Her Mama's Poetry Book is about a new mom during her early years of motherhood. It's about balancing a relationship while being new parents. It's about self-awareness, self-love, acceptance, and forgiveness. It's about honesty, but mostly, it's a book about love. Her Mama's Poetry is a love note to her daughter and a reminder to herself.
**Hardback includes bonus pages of additional poetry!** "Oh, how the days are long it's true Yesterdays are many But todays are a few So I'll fill them up With all of you And simply be, Here With you. "'All I See Is You', captures the heartfelt and honest moments of early motherhood. Jessica's words encompass the highs and the lows, the raw and the vulnerable and everything in between. It's the kind of book you want on your bedside sitting next to the bottles or breast pump. This book of 60 poems and proses will take mothers on a journey of healing and growth with a powerful affirmation that you are not alone. A popular gift around the world for expectant mother's, new mother's and mothers with grown children. There are words in here for everyone. "Jessica found a way to put into words the very soul of motherhood'. "This writer writes as though she's taken the words out of every mother's head... the feelings that most mothers will experience but can't always express. So relatable, so beautiful, sometimes funny and often emotional, I challenge you not to get teary eyed!" "Thank you for your poems, your writing makes me feel human again". Jessica's poetry books have sold tens of thousands around the world. 'All I See Is You', is Jessica's second in her collection of poetry, with 'From One Mom to a Mother' being her first and 'My After All', the final in her collection. Jessica is also a best selling author of 'The Rainbow In My Heart', a picture book on emotions. Jess's poems can also be found on Etsy! www.jessicaurlichs.com
A “raw and honest” (Los Angeles Review of Books) memoir from the first Native American Poet Laureate of the United States. In this transcendent memoir, grounded in tribal myth and ancestry, music and poetry, Joy Harjo details her journey to becoming a poet. Born in Oklahoma, the end place of the Trail of Tears, Harjo grew up learning to dodge an abusive stepfather by finding shelter in her imagination, a deep spiritual life, and connection with the natural world. Narrating the complexities of betrayal and love, Crazy Brave is a haunting, visionary memoir about family and the breaking apart necessary in finding a voice.
A sweet twist on the age-old “yo mama” joke, celebrating fierce moms everywhere with playful lyricism and gorgeous illustrations, Your Mama is an essential Mother’s Day read. Yo’ mama so sweet, she could be a bakery. She dresses so fine, she could have a clothing line. And, even when you mess up, she’s so forgiving, she lets you keep on living. Heartwarming and richly imagined, Your Mama twists an old joke into a point of pride that honors the love, hard work, and dedication of mamas everywhere. A Kirkus Prize Finalist Kirkus Most Joyous Picture Book of 2021 School Library Journal Best Picture Books of 2021 2022 NCTE Notable Books in Poetry 2021 Nerdy Book Club Award Virginia Center for the Book Great Read 2021
Summer Adventure with Phish. Follow these characters as they jump on the train for Summer Tour '19. When Sam Abernathy spends the summer in Maywood, Ohio in the Calico House with his Aunt Karen, he meets a group of phans who change his life. Chris serves as Captain, ala Neal Cassady. Claire is an artist who installs her work at SPAC. Taylor is a poet and Alex holds down the group as wise sage. Augmented with set lists and detailed show accounts, this piece of fiction reads like memoir. A must-read for any Phish Phan.
Becoming a mother takes more than the physical act of giving birth or completing an adoption: it takes birthing oneself as a mother through psychological, intellectual, and spiritual work that continues throughout life. Yet most women’s stories of personal growth after motherhood tend to remain untold. As writers and mothers, Andrea Buchanan and Amy Hudock were frustrated by what they perceived as a lack of writing by mothers that captured the ambiguity, complexity, and humor of their experiences. So they decided to create the place they wanted to find, with the kind of writing they wanted to read. This unique collection features the best of the online magazine literarymama.com, a site devoted to mama-centric writing with fresh voices, superior craft, and vivid imagery. While the majority of literature on parenting is not literary or is not written by mothers, this book is both. Including creative nonfiction, fiction, and poetry, Literary Mama celebrates the voices of the maternally inclined, paves the way for other writer mamas, and honors the difficult and rewarding work women do as they move into motherhood.
