High Aztech
High Aztech

Author: Ernest Hogan

Publisher: Createspace Independent Publishing Platform

Published: 2016-05-06

Total Pages: 256

ISBN-13: 9781533139566

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HIGH AZTECH, the underground cult classic, is back and ready to blow your mind wide open. "A high-energy adventure peppered with great ideas, well-imagined unusual settings, outlandish characters, and a wicked sense of fun.'. -Locus In mid 21st century Mexico, Tenochtitlan, the metropolis formerly known as Mexico City, is the most exciting place on Earth. Stainless steel pyramids pierce the smoggy sky. Human sacrifice is coming back into fashion, especially on the new Aztechan TV channels, and everyone wants an artificial heart. Xolotl Zapata, celebrated poet, skeptic and trmrhsfr journalistr, starts receiving death threats from a cult he's lampooned in a comic book. But soon he will have much worse problems and be running for his life. The government, the Mafia, street gangs, cults, terrorists, even garbage collectors will be after him. Why? He has been infected with a technological development that will changing human life as we know it Zapata is carrying a virus that can download religious beliefs into the human brain - a highly contagious virus that is converting everyone he meets, and everyone they meet, to the Aztec religion. This is Witnessing with a PUNCH! Since he's a virtulent carrier he infects a large part of the city all by himself, and the masses, filled with visions and portents, await the End of the World. "Cyberpunk is the combining of science fiction and technology with a future society on the brink of self-destruction. Ernest Hogan takes the concept a step further, blending in his love of the Aztec's ancient beliefs and civilization to produce very unique and gripping stories. When it comes to science fiction of a different breed, Hogan is definitely sitting in the front row. One reviewer aptly referred to Hogan as a "mad Mexican Hunter S. Thompson."" -Wicked local.com "Chicano writer Ernest Hogan bridges the gap between hard science fiction and cyberpunk ... interweaving Pre-Colombian mythology and Spanish, Spanglish, and Nahuatl language into a humorously dystopian sci-fi context ... exploring the intersection of religion, technology, pop culture ... with a distinctly Latino twist." -- The Routledge Companion to Latino/a Literature"

Speculative Wests
Speculative Wests

Author: Michael K. Johnson

Publisher: U of Nebraska Press

Published: 2023-03

Total Pages: 287

ISBN-13: 1496234820

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Looking across the cultural landscape of the twenty-first century, its literature, film, television, comic books, and other media, we can see multiple examples of what Shelley S. Rees calls a “changeling western,” what others have called “weird westerns,” and what Michael K. Johnson refers to as “speculative westerns”—that is, hybrid western forms created by merging the western with one or more speculative genres or subgenres, including science fiction, fantasy, horror, and alternate history. Speculative Wests investigates both speculative westerns and other speculative texts that feature western settings. Just as “western” refers both to a genre and a region, Johnson’s narrative involves a study of both genre and place, a study of the “speculative Wests” that have begun to emerge in contemporary texts such as the zombie-threatened California of Justina Ireland’s Deathless Divide (2020), the reimagined future Navajo nation of Rebecca Roanhorse’s Sixth World series (2018–19), and the complex temporal and geographic borderlands of Alfredo Véa’s time travel novel The Mexican Flyboy (2016). Focusing on literature, film, and television from 2016 to 2020, Speculative Wests creates new visions of the American West.

