Pentateuch, Hexateuch, Or Enneateuch

Pentateuch, Hexateuch, Or Enneateuch

Author: Thomas B. Dozeman

Publisher:

Published: 2011

Total Pages: 313

ISBN-13: 9781589835429

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The identification of literary works in the Pentateuch and the Former Prophets is a hallmark of the modern historical-critical interpretation of the Hebrew Bible. The theories of a Tetrateuch, a Hexateuch, or a Deuteronomistic History have played a central role in recovering the literary history of the Pentateuch and the Former Prophets. The breakdown of these methodologies in recent research has forced scholars to reevaluate the criteria for identifying literary works in the formation of the Hebrew Bible. The present volume explores anew, without presupposition or exclusion, the criteria by which interpreters identify literary works in these books as a resource for recovering the composition history of the literature. It also brings North American and European approaches to the topic into a common discussion. The contributors are Christoph Berner, Erhard Blum, Suzanne Boorer, David M. Carr, Thomas B. Dozeman, Cynthia Edenburg, Michael Konkel, Christoph Levin, Thomas Römer, Konrad Schmid, and Felipe Blanco Wißmann.


The Problem of the Hexateuch and Other Essays

The Problem of the Hexateuch and Other Essays

Author: Gerhard von Rad

Publisher: SCM Press

Published: 1984

Total Pages: 362

ISBN-13:

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First published in 1966, this collection of von Rad's most influential articles has long been unavailable. In addition to the study which provides its title other works in it include 'The Theological Problem of the Old Testament Doctrine of Creation', 'Some Aspects of the Old Testament World View', and 'The Joseph Narrative and Ancient Wisdom'.


Introduction to Reading the Pentateuch

Introduction to Reading the Pentateuch

Author: Jean Louis Ska

Publisher: Eisenbrauns

Published: 2006

Total Pages: 304

ISBN-13: 1575061228

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When Jean Louis Ska's Introduzione alla lettura del Pentateuco was first published in Italy, it was quickly hailed as the most attractive and usable introduction to the Pentateuch to appear in modern times. Because of its strengths, it was soon translated into French. The English translation published by Eisenbrauns has been completely reviewed and updated (including the bibliography) by Ska. Among the book's many strengths are its close attention to the ways in which modern cultural history has affected Pentateuchal interpretation, attention to providing the kinds of examples that are helpful to students, presentation of a good balance between the history of interpretation and the data of the text, and the clarity of Ska's writing. For both students and scholars, many consider this book the best contemporary introduction to the Pentateuch.


The Illustrated Old English Hexateuch, Cotton Ms. Claudius B.iv

The Illustrated Old English Hexateuch, Cotton Ms. Claudius B.iv

Author: Benjamin C. Withers

Publisher:

Published: 2007-08-25

Total Pages: 456

ISBN-13:

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The Old English Hexateuch is a manuscript of the earliest vernacular translation of the Old Testament books of Genesis through Joshua. The texts belong, in part, to the Anglo-Saxon monk Aelfric (950?-1010?) and to several anonymous translators and at least one artist who compiled these translations and illustrated them with nearly four hundred narrative images, which are carefully integrated into the manuscript. The Hexateuch testifies to the creativity and innovation of Anglo-Saxon bookmakers and stands as an important, if little known, witness to the relationship between early book-making technology and the history of literacy. Benjamin C. Withers examines codicological features of the manuscript, focusing on the working processes of the artist and scribes and seeking to understand how they integrated newly translated text with newly developed imagery so deftly. Grounded in art history and literary theory, this work considers the narrative relationships created by the careful design and seeks to place the Hexateuch within the broader social and cultural development of vernacular literacy in the eleventh century.


Moses the Egyptian in the Illustrated Old English Hexateuch (London, British Library Cotton MS Claudius B.iv)

Moses the Egyptian in the Illustrated Old English Hexateuch (London, British Library Cotton MS Claudius B.iv)