“Pardon me, but I’m shivering a bit at my core. These are restless, storm-hued stanzas, revelations of our dark cravings and hapless, woefully imperfect attempts at perfect love. Here are the dreams even our dreams won’t reveal, flaunting wild edges and endings that nudge the soul, each fusing of lyric and lesson as potent as a backhand slap. And Mama watches everything. Mama sees it all.” – Patricia Smith “What’s living without fear of getting lost?” That’s only one of many empowering moments in Jennifer Givhan’s auspicious debut. Her “blood magic” ink delivers the hard truths that kick-start the healing of the “splintered cactus” that hurdles the path of a woman’s journey. Landscape with Headless Mama blossoms with the “strange alloys of sadness” that devastate motherhood and femininity, and then nurture their wounds back to vibrant life.” – Rigoberto González “In Jennifer Givhan’s Landscape with Headless Mama, the vivid truth of these poems evokes both the wince of pain and the head-rush of joy, the familial and the romantic disconnections we endure and those connections found in the same terrain that we, still, manage to cherish. If there’s a line in these poems that doesn’t surprise, I couldn’t find it; one never knows where the poem will take us. I found myself tracing “maps of the borderland into my body/ cliff dwelling, the taste of red brick on the tongue....” Each figure rendered, each voice conjured comes to life with their distinct journey, and Givhan continues to remind us of yet another truth: “There are other ways for the story to end.” Indeed, the possibilities seem limitless in this world she builds. If a collection of poems can be called a page-turner, this is what it feels like.” – A. Van Jordan “These are true border poems, restlessly crossing between the real and the surreal, the loved and the used up, the fertile and the infertile, and the hungry and the sated. Jennifer Givhan is a dangerous poet in all the necessary ways.”–Connie Voisine Landscape with Headless Mama explores the experiences of becoming and being a mother through the lens of dark fairy tales. Describing the book as “a surreal survival guide,” Givhan draws from the southwestern desert, incorporating Latin American fine art and folkloric influences. Drawing inspiration from Gloria Anzaldúa, Frida Kahlo, Leonora Carrington, tattoo artists, and comic book heroes, among other sources, this is a book of intelligence, humor, deep feeling, and, above all, duende.
Poetry. "Genius loci." The pervading spirit of a place. This little book from Lynnell Edwards is all about the spirit of a very specific place, in this case the environs of central Kentucky, and she writes about this place in two very different times, in two very different styles. So different, in fact, that one might first wonder what the two parts of the book have in common. The answer, of course, is genius loci. In the original Roman use of the term, "spirit" meant the protective deity of a place. And in pioneer Kentucky, a place that Edwards's McAfee ancestors helped to settle, that deity could be cruel. The historical narrative poems in the first part of the book recount many instances of hardship and violence, both as experienced by white settlers, and as dealt by them upon the Native Americans from whom they "conquered" this place. So harsh a place, in fact, that Governor Patrick Henry (when this land was still part of Virginia) begged his own sister, "Pray don't go to Kentuckie to live." But many did, and endured. In the more contemporary sense, "spirit" means the unique sense and feel of a place, and in the second part of this book Edwards captures that spirit through her lyrical recollections of boating on the Kentucky River with her family, in her childhood, when she could imagine herself a "mermaid, my hair loosed / and living as tall field grass / drifting in the summer air, / white hands luminous / and slow, parting / the water below, open eyes / peering / into silence, the dark distance." In effect she becomes, in this moment at least, the spirit of the place. A part of its deep past. The violence of history, and the beauty and peace of nature. Edwards understands that both are present in the story of Kentucky, and of our nation as a whole, and she expresses both eloquently through the poetry here. Her love of this place is palpable, but it is no naive love. She knows what it has cost, and she knows that it is fragile. Like the ancient limestone palisades along the Kentucky River, her words serve as a "record of what our great green Earth once was, and where, if we can keep it, we might still find our place."