Black and Brown Planets
Black and Brown Planets

Author: Isiah Lavender III

Publisher: Univ. Press of Mississippi

Published: 2014-09-25

Total Pages: 167

ISBN-13: 1626743061

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Black and Brown Planets embarks on a timely exploration of the American obsession with color in its look at the sometimes-contrary intersections of politics and race in science fiction. The contributors, including De Witt D. Kilgore, Edward James, Lisa Yaszek, and Marleen S. Barr, among others, explore science fiction worlds of possibility (literature, television, and film), lifting blacks, Latin Americans, and indigenous peoples out from the background of this historically white genre. This collection considers the role of race and ethnicity in our visions of the future. The first section emphasizes the political elements of black identity portrayed in science fiction from black America to the vast reaches of interstellar space framed by racial history. In the next section, analysis of indigenous science fiction addresses the effects of colonization, helps discard the emotional and psychological baggage carried from its impact, and recovers ancestral traditions in order to adapt in a post-Native-apocalyptic world. Likewise, this section explores the affinity between science fiction and subjectivity in Latin American cultures from the role of science and industrialization to the effects of being in and moving between two cultures. By infusing more color in this otherwise monochrome genre, Black and Brown Planets imagines alternate racial galaxies with viable political futures in which people of color determine human destiny.

Smoking Mirror Blues
Smoking Mirror Blues

Author: Ernest Hogan

Publisher:

Published: 2001

Total Pages: 224

ISBN-13:

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AN ANCIENT GOD & Tezcatlipoca, the Mirror that Smokes, warrior/wizard god of the Aztecs. Western Civilization thought it wiped him out centuries ago... A NEW TECHNOLOGY & With the help of silly-bio nanochips, Beto Orozco creates an artificial intelligence version of Tezcatlipoca. The result is a computerized resurrection... THE FUTURE WILL NEVER BE THE SAME & So Tezcatlipoca hijacks Beto's body, and runs wild through futuristic Hollywood. The trickster adapts well to the brave, new world, and gets back to his old business of creating chaos and taking control... -- Cover page 4.

The Latinx Files
The Latinx Files

Author: Matthew David Goodwin

Publisher: Rutgers University Press

Published: 2021-05-14

Total Pages: 167

ISBN-13: 1978815107

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In The Latinx Files, Matthew David Goodwin traces how Latinx science fiction writers are reclaiming the space alien from its xenophobic legacy in the science fiction genre. The book argues that the space alien is a vital Latinx figure preserving Latinx cultures by activating the myriad possible constructions of the space alien to represent race and migration in the popular imagination. The works discussed in this book, including those of H.G. Wells, Gloria Anzaldúa, Junot Diaz, André M. Carrington, and many others, often explicitly reject the derogatory correlation of the space alien and Latinxs, while at other times, they contain space aliens that function as a source of either enlightenment or horror for Latinx communities. Throughout this nuanced analysis, The Latinx Files demonstrates how the character of the space alien has been significant to Latinx communities and has great potential for future writers and artists.

Robo Sacer
Robo Sacer

Author: David S. Dalton

Publisher: Vanderbilt University Press

Published: 2023-05-15

Total Pages: 392

ISBN-13: 0826505392

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Robo Sacer engages the digital humanities, critical race theory, border studies, biopolitical theory, and necropolitical theory to interrogate how technology has been used to oppress people of Mexican descent—both within Mexico and in the United States—since the advent of the North American Free Trade Agreement (NAFTA) in 1994. As the book argues, robo-sacer identity emerges as transnational flows of bodies, capital, and technology become an institutionalized state of exception that relegates people from marginalized communities to the periphery. And yet the same technology can be utilized by the oppressed in the service of resistance. The texts studied here represent speculative stories about this technological empowerment. These texts theorize different means of techno-resistance to key realities that have emerged within Mexican and Chicano/a/x communities under the rise and reign of neoliberalism. The first three chapters deal with dehumanization, the trafficking of death, and unbalanced access to technology. The final two chapters deal with the major forms of violence—feminicide and drug-related violence—that have grown exponentially in Mexico with the rise of neoliberalism. These stories theorize the role of technology both in oppressing and in providing the subaltern with necessary tools for resistance. Robo Sacer builds on the previous studies of Sayak Valencia, Irmgard Emmelhainz, Guy Emerson, Achille Mbembe, and of course Giorgio Agamben, but it differentiates itself from them through its theorization on how technology—and particularly cyborg subjectivity—can amend the reigning biopolitical and necropolitical structures of power in potentially liberatory ways. Robo Sacer shows how the cyborg can denaturalize constructs of zoē by providing an outlet through which the oppressed can tell their stories, thus imbuing the oppressed with the power to combat imperialist forces.

