There is nothing Sammy Thogode loves more than the idea of love. Obsessed with romance, she searches high and low for a man who will set her soul on fire, and make her feel special and unique. When Sammy meets the perfect guy, he is murdered. In the midst of the emotional tailspin, Sammy meets the perfect guy for her. As a result, her world changes, and she enters into a battle for her life. Sammy must discover the truth about herself, and the truth about those around her, to save her life, her heart and her sanity.
“Tantimedh’s vivid and divinely beleaguered Ravi is a triumph of the fabulous. Introduce yourself to him immediately.” —Alan Moore Enjoy “the best high-concept television show you’ve never seen” (Alan Moore) in this second book of the Ravi PI series, featuring detective Ravi Chandra Singh and his team at the gleefully amoral, unfailingly dangerous secret agency Golden Sentinels. When Ravi’s colleagues at Golden Sentinels discover that he sees gods in moments of heightened anxiety and stress, they are surprisingly fine with it. They even encourage him to incorporate his visions into his work, especially now that the cases have become more intense, with many hidden risks at play. But their latest case—a search for a dead Russian oligarch’s last will and testament—leads to more than anyone expected: a missing heir, murderous relatives, and geopolitical implications. So, when Ravi’s boss sends him to Los Angeles to wait out the heat, it’s almost a relief…until Ravi’s past catches up to him. In this thrilling and complex sequel to the “exciting and dynamic” (Deepak Chopra) Her Nightly Embrace, nothing is what it seems as Ravi stumbles upon a dangerous scheme that involves the CIA, MI5, and a wanted man with a $20 million price on his head.
Just when I think things can't get any crazier... I found out why I can talk to animals and monsters. I met my father and I wasn't quite expecting his answers. But he does command several legions of demons and he's working on getting more to help us overthrow Demeter. We're going to need all the help we can get because I don't have enough of Hephaestus's powder to free every single monster in the pits from being trapped in their monster form by those collars. My monsters, the ones I've gotten to know, can change back to their human form now and they want their revenge on Demeter. They want to save their queen, Persephone. I wasn't expecting to be brought in on this, but I'm involved now. Even Hephaestus has snuck into the Underworld to help us. I guess all the unloved Gods and monsters are going to have to go up against a deranged Goddess with Olympus on her side. I'm not a monster or a God. I'm only half demon. But now that my father knows about me, we may have the help of Hell on our side. I didn't ask for this, but there's just something about these monsters that makes me want to help them. It doesn't hurt that they are all drop dead gorgeous and horrible flirts. I can even overlook that Pavlina and Tryphon like to eat people.
Written from the perspective of a teenager, this chilling psychological thriller follows Tessa as she copes with the blood-stained event that changed her life forever. Set in Perth, Western Australia, this gripping novel demonstrates how Tessa clings to anorexia and to her sinister, imaginary friend, Ned—her greatest support and her staunchest ally who is privy to her deepest secrets—in an attempt to deal with the loss of her brother and the resulting change in her parents.
Playboy. Socialite. Frivolous and Wicked.Alexander Caldwell needs to settle down.Hence the giant white house he just bought in the suburbs.The one that backs up to the house filled with three single women living in it.They all have their sights set on him...but it's her he can't get out of his head.Alexander has absolutely no place getting involved with a teenage girl with the world in her eyes.But he does.Tortured. Lonely. Desperate to run.Sunny Thorn needs to get out of her mother's house.To do that, she needs money.Hence taking the job painting a mural in Alexander Caldwell's pool house.The man whose eyes follow her. The man with the sculpted jaw and commanding presence. The man who is way too old for her.When Sunny has the chance to get out of Pineridge and start a future of her own, he should let her go.But he doesn't.Beautiful Monster is a standalone age-gap forbidden romance from the author of the Wicked Hearts series.
My clients at my vet clinic have always called me an animal whisperer. I've never questioned it. Until I started hearing monsters too. A man came in right at closing with a sick dog. The dog told me why he was sick and I was able to treat him. I had no idea his owner would kidnap me. I had no idea his owner had an entire dungeon of monsters he wanted me to treat. I've met a minotaur, a mysterious kraken, a phoenix, and this really massive spider. I can hear them too. If monsters are real and I can talk to them, then what am I?
