Annual Bibliography of Modern Art
Author: Museum of Modern Art (New York, N.Y.). Library
Publisher:
Published: 1994
Total Pages: 504
ISBN-13:
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Author: Museum of Modern Art (New York, N.Y.). Library
Publisher:
Published: 1994
Total Pages: 504
ISBN-13:
DOWNLOAD EBOOKAuthor: Henry Art Gallery
Publisher:
Published: 1986
Total Pages: 88
ISBN-13:
DOWNLOAD EBOOKAuthor: New York Public Library. Art and Architecture Division
Publisher:
Published: 1975
Total Pages: 704
ISBN-13:
DOWNLOAD EBOOKAuthor: Trevor J. Fairbrother
Publisher: University of Washington Press
Published: 1999
Total Pages: 216
ISBN-13:
DOWNLOAD EBOOKPublished in conjunction with the March 1999 exhibition at the Seattle Art Museum of 72 selections from the Wright collection of contemporary art. Rather than offering a summary history of postwar art told through the examples that the Wrights have acquired, the volume seeks to distill and honor so
Author:
Publisher:
Published: 1989
Total Pages: 984
ISBN-13:
DOWNLOAD EBOOKAuthor: Louis Fiset
Publisher: University of Washington Press
Published: 2012-01-01
Total Pages: 322
ISBN-13: 0295801360
DOWNLOAD EBOOK“Please don’t cry,” wrote Iwao Matsushita to his wife Hanaye, telling her he was to be interned for the duration of the war. He was imprisoned in Fort Missoula, Montana, and she was incarcerated at the Minidoka Relocation Center in southwestern Idaho. Their separation would continue for more than two years. Imprisoned Apart is the poignant story of a young teacher and his bride who came to Seattle from Japan in 1919 so that he might study English language and literature, and who stayed to make a home. On the night of December 7, 1941, the FBI knocked at the Matsushitas’ door and took Iwao away, first to jail at the Seattle Immigration Stateion and then, by special train, windows sealed and guards at the doors, to Montana. He was considered an enemy alien, “potentially dangerous to public safety,” because of his Japanese birth and professional associations. The story of Iwao Matsushita’s determination to clear his name and be reunited with his wife, and of Hanaye Matsushita’s growing confusion and despair, unfolds in their correspondence, presented here in full. Their cards and letters, most written in Japanese, some in English when censors insisted, provided us with the first look at life inside Fort Missoula, one of the Justice Department’s wartime camp for enemy aliens. Because Iwao was fluent in both English and Japanese, his communications are always articulate, even lyrical, if restrained. Hanaye communicated briefly and awkwardly in English, more fully and openly in Japanese. Fiset presents a most affecting human story and helps us to read between the lines, to understand what was happening to this gentle, sensitive pair. Hanaye suffered the emotional torment of disruption and displacement from everything safe and familiar. Iwao, a scholarly man who, despite his imprisonment, did not falter in his committment to his adopted country, suffered the ignominity of suspicion of being disloyal. After the war, he worked as a subject specialist at the University of Washington’s Far Eastern Library and served as principal of Seattle’s Japanese Language School, faithful to the Japanese American community until his death in 1979.
Author: Nancy Boas
Publisher: Univ of California Press
Published: 2023-09-01
Total Pages: 234
ISBN-13: 0520919777
DOWNLOAD EBOOKSix plein-air painters in Oakland, California, joined together in 1917 to form an association that lasted nearly fifteen years. The Society of Six—Selden Connor Gile, Maurice Logan, William H. Clapp, August F. Gay, Bernard von Eichman, and Louis Siegriest—created a color-centered modernist idiom that shocked establishment tastes but remains the most advanced painting of its era in Northern California. Nancy Boas's well-informed and sumptuously illustrated chronicle recognizes the importance of these six painters in the history of American Post-Impressionism. The Six found themselves in the position of an avant garde not because they set out to reject conventionality, but because they aspired to create their own indigenous modernism. While the artists were considered outsiders in their time, their work is now recognized as part of the vital and enduring lineage of American art. Depression hardship ended the Six's ascendancy, but their painterliness, use of color, and deep alliance with the land and the light became a beacon for postwar Northern California modern painters such as Richard Diebenkorn and Wayne Thiebaud. Combining biography and critical analysis, Nancy Boas offers a fitting tribute to the lives and exhilarating painting of the Society of Six.
Author: Linda S. Hubbard
Publisher:
Published: 1991-11
Total Pages: 1932
ISBN-13: 9780810349087
DOWNLOAD EBOOKAuthor: Stephan Wolohojian
Publisher: Metropolitan Museum of Art
Published: 2003
Total Pages: 561
ISBN-13: 1588390764
DOWNLOAD EBOOK"For the Winthrop collection's international debut exhibition, curators at the Fogg Art Museum of the Harvard University Art Museums, headed by Stephan Wolohojian, organized the selection and invited more than sixty specialists to write on artworks in their particular area of expertise. Works include such highlights in their creator's oeuvre as Jacques-Louis David's sketchbooks for The Coronation of Napoleon and the Crowning of Josephine, Theodore Gericault's Mutiny on the Raft of the Medusa, Vincent van Gogh's The Blue Cart, Jean-Auguste-Dominique Ingres's Odalisque with the Slave, William Blake's illustrations for the Divine Comedy, Dante Gabriel Rosetti's Blessed Damozel, and James Abbott McNeill Whistler's Nocturne in Blue and Silver. In addition, an essay by Wolohojian provides a fascinating and informative description of Winthrop and the growth of his collection."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Morrison H. Heckscher
Publisher: Metropolitan Museum of Art
Published: 1992
Total Pages: 306
ISBN-13: 0870996312
DOWNLOAD EBOOKPublished in conjunction with an exhibition organized by, and held at, the Metropolitan Museum of Art, New York, and the Los Angeles County Museum of Art, this volume examines the American (i.e. British colonial) manifestations of the European rococo style. Following an introductory chapter, separate chapters are devoted to architecture, engravings, silver, and furniture, plus iron, glass, and porcelain grouped together as factory products. Illustrated are 173 objects (many in color) that are part of the exhibition, and some 50 related objects. Annotation copyrighted by Book News, Inc., Portland, OR