A knight returned from Crusade . . . A maiden robbed of her birthright . . . Mysteries to be solved . . . Wrongs to be righted . . . And love to be fulfilled, fated long ago . . .
My Fair Lady, or Pygmalion as it was originally titled (named after a Greek mythological character) , is a play by George Bernard Shaw. Professor of phonetics Henry Higgins makes a bet that he can train a bedraggled Cockney flower girl, Eliza Doolittle, to pass for a duchess at an ambassador's garden party by teaching her to assume a veneer of gentility, the most important element of which, he believes, is impeccable speech. The play is a sharp lampoon of the rigid British class system of the day and a commentary on women's independence.
“You have his eyes…” are the last words Roxy’s dying mother said to her. When she finds a stack of letters in her mother’s belongings from her billionaire lover, Roxy finally discovers the identity of her real father. As a poor single mother wanting to give her daughter a better life, Roxy reaches out to a lawyer named Mike to help her get in touch with her father. Mike refuses at first and says that she has insufficient proof. Just when she thinks all is lost, Mike has a change of heart and agrees to help her. But why?
The ancient Greeks tell the legend of the sculptor Pygmalion, who created a statue of a woman of such surpassing beauty that he fell in love with his own creation. Then, Aphrodite, taking pity on this man whose love could not reach beyond the barrier of stone, brought the statue to life and gave her to Pygmalion as his bride. Centuries later, George Bernard Shaw captured the magic of this legend in his celebrated romantic play, Pygmalion. Pygmalion became Henry Higgins, a professor of phonetics, his statue an untutored flower girl from the streets of London, and the barrier between them the difference in their stations in life. In My Fair Lady, Alan Jay Lerner takes the legend one step further—the barrier is swept away and Higgins and Eliza are reunited as the curtain falls on one of the loveliest musical plays of our time—winning seven Tonys® for its original Broadway production, and seven Oscars® for its film adaptation.
To celebrate the 50th anniversary of the Broadway premiere of Alan Jay Lerner and Frederick Lowe's "My Fair Lady," this special edition contains Shaw's original play and the script and lyrics for the Tony(- and Academy Award(-winning musical. Revised reissue.
He is the debonair, suave aristocratic Captain of the Queen's guard. When he happens upon Francesca and international beauty with flaming red hair as well as her temper sparks fly. This is quite the challenge for James but is he up to it?
"An Englishman's way of speaking absolutely classifies him, The moment he talks he makes some other Englishman despise him." - Henry George Bernard Shaw famously refused to permit any play of his "to be degraded into an operetta or set to any music except its own." Allowing his beloved Pygmalion to be supplanted by a comic opera was therefore unthinkable; yet Lerner and Loewe transformed it into My Fair Lady (1956), a musical that was to delight audiences and critics alike. By famously reversing Shaw’s original ending, the show even dared to establish a cunningly romantic ending. Keith Garebian delves into the libretto for a fresh take, and explores biographies of the show’s principal artists to discover how their roles intersected with real life. Rex Harrison was an alpha male onstage and off, Julie Andrews struggled with her ‘chaste diva’ image, and the direction of the sexually ambiguous Moss Hartcontributed to the musical’s sexual coding.