Erin Tunnicliffe was raised by her overprotective father in the rural town of Babington. In order to help her friend out, she temporarily moves to the bustling city of London. Finally, she thinks to herself, my life can begin! The instant she sees Joshua Salbury, she falls in love with him, and he seems to share her feelings! But fate conspires against her and she must abandon the idea of a relationship with Joshua. Leave it to her reckless mother to ruin everything...
MISTAKEN FOR A MISTRESS! Taye Trafford's roommate has run off, leaving Taye in a very awkward position. She needs someone to share her apartment—and the bills—fast! So when Magnus Ashthorpe turns up on her doorstep, Taye has no choice but to sublet him the room…. Magnus hasn't moved in with Taye because he needs somewhere to live—but because he believes Taye is the mistress who has caused his sister heartbreak. But Magnus discovers Taye's kind and innocent personality and can't believe she is the sort of girl to have an affair. In fact, perhaps she'd make a most suitable wife….
Collect the selected author Harlequin comics! Vol. 1 is Takako Hashimoto. Includes "The Sheik and the Bought Bride","At His Majesty's Convenience","Her Boss's Marriage Agenda","Bachelor Mom,",RULING PASSIONS","THE OUTLAW" free preview of 6 comics!
Loving The Boss MEMO To: The Single Women in the Office From: Sophia Shepherd, Cinderella Secretary Re: The Mailman is a Millionaire! The man I thought was Mike Barr, office mailman, is none other than new president and CEO Rex Michael Barrington III! How dare he woo me with his kisses—and then not tell me he's a millionaire in disguise? So what if he gives me a heart-stopping smile and I can't sleep without dreaming of marrying my boss? It's going to take more than a come-hither look for me to open my heart to him again. Well, at least I hope it does…. Six friends dream of marrying their bosses in this delightful new series.
Film and Sexual Politics: A Critical Reader features a variety of noteworthy critical essays that explore the evolution, representation, and social construction of sex, gender, and sexual orientation from the early days of cinema to the early twenty-first century. This collection investigates the complex relations between film form/style and sexual politics (past and present), as well as the ideological and social ramifications of those relations for the lived realities of individuals in the United States over the course of the twentieth century and beyond. Contrary to popular perceptions of films as relatively simplistic forms of “entertainment,” the essays in this collection demonstrate clearly how the act of producing meaning through the use of cinematic verbal and visual signs is far from a simple process with negligible historical consequences. This book offers insightful and satisfying reading to established and emerging scholars who explore film history, theory, and criticism, as well as to all readers with a general interest in film history and the effects of cinema on individuals and popular culture. The range of films analyzed includes Being John Malkovich, Citizen Kane, Elizabeth, Female Perversions, From Here to Eternity, Gidget, The Incredible Shrinking Man, Jackass the Movie, The Matrix, Maurice, My Own Private Idaho, Porcile, The Road to Ruin, and Wilde.
When Noelle Stevenson saw the positive results of her pregnancy test, she didn't know what to do. The baby's father was gone, killed serving his country in Iraq. And nineteen-year-old Noelle was barely making ends meet putting herself through college and working part-time. So when her take-charge boss, Devlin Hunter, offered to marry her — in a purely temporary business arrangement — how could she possibly refuse? Dev wanted to do the right thing for a woman in need. But he didn't anticipate that his beautiful bride, wed in a marriage of convenience, would stir his hardened heart. This platonic partnership was rapidly headed down the road to romance....
Our Own Agendas is the second collection of essays by McGill women. The first, A Fair Shake, was published a decade ago. The second volume both reflects the current climate of openness and shows that many barriers remain to be challenged. Our Own Agendas makes a lively and enlightening contribution to our understanding of women's experiences and to Canadian social history.
Savannah Williams loves being a nanny-- but her assignment for single dad Declan Murdock is her most challenging yet. Not only is his daughter unruly, but Declan is her ex, whom she's spent seven lonely years trying to forget. After Declan's ex-wife took him for a ride, he's maintained a suave, in-control persona. He won't make the same mistake twice. Yet seeing Savannah again lights up Declan's world. And he begins to wonder whether his real mistake was letting her go..."--P. [4] of cover.
Carson Banick: The black sheep of the family is back—and now his family's future and fortune are in his hands.He must marry a suitable woman and provide an heir. Beth Krayton: Carson's feisty PA is determined tosucceed on her own, without a man.… They shouldn't suit one another at all. They shouldn'teven be together. But as the attraction grows betweenthem Carson has to ask himself what's more important,saving his family or claiming Beth's heart?