Author: Herbert R. Broderick

Publisher: University of Notre Dame Pess

Published: 2017-11-15

Total Pages: 387

ISBN-13: 0268102082

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In Moses the Egyptian, Herbert Broderick analyzes the iconography of Moses in the famous illuminated eleventh-century manuscript known as the Illustrated Old English Hexateuch. A translation into Old English of the first six books of the Bible, the manuscript contains over 390 images, of which 127 depict Moses with a variety of distinctive visual attributes. Broderick presents a compelling thesis that these motifs, in particular the image of the horned Moses, have a Hellenistic Egyptian origin. He argues that the visual construct of Moses in the Old English Hexateuch may have been based on a Late Antique, no longer extant, prototype influenced by works of Hellenistic Egyptian Jewish exegetes, who ascribed to Moses the characteristics of an Egyptian-Hellenistic king, military commander, priest, prophet, and scribe. These Jewish writings were utilized in turn by early Christian apologists such as Clement of Alexandria and Eusebius of Caesarea. Broderick’s analysis of this Moses imagery ranges widely across religious divides, art-historical religious themes, and classical and early Jewish and Christian sources. Herbert Broderick is one of the foremost historians in the field of Anglo-Saxon art, with a primary focus on Old Testament iconography. Readers with interests in the history of medieval manuscript illustration, art history, and early Jewish and Christian apologetics will find much of interest in this profusely illustrated study.


The Edited Bible

The Edited Bible

Author: John Van Seters

Publisher: Eisenbrauns

Published: 2006

Total Pages: 446

ISBN-13: 1575061120

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Introduction -- The early history of editing -- Jewish and Christian scholarship and standardization of biblical texts -- Classical and biblical text editions : editing in the age of the printing press -- Editing Homer : the rise of historical criticism in classical studies -- The history of the "editor" in biblical criticism from Simon to Wellhausen -- The history of redaction in the twentieth century : crisis in higher criticism -- Editing the Bible and textual criticism -- Editors and the creation of the canon -- Summary and conclusion


Book-Seams in the Hexateuch I

Book-Seams in the Hexateuch I

Author: Christoph Berner

Publisher:

Published: 2018-09

Total Pages: 454

ISBN-13: 9783161544033

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Biblical books, which were transmitted on separate scrolls in antiquity, are not necessarily identical with books in the modern sense of a coherent and self-contained compositional unit. The books of the Primary History especially constitute a larger master narrative. This raises the question of how the distribution of the text to different scrolls relates to its compositional history. Were the respective books conceived as physically separate parts of a multivolume composition (whether Pentateuch, Hexateuch, Deuteronomistic History or Enneateuch) from the outset, or are we dealing with a more complex development of originally independent compositional units that were only connected or separated by later redaction? The present volume addresses these issues with respect to the transitions between the books of Genesis/Exodus and Joshua/Judges, which have obviously developed in dependency upon each other.


Anglo-Saxon Gestures and the Roman Stage

Anglo-Saxon Gestures and the Roman Stage

Author: Charles Reginald Dodwell

Publisher: Cambridge University Press

Published: 2000

Total Pages: 256

ISBN-13: 9780521661881

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This 1999 book is concerned with the pictorial language of gesture revealed in Anglo-Saxon art, and its debt to classical Rome. Reginald Dodwell was an eminent art historian and former Director of the Whitworth Art Gallery in Manchester. In this, his last book, he notes a striking similarity of both form and meaning between Anglo-Saxon gestures and those in illustrated manuscripts of the plays of Terence. He presents evidence for dating the archetype of the Terence manuscripts to the mid-third century, and argues persuasively that their gestures reflect actual stage conventions. He identifies a repertory of eighteen Terentian gestures whose meaning can be ascertained from the dramatic contexts in which they occur, and conducts a detailed examination of the use of the gestures in Anglo-Saxon manuscripts. The book, which is extensively illustrated, illuminates our understanding of the vigour of late Anglo-Saxon art and its ability to absorb and transpose continental influence.


Prolegomena to the History of Ancient Israel

Prolegomena to the History of Ancient Israel

Author: J. Wellhausen

Publisher: Wipf and Stock Publishers

Published: 2003-09-12

Total Pages: 569

ISBN-13: 1592443389

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It was the famous Wellhausen hypothesis, elaborated and defended in his classic 'Prolegomena to the History of Ancient Israel', which more than any other single work of the mind revolutionized the critical understanding of the Hebrew Bible. Prior to the appearance of Wellhausen, the theory proposed by Graf had been all but neglected. In it Graf had argued that the Levitical Law and related sections of the Pentateuch were not written until the fall of the kingdom of Judah, and that the Pentateuch in its present form was not accepted as authoritative until the reformation of Ezra. With Wellhausen's brilliant analysis of the literature and penetrating consideration of the sources, the Graf theory was accepted. Although today Wellhausen has been modified and revised, the development of contemporary Biblical criticism owes its present vitality and scope to the pioneering investigations of Wellhausen.