For fans of Downton Abbey, this New York Times bestseller is the enthralling true story of family secrets and aristocratic intrigue in the days before WWI After the Ninth Duke of Rutland, one of the wealthiest men in Britain, died alone in a cramped room in the servants’ quarters of Belvoir Castle on April 21, 1940, his son and heir ordered the room, which contained the Rutland family archives, sealed. Sixty years later, Catherine Bailey became the first historian given access. What she discovered was a mystery: The Duke had painstakingly erased three periods of his life from all family records—but why? As Bailey uncovers the answers, she also provides an intimate portrait of the very top of British society in the turbulent days leading up to World War I.
You can run fast. You can run far. But you can’t outrun your family. Long distance runner Riley has been fighting various bewildering symptoms for months, from vertigo to fainting spells. Worse, her doctors can’t tell her what’s wrong, leaving her to wonder if it’s stress or something more threatening. But when her brother’s fiancée is killed—and he becomes the prime suspect—Riley must prove his innocence, despite the toll on her health. As she reacquaints herself with the familiar houses and wild woods of her childhood, the secrets she uncovers take her on a trail to the real killer that leads right back to the very people she knows best and loves most. For readers who enjoy Deer Season by Erin Flanagan, All Good People Here by Ashley Flowers, and A Flicker in the Dark by Stacy Willingham.
After the much-anticipated Y2K disaster doesn't happen, freelance writer Kat Addison searches for a story to write. Visiting an abandoned Prohibition speakeasy beneath Prescott, Arizona, she discovers the body of a long-dead woman in a secret cabinet. Intrigued, she decides to write about her efforts to identify the woman, find out who killed her, and why she was murdered. Soon after, Kat gets targeted by a stalker and realizes that there must have been secrets that died with the dead woman...secrets that somebody wants to keep buried no matter the cost.
A castle filled with intrigue, a plotting duchess and a mysterious death in Catherine Bailey's The Secret Rooms. At 6 am on 21 April 1940 John the 9th Duke of Rutland, and one of Britain's wealthiest men, ended his days, virtually alone, lying on a makeshift bed in a dank cramped suite of rooms in the servants' quarters of his own home, Belvoir Castle, in Leicestershire. For weeks, as his health deteriorated, his family, his servants - even the King's doctor - pleaded with him to come out, but he refused. After his death, his son and heir, Charles, the 10th Duke of Rutland, ordered that the rooms be locked up and they remained untouched for sixty years. What lay behind this extraordinary set of circumstances? For the first time, in The Secret Rooms, Catherine Bailey unravels a complex and compelling tale of love, honour and betrayal, played out in the grand salons of Britain's stately homes at the turn of the twentieth century, and on the battlefields of the Western Front. At its core is a secret so dark that it consumed the life of the man who fought to his death to keep it hidden. This extraordinary mystery from the author of Black Diamonds, perfect for lovers of Downton Abbey, Brideshead Revisited and The Suspicions of Mr Whicher. Praise for The Secret Rooms: 'Reads like the best kind of mystery story. It is a tale of mistresses and heirlooms, cowardice and connivance, and a deeply dysfunctional family...gripping' Sunday Times 'Astonishing...jaw-dropping...It would spoil the book if I revealed the whole works, suffice it to say...what a family' Sunday Telegraph 'An extraordinary detective operation' John Julius Norwich
Author Luke Longstreet Sullivan has a simple way of describing his new memoir: “It's like The Shining . . . only funnier.” And as this astonishing account reveals, the comment is accurate. Thirty Rooms to Hide In tells the story of Sullivan's father and his descent from being one of the world's top orthopedic surgeons at the Mayo Clinic to a man who is increasingly abusive, alcoholic, and insane, ultimately dying alone on the floor of a Georgia motel. For his wife and six sons, the years prior to his death were years of turmoil, anger, and family dysfunction; but somehow, they were also a time of real happiness for Sullivan and his five brothers, full of dark humor and much laughter. Through the 1950s and 1960s, the six brothers had a wildly fun and thoroughly dysfunctional childhood living in a forbidding thirty-room mansion, known as the Millstone, on the outskirts of Rochester, Minnesota. The many rooms of the immense home, as well as their mother's loving protection, allowed the Sullivan brothers to grow up as normal, mischievous boys. Against a backdrop of the times—the Cold War, the Cuban Missile Crisis, fallout shelters, JFK's assassination, and the Beatles—the cracks in their home life and their father's psyche continue to widen. When their mother decides to leave the Millstone and move the family across town, the Sullivan boys are able to find solace in each other and in rock 'n' roll. As Thirty Rooms to Hide In follows the story of the Sullivan family—at times grim, at others poignant—there is a wonderful, dark humor that lifts the narrative. Tragic, funny, and powerfully evocative of the 1950s and 1960s, Thirty Rooms to Hide In is a tale of public success and private dysfunction, personal and familial resilience, and the strange power of humor to give refuge when it is needed most, even if it can't always provide the answers.
"In these tales the reader can observe Anne's writing prowess grow from that of a young girl's into the observations of a perceptive, edgy, witty and compassionate woman"--Jacket flaps.
Almost everybody who has grown up in Chicago knows about the Thorne Rooms. Housed in the Children’s Galleries of the Chicago Art Institute, they are a collection of 68 exquisitely crafted miniature rooms made in the 1930s by Mrs. James Ward Thorne. Each of the 68 rooms is designed in the style of a different historic period, and every detail is perfect, from the knobs on the doors to the candles in the candlesticks. Some might even say, the rooms are magic. Imagine—what if you discovered a key that allowed you to shrink so that you were small enough to sneak inside and explore the rooms’ secrets? What if you discovered that others had done so before you? And that someone had left something important behind? Fans of Chasing Vermeer, The Doll People, and From the Mixed-Up Files of Mrs. Basil E. Frankweiler will be swept up in the magic of this exciting art adventure!
Christians who want to take the next step in their faith walk need look no further. It's time to ante up and go all in with God. The Gospel costs nothing. You can't earn it or buy it. It can only be received as a free gift, which is compliments of God's grace. It doesn't cost anything, but it demands everything. It demands that we go "all in," putting all that we have into God's hands. But why do so many Christians hesitate to do that? And when did we start believing that the Gospel is an insurance plan? We're afraid that if we go all in that we might miss out on what life has to offer. But Jesus did not die to keep us safe. He died to make us dangerous. So, let's step out of spiritual no man's land and kneel at the foot of the cross of Christ and surrender to his lordship. It's time to dethrone yourself and enthrone Christ as king, and Pastor Mark Batterson is here to show you how. Using his customary vivid, contemporary illustrations, as well as biblical characters like Shamgar, Elisha, Jonathan, and even Judas, you will be challenged to trade what Batterson calls "inverted Christianity" for true discipleship as you strip away your excuses and inhibitions and follow God completely. It's now or never. Are you ready to go all in and all out for God? Also available: All In student edition, video curriculum, and study guide.