"There are so many moments that I could have done differently, so many words I wish I could take back. Hit pause, step out of the scene and tweak the narrative, shovel the context, and change the outcome. But who would that make me, where would I be, and how different would my life have become?" How do you, as a man, speak out about abuse? When, as a boy, you're taught not to cry or be too sensitive. To keep your emotions closed off from everybody else. You hold your story and your feelings so near to you in an attempt to stay in control. While your shame burns and grows like the scars in your mind, left there by her words. And the ones on your body carved there by her hands.How do you fight when she consumes you. Her face appearing literally in every frame on the walls that surround you? You are more loyal to her than any of her addictions. Who are you to claim she hurt you? To allow your pain to leak out? You know you'd never be able to quantify the guilt if you were to shout a little louder, hit back! How do you love her so much that you've made peace with the notion that staying means you'll die there, but leaving is not an option?
The first definitive edition in English of writings by poet, painter, pickpocket-plagiarist, and consummate anti-artist Francis Picabia, one of Dada's leading figures. Poet, painter, self-described funny guy, idiot, failure, pickpocket, and anti-artist par excellence, Francis Picabia was a defining figure in the Dada movement; indeed, André Breton called Picabia one of the only “true” Dadas. Yet very little of Picabia's poetry and prose has been translated into English, and his literary experiments have never been the subject of close critical study. I Am a Beautiful Monster is the first definitive edition in English of Picabia's writings, gathering a sizable array of Picabia's poetry and prose and, most importantly, providing a critical context for it with an extensive introduction and detailed notes by the translator. Picabia's poetry and prose is belligerent, abstract, polemical, radical, and sometimes simply baffling. For too long, Picabia's writings have been presented as raw events, rule-breaking manifestations of inspirational carpe diem. This book reveals them to be something entirely different: maddening in their resistance to meaning, full of outrageous posturing, and hiding a frail, confused, and fitful personality behind egoistic bravura. I Am a Beautiful Monster provides the texts of of Picabia's significant publications, all presented complete, many of them accompanied by their original illustrations.
Have you ever felt like you don't belong, like you're not really the same as everyone else? Well, for Sadie Pearsy, this is reality. She is a Half; a hybrid of half-human, half-vampire. Her father, vampire and a distant memory for Sadie, left her as a child to the hands of a very frightening human world. Then, just as Sadie is beginning to settle into her life, he appears again, demanding she embraces the true rights of her kind. Suddenly, she finds herself in the middle of a fierce battle between good and evil where only the strongest will survive...Follow the story of Sadie as she battles family, friends and foe in a quest for long-awaited happiness.
"This book is as seductive as the phenomenon that it explores. With courage, love, and joy, Frueh crosses into unexplored terrains of beauty and pleasure, where she finds a grotesquely captivating creature: Monster/Beauty. By illuminating her journey with thoughtful insight and engaging prose, she encourages readers to join her in her quest to articulate fresh ways of thinking about the aesthetic and the erotic and of theorizing the flux of lived experience." —John Alan Farmer, senior editor of Art Journal "Monster/Beauty is a daringly provocative experiment in personal and erotic writing and an important book for anyone interested in breaking normative codes of beauty, pedagogy, and authorial methodology. In a richly self-revealing text, Frueh proposes nothing less than a Rabellaisian re-ordering of aesthetic embodiments within social relations." —Mira Schor, author of Wet: On Painting, Feminism, and Art Culture "Giving new meaning to "embodied writing," this book goes farther than any other toward getting the body into the text. Joanna Frueh is a performance artist first-she is also an art historian, a singer, a poet, a bodybuilder, a professor, an academic celebrity of modest fame, but her performances collapse these distinctions. Frueh's intensely personal, intensely physical prose brings an aura of presence to the book that rivals the effect she achieves on stage." —Robyn Warhol, co-editor of Feminisms "This book is monstrous--full of gorgeous hypermuscular women, step-mothers, and vampires; full of ravishing muscular sex, classroom erotics, splendid aging. It is a performance in which Frueh explores and celebrates her body, its powers and beauties, and those of her friends and lovers." —Alphonso Lingis, author of Excesses, Abuses, and Dangerous Emotions "A welcome voice in contemporary feminist theory, Frueh's Monster/Beauty reminds us of the pleasures of thinking, teaching and creating in wholly embodied, sensual and passionate acts. Frueh poetically enacts the self as an aesthetic/erotic project, affirming the many different and beautiful selves we can become. It is a joy to read." —Marsha Meskimmon, author of We Weren't Modern Enough: Women Artists and the Limits of German Modernism "Joanna Frueh is a hero. I sleep better knowing she's out there writing and thinking." —Michael Cunningham, author of The Hours
