Jhally and Earp (both of the Media Education Foundation) originally conducted the 25 interviews collected here for an eponymous documentary on the use of the fear caused by the September 11th attacks to launch longstanding neoconservative plans to solidify and extend American global hegemony through military force.
The Oklahoma City bombing, intentional crashing of airliners on September 11, 2001, and anthrax attacks in the fall of 2001 have made Americans acutely aware of the impacts of terrorism. These events and continued threats of terrorism have raised questions about the impact on the psychological health of the nation and how well the public health infrastructure is able to meet the psychological needs that will likely result. Preparing for the Psychological Consequences of Terrorism highlights some of the critical issues in responding to the psychological needs that result from terrorism and provides possible options for intervention. The committee offers an example for a public health strategy that may serve as a base from which plans to prevent and respond to the psychological consequences of a variety of terrorism events can be formulated. The report includes recommendations for the training and education of service providers, ensuring appropriate guidelines for the protection of service providers, and developing public health surveillance for preevent, event, and postevent factors related to psychological consequences.
Now fully updated, this annual yearbook includes every review Ebert had written from January 2007 to July 2009. It also includes interviews, essays, tributes, and all-new questions and answers from his Questions for the Movie Answer Man columns.
Parceling the Globe is a study in the processes of global democracy. It offers an early answer to the question regarding our responsibility to others. Through its organization, it presents a partial understanding of the globalization process. It determines the range of global behaviors and articulates the prospects for peace in a globalizing environment.
With an introduction by Greg Palast, author of bestseller The Best Democracy Money Can Buy, Progressive Hollywood features Rampell?s interviews and interactions with Hollywood luminaries such as producers Jerry Bruckheimer and Robert Greenwald; actors Jack Nicholson, Rob Reiner, Mike Farrell, Ed Asner, Martin Sheen, David Clennon, Gore Vidal and Dennis Hopper; directors Michael Moore, Spike Lee, Oliver Stone and Lionel Chetwynd; blacklisted screenwriters Bernie Gordon (who initiated the 1999 protests against Elia Kazan?s lifetime achievement Oscar), Bobby Lees (who injected dialectical materialism into Abbott and Costello comedies) and Norma Barzman (author of 2003's The Red and the Blacklist).
After the terrorist attacks of September 11, 2001, Canadian agencies willingly collaborated in the War on Terror launched by the United States to destroy Al Qaeda. This partnership went seriously astray, however, amid a series of fundamental errors by Canadian agencies and their misplaced trust in American willingness to abide by both international and US laws against torture. As a result, numerous Canadian citizens and residents were illicitly detained abroad and subjected to suffering and mistreatment. In Detained Daniel Livermore analyzes the emergence of Islamic fundamentalist extremism and its Canadian implications, including the erroneous investigations that targeted Canadians and led to their detentions in Syria, Egypt, Pakistan, Libya, Tunisia, and Sudan. Scrutinizing the most prominent cases, he details the role of Canadian agencies in the imprisonments and relates how subsequent court cases brought the situations to light, resulting in settlements and apologies to Ahmad Abou-El-Maati, Abdullah Almalki, and Maher Arar, among others. Drawing on his experience in Canada's foreign ministry, Livermore explains how an essentially misguided War on Terror emerged and how Canadian-American cooperation went wrong. A gripping blend of memoir and meticulous research, Detained urges a more mature and rational discussion of security and intelligence issues in Canada and greater understanding of the failures of security cooperation in the decade after 9/11.
The Rhetoric of the New Political Documentary explores the most visible and volatile element in the 2004 presidential campaign—the partisan documentary film. This collection of original critical essays by leading scholars and critics—including Shawn J. and Trevor Parry-Giles, Jennifer L. Borda, and Martin J. Medhurst—analyzes a selection of political documentaries that appeared during the 2004 election season. The editors examine the new political documentary with the tools of rhetorical criticism, combining close textual analysis with a consideration of the historical context and the production and reception of the films. The essays address the distinctive rhetoric of the new political documentary, with the films typically having been shot with relatively low budgets, in video, and using interviews and stock footage rather than observation of uncontrolled behavior. The quality was often good enough and interest was sufficiently intense that the films were shown in theaters and on television, which provided legitimacy and visibility before they were released soon afterwards on DVD and VHS and marketed on the Internet. The volume reviews such films as Michael Moore’s Fahrenheit 9/11; two refutations of Moore’s film, Fahrenhype 9/11 and Celsius 41.11;Unprecedented: The 2000 Presidential Election; and George W. Bush: Faith in the White House—films that experimented with a variety of angles and rhetorics, from a mix of comic disparagement and earnest confrontation to various emulations of traditional news and documentary voices. The Rhetoric of the New Political Documentary represents the continued transformation of American political discourse in a partisan and contentious time and showcases the independent voices and the political power brokers that struggled to find new ways to debate the status quo and employ surrogate “independents” to create a counterrhetoric.
9/11 Culture serves as a timely and accessible introduction to the complexities of American culture in the wake of the 9/11 attacks. Gives balanced examinations of a broad catalogue of artifacts from film, music, photography, literary fiction, and other popular arts Investigates the ways that 9/11 has exerted a shaping force on a wide range of practices, from the politics of femininity to the poetics of redemption Includes pedagogical material to assist understanding and teaching, including film and discographies, and a useful teachers' preface
"This enthralling page turner breaks all the molds, and fearlessly exposes the deepest darkest intrigue in history...The Luciferian Agenda for a New World Order. In it, we learn of the Luciferian roots of Modern Science, as the reader is transported back in time to the insidious origins of modern-day Scientism, the current religion of most scientists today. Through an excursion into the roots of Scientism, Mr. Garrett deftly retraces the historical antecedents of Scientism, echoing back to The Secret Mystery Schools of Kabbalistic, Egyptian Hermeticism, onwards into the true nature of Freemason and Alchemical Occultist, Sir Isaac Newton, and then further into the nefarious Vatican Jesuit Priesthood, whose hidden hand can be linked to the creation of The Illuminati, as well as the current Luciferian New Age Religion. Finally, the serpentine path leads up into modern Freemasonic Luciferian, NASA, and then to The Jesuit Controlled Alien Deception about to take hold of the world." --Christian Chesterfield Ph.D.
The figure of the zombie is a familiar one in world culture, acting as a metaphor for "the other," a participant in narratives of life and death, good and evil, and of a fate worse than death--the state of being "undead." This book explores the phenomenon from its roots in Haitian folklore to its evolution on the silver screen and to its radical transformation during the 1960s countercultural revolution. Contributors from a broad range of disciplines here examine the zombie and its relationship to colonialism, orientalism, racism, globalism, capitalism and more--including potential signs that the zombie hordes may have finally achieved oversaturation. Instructors considering this book for use in a course may request an examination copy here.