africa's white government decreed a brutal system of segregation at the very moment when the United states began wresting with the civil rights movement. In "Loosing the Bonds", Robert Massie recreates the passions and struggles of these years, deftly exposing the way politics and personalities, money and morality interact in modern America. 40 photos. National print ads, media.
