First published in 1980 and now available only from the University of New Mexico Press, this classic compilation of New Mexico folk music is based on thirty-five years of field research by a giant of modern music. Composer John Donald Robb, a passionate aficionado of the traditions of his adopted state, traveled New Mexico recording and transcribing music from the time he arrived in the Southwest in 1941.
Crossing Borders with the Santo Niño de Atocha journeys through the genesis, development, and various metamorphoses in the veneration of the Holy Child of Atocha, from its origins in Zacatecas in the late colonial period through its different transformations over the centuries, across lands and borders, and to the ultimate rising as a defining religious devotion for the Mexican/Chicano experience in the United States. It is a vivid account of the historical origins of the Santo Niño de Atocha and His transformations "Everywhere He ever walked," first in the nineteenth century, along the Camino de Tierra Adentro between Zacatecas and New Mexico, to His consolidation as a saint for the Borderlands, and finally, to His contemporary metamorphosis as a border-crossing religious symbol for the immigrant experience and the Mexican/Chicano communities in the United States. Using a wide variety of visual and written materials from archives in Spain, Mexico, and the United States, along with oral history interviews, participant observation, photography, popular art, thanksgiving paintings, and private letters addressed to the Holy Child, Juan Javier Pescador presents the fascinating and intimate history of this religious symbol native to the Borderlands, while dispelling some myths and inaccurate references. Including narrative vignettes with his own personal experiences and fragments of his family's interactions with the Holy Child of Atocha, Pescador presents the book "as a thanksgiving testimony of the prominent position the Santo Niño de Atocha has enjoyed in the altarcitos of my family and the dear place He has carved in the hearts of my ancestors." Visit the author's website at www.pescadorarte.com to learn more and to see images of the Santo Niño de Atocha included in the book.
Each song appears both in Spanish and English. For many, transcriptions of the musical notations are provided as well as graphic illustrations of dance technique.
Higinio V. Gonzales (1842–1921) was more than a gifted metalworker. A man of varied talents whose poems and songs complement his work in punched tin, Gonzales transcends categorization. In The Artistic Odyssey of Higinio V. Gonzales, Maurice M. Dixon, Jr., who has spent more than thirty years studying New Mexico tinwork, describes the artist’s signature techniques. Featuring translations of Gonzales’s poetry, this book restores a long-forgotten New Mexican innovator to the prominence he deserves. Recounting the scholarly detective work that revealed the full scope of Gonzales’s art and career, Dixon tells the story of a craftsman who was also a poet. He begins with Gonzales’s first signed literary work, a handwritten birthday poem decorated with beautifully drawn flowers and birds, dated 1889, and then pieces together the artist’s life and career. Through meticulous research into manuscripts and the dates of tin cans that Gonzales repurposed into elegant, fanciful frames, niches, sconces, and religious decorations, Dixon identifies as Gonzales’s numerous pieces of poetry and tinwork once attributed to anonymous poets and artists. His most important discovery served as a Rosetta stone: an ink wash and watercolor drawing in an ornamental tin frame (housed at the Millicent Rogers Museum in Taos), whose documented provenance helped Dixon to identify Gonzales’s other artwork. More than 100 color photographs of Gonzales’s tinwork and more than a dozen translations of the artist’s poetic and musical works punctuate the narrative. Both a catalogue raisonné of a hitherto little-known artist and an anthology of his writings, this book reconstructs the creative life of a long-overlooked talent, one whose quest for beauty resulted in a prolific body of art and literature.
Contains over 500 articles Ranging over foodways and folksongs, quiltmaking and computer lore, Pecos Bill, Butch Cassidy, and Elvis sightings, more than 500 articles spotlight folk literature, music, and crafts; sports and holidays; tall tales and legendary figures; genres and forms; scholarly approaches and theories; regions and ethnic groups; performers and collectors; writers and scholars; religious beliefs and practices. The alphabetically arranged entries vary from concise definitions to detailed surveys, each accompanied by a brief, up-to-date bibliography. Special features *More than 2000 contributors *Over 500 articles spotlight folk literature, music, crafts, and more *Alphabetically arranged *Entries accompanied by up-to-date bibliographies *Edited by America's best-known folklore authority
"Ferenc Morton Szasz was a lifelong student who became a professor of history at the University of New Mexico. As a one-year appointment at the Albuquerque campus evolved into a forty-year career, Szasz glimpsed the predictable unpredictability that he would eventually discern as one of history's most enduring and elusive traits. The connections and consequences along the way forged a truly exceptional life and career. A master of the United States history survey, Szasz enthralled and inspired tens of thousands of students with energy, enthusiasm, provocative insights, and good will. Ambitious undergraduates regularly vied with graduate students for coveted seats in his upper level courses, where he offered insights into World War II, American religious history, and popular culture. Szasz's interests, he insisted, were the "ideas of the people...and how they shift over time." In an era when historical scholarship became increasingly specialized, he pursued an eclectic array of research interests and challenged his doctoral students to do the same. The ten selections of Szasz's writings that are the primary content of this volume balance insights into history's great moments with attention to events and details often overlooked by more conventional historians. Szasz's crisp, accessible prose reveals both the unique and universal in the human experience and offers heartfelt glimpses into humanity's paradoxical promises and perils.""--Back cover