The Routledge Companion to Latino/a Literature
The Routledge Companion to Latino/a Literature

Author: Suzanne Bost

Publisher: Routledge

Published: 2013

Total Pages: 586

ISBN-13: 0415666066

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The Routledge Companion to Latino/a Literature presents over forty essays by leading and emerging international scholars of Latino/a literature and analyses: Regional, cultural and sexual identities in Latino/a literature Worldviews and traditions of Latino/a cultural creation Latino/a literature in different international contexts The impact of differing literary forms of Latino/a literature The politics of canon formation in Latino/a literature. This collection provides a map of the critical issues central to the discipline, as well as uncovering new perspectives and new directions for the development of this literary culture.

Servant of the Underworld
Servant of the Underworld

Author: Aliette de Bodard

Publisher: Watkins Media Limited

Published: 2010-10-26

Total Pages: 432

ISBN-13: 0857660322

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IT IS THE YEAR ONE-KNIFE IN TENOCHTITLAN - THE CAPITAL OF THE AZTECS. The end of the world is kept at bay only by the magic of human sacrifice. A Priestess disappears from an empty room drenched in blood. Acatl, High Priest of the Dead must find her, or break the boundaries between the worlds of th living and the dead. But how do you find someone, living or dead, in a world where blood sacrifices are an everyday occurrence and the very gods stalk the streets? File Under: Fantasy [ Aztec Mystery | Locked Room | Human Sacrifice | The Dead Walk! ]

Mothership
Mothership

Author: Bill Campbell

Publisher: Rosarium Publishing

Published: 2016-01-30

Total Pages: 640

ISBN-13: 1495617890

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Mothership: Tales from Afrofuturism and Beyond is a groundbreaking speculative fiction anthology that showcases the work from some of the most talented writers inside and outside speculative fiction across the globe—including Junot Diaz, Victor LaValle, Lauren Beukes, N. K. Jemisin, Rabih Alameddine, S. P. Somtow, and more. These authors have earned such literary honors as the Pulitzer Prize, the American Book Award, the World Fantasy Award, and the Bram Stoker, among others.

Interfaces on Trial 2.0
Interfaces on Trial 2.0

Author: Jonathan Band

Publisher: MIT Press

Published: 2011-03-04

Total Pages: 246

ISBN-13: 026229446X

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The debate over the use of copyright law to prevent competition and interoperability in the global software industry. We live in an interoperable world. Computer hardware and software products from different manufacturers can exchange data within local networks and around the world using the Internet. The competition enabled by this compatibility between devices has led to fast-paced innovation and prices low enough to allow ordinary users to command extraordinary computing capacity. In Interfaces on Trial 2.0, Jonathan Band and Masanobu Katoh investigate an often overlooked factor in the development of today's interoperabilty: the evolution of copyright law. Because software is copyrightable, copyright law determines the rules for competition in the information technology industry. This book—a follow-up to Band and Katoh's successful 1995 book Interfaces on Trial—examines the debates surrounding the use of copyright law to prevent competition and interoperability in the global software industry in the last fifteen years. Band and Katoh are longtime advocates for interoperable devices but present a reasoned view of contentious issues related to interoperability issues in the United States, the European Union, and the Pacific Rim. They discuss such topics as the protectability of interface specifications, the permissibility of reverse engineering (and legislative and executive endorsement of pro-interoperability case law), the interoperability exception to the U.S. Digital Millennium Copyright Act and the interoperability cases decided under it, the enforceability of contractural restrictions on reverse engineering; and recent legal developments affecting the future of interoperability, including those related to open source-software and software patents.