"Henry James: A Life" is a revised and updated condensation of the classic biography. "Henry James: A Life" gains narrative power in its directedness, in its concise handling of James's complex development as a writer, in a sharpened sense of how his youthful enthusiasms and setbacks were transformed and yoked to his art. And this edition, which represents the first complete one-volume biography of James ever published, includes significant new material about his life. Revised and skillfully abridged in these pages, Edel's masterpiece will find its way to a whole new generation of readers. -- From publisher's description.
The New York Timescompared Sheldon M. Novick'sHenry James: The Young Masterto "a movie of James's life, as it unfolds, moment to moment, lending the book a powerful immediacy." Now, inHenry James: The Mature Master, Novick completes his super, revelatory two-volume account of one of the world's most gifted and least understood authors, and of a vanished world of aristocrats and commoners. Using hundreds of letters only recently made available and taking a fresh look at primary materials, Novick reveals a man utterly unlike the passive, repressed, and privileged observer painted by other biographers. Henry James is seen anew, as a passionate and engaged man of his times, driven to achieve greatness and fame, drawn to the company of other men, able to write with sensitivity about women as he shared their experiences of love and family responsibility. James, age thirty-eight as the volume begins, basking in the success of his first major novel,The Portrait of a Lady, is a literary lion in danger of being submerged by celebrity. As his finances ebb and flow he turns to the more lucrative world of the stage-with far more success than he has generally been credited with. Ironically, while struggling to excel in the theatre, James writes such prose masterpieces asThe Wings of the DoveandThe Golden Bowl. Through an astonishingly prolific life, James still finds time for profound friendships and intense rivalries.Henry James: The Mature Masterfeatures vivid new portraits of James's famous peers, including Edith Wharton, Oscar Wilde, and Robert Louis Stevenson; his close and loving siblings Alice and William; and the many compelling young men, among them Hugh Walpole and Howard Sturgis, with whom James exchanges professions of love and among whom he thrives. We see a master converting the materials of an active life into great art. Here, too, as one century ends and another begins, is James's participation in the public events of his native America and adopted England. As the still-feudal European world is shaken by democracy and as America sees itself endangered by a wave of Jewish and Italian immigrants, a troubled James wrestles with his own racial prejudices and his desire for justice. With the coming of world war all other considerations are set aside, and James enlists in the cause of civilization, leaving his greatest final works unwritten. Hailed as a genius and a warm and charitable man-and derided by enemies as false, effeminate, and self-infatuated-Henry James emerges here as a major and complex figure, a determined and ambitious artist who was planning a new novel even on his deathbed. InHenry James: The Mature Master, he is at last seen in full; along with its predecessor volume, this book is bound to become t
Lyndall Gordon presents a new and intimate kind of biography, telling the story of Henry James' life through the lens of two strange and elusive relationships which crucially influenced his art.
James's correspondents included presidents and prime ministers, painters and great ladies, actresses and bishops, and the writers Robert Louis Stevenson, H.G. Wells and Edith Wharton. This fully-annotated selection from James's eloquent correspondence allows the writer to reveal himself and the fascinating world in which he lived. The letters provide a rich and fascinating source for James' views on his own works, on the literary craft, on sex, politics and friendship. Together they constitute, in Philip Horne's own words, James' 'real and best biography'.
Henry James led a wandering life, which took him far from his native shores, but he continued to think of New York City, where his family had settled for several years during his childhood, as his hometown. Here Colm Tóibín, the author of the Man Booker Prize shortlisted novel The Master, a portrait of Henry James, brings together for the first time all the stories that James set in New York City. Written over the course of James’s career and ranging from the deliciously tart comedy of the early “An International Episode” to the surreal and haunted corridors of “The Jolly Corner,” and including “Washington Square,” the poignant novella considered by many (though not, as it happens, by the author himself) to be one of James’s finest achievements, the nine fictions gathered here reflect James’s varied talents and interests as well as the deep and abiding preoccupations of his imagination. And throughout the book, as Tóibín’s fascinating introduction demonstrates, we see James struggling to make sense of a city in whose rapidly changing outlines he discerned both much that he remembered and held dear as well as everything about America and its future that he dreaded most. Stories included: The Story of a Masterpiece A Most Extraordinary Case Crawford’s Consistency An International Episode The Impressions of a Cousin The Jolly Corner Washington Square Crapy Cornelia A Round of Visits
Henry James (1843-1916) was an important commentator on the cultural life of 19th century Boston, Paris and London. This collection of fifty six of his critical essays and reviews includes critiques of exhibitions and collections of the works of such artists as Rousseau, Delacroix, Turner and Sargent. The essays, some of which have never produced or have been unavailable for some time, are arranged chronologically. They chart the development of James's own aesthetic attitudes but, more significantly, reveal much about the evaluative criteria that formed the basis for 19th century criticism in general. As a result they form a body of work for art historians concerned with this period's appraisal of its own artistic trends and those of previous generations.
A biography of the passionate, contradictory father of William, Henry and Alice James. The author counters the popular view - a view that the James family perpetuated - that Henry James Sr was a benignant man who devoted himself to the good of his children, preached tolerance, and practised self-effacement. Instead, he shows us a man who developed a convoluted personal philosophy to account for his own feelings of pain and guilt, his conviction of his essential sinfulness and capacity for evil, and his fragile sense of self. The work sets Henry James Sr in the broader intellectual and cultural context of his age. As well as throwing light on the development of James's two sons, it is also a study of how families work.
